News

Right from its opening frames, Night Stage stakes its claim in the erotic thriller canon by weaving raw longing into every shadowy corridor and heated glance. Directors Marcio Reolon and Filipe Matzembacher—whose previous work quietly reshaped queer storytelling—turn the city at night into both playground and trap, where every hidden corner pulses with risk.

In this 2025 release, we meet Matias (Gabriel Faryas), a young actor brimming with promise yet stifled by an industry that demands conformity, and Rafael (Cirillo Luna), a polished politician whose carefully crafted public persona hides a hunger for danger. Their brief encounter in a deserted parking lot spirals into something dangerously addictive: a series of public trysts that link erotic thrill to personal ambition.

The film doesn’t merely borrow the mechanics of its ’80s forebears—it refashions crash‑zoom tension and split‑screen voyeurism to explore how performance seeps into real life. Matias...

In Videoheaven, Blockbuster––to take after Thom Andersen––plays itself. Now deep in a pop-cultural-scholarship phase inaugurated by his last feature Pavements, Alex Ross Perry has made a generous, absorbing three-hour essay film-cum-documentary on nothing else but video-rental stores, those fabled and most benign of places. That is the loveably niche subject, but like the best examples of those brick-and-mortar venues, it contains multitudes: closely inspired by academic Daniel Herbert’s acclaimed media studies text Videoland: Movie Culture at the American Video Store, Videoheaven is the ne plus ultra consideration of this topic to date, dispensing large portions of information and close analysis entirely through a combination of film and TV excerpts, occasional pieces of archive, and voiceover from Maya Hawke. Born in 1984 and coming of age in the early millennial period, Perry is declaiming that this was his generation and this was what mattered. It was magnetic tape and clumpy boxes,...

Timothée Chalamet’s Spider-Man Audition Panic (Photo Credit – Facebook)

Flashback to three years ago, and Timothée Chalamet was sweating it out in one of Hollywood’s most iconic auditions: Spider-Man: Homecoming. The actor recalled that very experience with a mix of humor and honesty. “I read twice, and I left sweating in a total panic,” Chalamet confessed at the Los Angeles Film Critics Association Awards. A true testament to the pressure young actors face, this wasn’t your typical audition.

Chalamet’s panic didn’t stop there. After the grueling experience, he called his agent, Brian Swardstrom at UTA in a full-on freak-out. “I thought about this a lot, and I have to go back and knock on that door and read again,” Timothée said. His agent, ever the voice of reason, shared a quirky piece of industry wisdom—he told Chalamet the story of actress Sean Young, who had...

We hear all the time that a movie starts on the page, and while this is true in an overarching sense, for practical purposes, the process of making a motion picture intended to screen in theaters or stream into living rooms starts when you've raised enough money to hire the actors and crew and so on required to get that page-bound vision before a camera. It's at this point that you begin fretting about getting a return on your investment and, just maybe, turning a profit. In this sense, all filmmaking is risk-taking.

This is the movie business, and it didn't used to be of widespread public interest. Once in a blue moon, people would be aware that a film like Joseph L. Mankiewicz's "Cleopatra" cost a studio-devouring amount of money; meanwhile, they could tell "The Exorcist," "Jaws" and "Star Wars" were making scads of money because they could...

January 2025 could mark a bleak month for very specific reasons, but in that month one can watch a nicely curated collection of David Bowie’s best performances. Nearly a decade since he passed, the iconic actor (who had some other trades) is celebrated with The Man Who Fell to Earth, Merry Christmas Mr. Lawrence, The Linguini Incident, Twin Peaks: Fire Walk With Me, and Basquiat. (Note: watch The Missing Pieces under Fire Walk with Me‘s Criterion edition for about three times as much Phillip Jeffries.) It’s a retrospective-heavy month: Nicole Kidman, Cameron Crowe, Ethan Hawke, Paulin Soumanou Vieyra, Paolo Sorrentino, and Sean Baker are given spotlights; the first and last bring with them To Die For and Take Out‘s Criterion Editions, joining Still Walking, Hunger, and A Face in the Crowd.

