Seven former college friends, along with a few new friends, gather for a weekend reunion at a summer house in New Hampshire to reminisce about the good old days, when they got arrested on the way to a protest in Washington, DC.
Humberto Fuentes is a wealthy doctor whose wife has recently died. In spite of the advice of his children, he takes a trip to visit his former students who now work in impoverished villages... See full summary »
Dan Rivera González
A brief look into the South American family life, while showing the hardships surrounding adoption in South America; as six woman are forced to stay in the country while awaiting approval of adopting a baby.
1950. Rural Alabama. Cotton harvest. It's a make-or-break weekend for the Honeydripper Lounge and its owner, piano player Tyrone "Pine Top" Purvis. Deep in debt to the liquor man, the ... See full summary »
In an economically devastated Alaskan town, a fisherman with a troublesome past dates a woman whose young daughter does not approve of him. When he witnesses the murder of his shady brother, he, the woman and the kid run to the wilderness.
Mary Elizabeth Mastrantonio,
The Brother is an alien who has crash-landed on Earth, in New York City. While mute, strongly empathic, and able to fix things, he resembles a Black man with strange feet. His attempt to make a place for himself in Harlem is an allegory for the immigrant experience in the United States. Meanwhile, two bounty hunters from the Brother's home planet arrive and try to capture him.Written by
When the kid finishes showing The Brother the card trick, he says "I've got another trick. I can make all the white people disappear." The train enters the next station and all the white people proceed to exit the train. The Kid says "See?", but you can see, right next to him, there is a white woman sitting down and she never leaves the train. See more »
(about Harlem) I'd rather be a cockroach on a baseboard up here than the Emperor of Mississippi.
See more »
Pussy I Cocky I Water
Sung by Lee 'Scratch' Perry (as Lee "Scratch" Perry)
By Lee 'Scratch' Perry (as Lee "Scratch" Perry)
Happy Valley Music/BMI
Courtesy of Heartbeat Records
From the album "Mystic Miracle Star" (1982) See more »
What I love about Sayles is that he never forgets that first and foremost, movies should tell stories.
This one is a real gem in the rough. It has the irreverence and SciFi conventions of Barry Sonnenfeld's MIB but with social commentary instead of a budget. Also, instead of merely clever comments on NYC life, Sayles shows his characteristic political side by highlighting little tableaux of real life. Slipping in the Harriet Tubman subplot was pure Sayles.
I especially loved his usage of music and the chemistry of the barroom regulars. That fight with the MIB was a hoot! Sayles, a Corman vet, knows that special effects shouldn't be used for the sake of having them.
9 of 11 people found this review helpful.
Was this review helpful to you?
| Report this