“Surveillance Cinema” brings Thx 1138, Body Double, Minority Report, and others, while “Love in Disguise” offers films by Lubitsch,...

Exclusive: Nicole Kidman says she was smitten the moment filmmaker and writer Halina Reijn revealed the name of a movie she was writing. “I love the title. So, I was like, ‘Oh! I’d like to be a Babygirl!'”

The Oscar-winner says that when she read the script, she was “completely sort of hypnotized” by its “very modern look at women’s sexuality, but also just desire and who we are authentically as people and whether we’re loved for who we are.”

Babygirl, which plays in theaters nationwide from Dec. 25, has been having that hypnotizing effect on festival and awards season audiences as well, ever since A24 world-premiered Reijn’s picture at the Venice Film Festival, where Kidman’s red-hot blistering performance won the Lido’s Volpi Cup for Best Actress. This week, she won the National Board of Review’s NBR Award for Best Actress.

The film...

Alfred Hitchcock developed his own unique style, and many other filmmakers have taken inspiration from his crime thrillers over the years. The term "Hitchcockian" describes any movie which bears the hallmarks of Hitchcock's work. No such term exists for most other directors, which just goes to show how original and immediately identifiable Hitchcock's classics are. The Master of Suspense is still inspiring filmmakers long after his death.

Hitchcock's biggest hits share certain visual motifs, including blonde women, famous landmarks and the use of staircases as visual metaphors. His stories often shared some key ideas too, such as wrongly accused men, voyeurism and twisted family dynamics. These common themes helped Hitchcock's movies stand out, and they became their own subgenre in a way. Other directors pay homage to Hitchcock by using his visual quirks to delve into his favorite subjects.

Related 20 Best Alfred Hitchcock Movies, Ranked

Alfred Hitchcock directed over 50 feature-length movies,...

Barbara Crampton is returning to the surreal horror world she does so well in The Blue Diamond. Crampton is one of the most iconic names in the horror genre after making her breakout debut in Brian de Palma's Body Double, with some of her most notable projects being in such H.P. Lovecraft adaptations as Re-Animator, From Beyond and Suitable Flesh, as well as acclaimed indie hits You're Next, We Are Still Here and Jakob's Wife, among others. The star has also found frequent success in the soap opera genre, starring in Days of Our Lives, The Young and the Restless and Guiding Light, among others.

Crampton stars in The Blue Diamond as Jacqueline Diamond, the founder and CEO of a lifestyle brand largely inspired by skiing and snowing, having amassed a dedicated following through her company. The short film primarily centers on Jacqueline's estranged daughter, Alison, who reluctantly...

The 1980s era is famous for its trashy movies, but some are nothing but fun. Some of the best movies of all time are a product of the 80s, a time which is known for being cheesy, over-the-top, and full of enthusiasm. The world of film changes with every passing year, but the 1980s produced some of the most notable titles in cinematic history.

Trashy films are generally considered projects with certain defining features, such as confusing storylines, poor special effects, cringeworthy acting, or bad jokes. While some controversial 80s movies are labeled as such because their message is lost in translation, others are referred to as trashy because of the lack of effort or poor reception. Regardless of their execution, these trashy 80s movies are still fantastic and enjoyable to watch.

Body Double (1984) A Story About Strange Coincidences & Badly Timed Arrivals

Body Double

Body Double is a thriller film directed by Brian De Palma,...

Horror writer and director Steven Kostanski, who helmed indie hits like 2016’s “The Void” and 2020’s “Psycho Goreman,” knows his interests don’t always align with what’s trendy for genre fans.

“For years, I’ve been trying to push my fellow filmmaker friends into trying to make some kind of little creature movie,” he says. “It would be great to have little puppets running around torturing people. Who doesn’t want to watch that? Everybody said, ‘Oh, there’s no market for that.’ Everybody talks in terms of, ‘What is the popular thing in horror right now? Is it zombies?’ Nobody ever says, ‘It’s little trouble-making gremlin creatures.'”

Feedback be damned, Kostanski started developing a film in the spirit of genre classics like “Gremlins 2: The New Batch” and “Ghoulies.” The result is “Frankie Freako,” opening Oct. 4 in theaters via Shout! Studios. In the movie, Conor (Conor Sweeney...

Apparently, Brian De Palma isn’t retired from filmmaking after all. IndieWire reports (via Vulture) that the legendary director has plans to make a film soon. De Palma confirmed he’s in the midst of casting a new project in Vulture’s 40th-anniversary piece for “Body Double,” the director’s fan-favorite 1984 film.

Read More: 2024 Fall Film Preview: 50 Movies To Watch

“I have one other film I’m planning to make.

Continue reading Brian De Palma Has A New Film In The Works But “I Can’t Tell You What It Is Until It Happens” at The Playlist.

Brian De Palma has (at least) one more feature in mind.

The auteur told Vulture as part of a 40th anniversary piece for “Body Double,” that he has one more film in the works. The announcement was a surprise to some in the business, including Nick Newman of The Film Stage, who commented on the news that he had previously “heard from more than one reliable source that Brian De Palma was done directing.”

Apparently not.

De Palma most recently directed “Domino” in 2019; he had also publicly announced two other projects in 2018, respectively titled “Sweet Vengeance” and “The Predator.” Neither film was made.

Now, it seems that De Palma is set on a different possible swan song.

“I have one other film I’m planning to make. And we’re in the process of trying to cast it,” De Palma said. “I can’t tell you what it is, until it happens.

I’ve heard from more than one reliable source that Brian De Palma was done directing. It’s believable enough without any inside info: the five years since his, let’s say, fascinating and compromised Domino have not found him growing any younger, and a director who’d taken so many hits in the preceding decades only has so many options left, none of which that film could be said to renew. At the very least it would’ve ended his career with the greatest transition to end credits anybody could hope.

Yet in a new interview with Bilge Ebiri (during which it’s hilariously revealed he turned off Air before its homage to Body Double because he “got kind of bored with it”) De Palma spoke of a new project with some seeming optimism, albeit briefly: “I have one other film I’m planning to make. And we’re...

Sean Connery made his best movie outside the James Bond franchise when he paired up with Kevin Costner to take down Al Capone in Brian De Palmas Prohibition-era gangster thriller The Untouchables. Connery became the first actor to play Bond on the big screen when he starred in 1962s Dr. No. The character was already a literary icon, but Connery was responsible for making Ian Flemings gentleman spy a beloved staple of the silver screen. He played 007 in five more official Eon productions and one unofficial non-Eon production, 1983s Never Say Never Again.

While Bond is undoubtedly Connerys most iconic role, he had a very prolific career outside the Bond franchise, too. He worked in a wide range of genres under the direction of such renowned filmmakers as Alfred Hitchcock, Steven Spielberg, John Huston, and Sidney Lumet. From an Agatha Christie murder mystery to a submarine thriller from the director of Die Hard,...

While his films have ranged from the sublime to the atrocious, there’s no denying the impact Brian De Palma has had on cinema. Let’s take a look back at 20 of his greatest films, ranked worst to best.

De Palma began his filmmaking career directing underground features shot on a shoestring, many of which starred a young Robert De Niro. He came into his own with the Hitchcock-inspired thriller “Sisters” (1973), starring Margot Kidder as a pair of killer Siamese twins. The Master of Suspense would serve as a muse to De Palma throughout his career, influencing such films as “Obsession” (1976), “Dressed to Kill” (1980), “Blow Out” (1980) and “Body Double” (1984) both in style and substance.

He enjoyed his first box office success with “Carrie” (1976), an adaptation of Stephen King’s chilling novel about a shy teenager (Sissy Spacek) with telekinesis. The film brought Oscar nominations to Spacek and Piper Laurie...

When you look at the true legacy of a scream queen there are a lot of options out there to choose from. When looking at the top of the heap though? I’d argue that there really is only one option. Jamie Lee Curtis has been making horror movies in 6 different decades now and while a lot of them are directly tied to her most famous franchise with 7 of her horror films being in the Halloween series, there’s so much more. In fact, her run from 1978 to 1981 includes the likes of Halloween 1 and 2, The Fog, Terror Train, and Prom Night. All of those movies have now been remade and are considered classics but there is one in there that doesn’t get talked about enough, was a bomb when it came out, but keeps getting better with age. While Halloween II came out and stole the spotlight in 1981, Road Games...

There’s some undeniable wisdom in that Mark Twain quote about writing what you know, and that’s likely the reason why some of the best films of all time are about filmmaking itself. This also applies to the horror genre, as we can see from beloved classics like Wes Craven’s New Nightmare and even The Blair Witch Project.

And in honor of recent meta horror flicks like MaXXXine and The Exorcism (not to be confused with The Pope’s Exorcist), we’ve decided to come up with a list celebrating 6 underrated Hollywood Horror Films that explore the dark side of show business.

For the purposes of this list, we’ll be defining ‘Hollywood Horror’ as scary movies where filmmaking itself is a source of scares. That being said, we’ll be avoiding Found Footage movies since most of them are already exercises in meta storytelling.

With that out of the way,...

Killer Collectibles highlights five of the most exciting new horror products announced each and every week, from toys and apparel to artwork, records, and much more.

Here are the coolest horror collectibles unveiled this week!

Thanksgiving Steelbook 4K from Sony

Eli Roth’s Thanksgiving carves into Steelbook 4K Ultra HD + Blu-ray + Digital on October 15 via Sony. The slasher is presented in 4K with Dolby Vision, approved by director Eli Roth, and Dolby Atmos.

Jeff Rendell penned the script, based on the faux-trailer from 2007’s Grindhouse. Patrick Dempsey, Addison Rae, Milo Manheim, Jalen Thomas Brooks, Nell Verlaque, Rick Hoffman, and Gina Gershon star.

Special features include: two new making-of featurettes; commentary by Roth and Rendell; deleted and extended scenes; outtakes; Behind the Screams; Gore Galore; and Massachusetts Movies: Eli & Jeff’s Early Films; a letter to the fans from Roth.

The Thing Pop from Funko

As if the inclusion of The...

MaXXXine is currently steaming up movie screens worldwide, but in a few months you'll be able to watch the '80s erotic thriller that inspired it in 4K - for the first time ever. Body Double, Brian De Palma's Hitchcockian tale of voyeurism and violence in the Hollywood Hills, is coming to 4K in a new Steelbook. MediaPlayNews reports that the set will be released on September 17.

The highly anticipated third film in Ti West‘s X trilogy, MaXXXine is finally here, and the fans of the franchise are loving it. With a setting of the 80s when the real-life Night Stalker murders took place, the final film in the X trilogy follows the story of Maxine Minx as she finally gets her big break into the film industry, but when a mysterious serial killer begins to kill the starlets of Hollywood, Maxine’s future in the City of Angels comes into danger. MaXXXine stars Mia Goth in the lead role with Elizabeth Debicki, Halsey, Lily Collins, Sophie Thatcher, Moses Sumney, Kevin Bacon, Michelle Monaghan, Giancarlo Esposito, Chloe Farnworth, and Bobby Cannavale starring in supporting roles. So, if you loved the glitz, glamour, murder, and mystery in MaXXXine, here are some similar movies you could watch next.

Pearl (Prime Video) Credit – A24

Pearl is the second film...

Ti West’s “MaXXXine” has slashed its way into theaters. And the third film in the trilogy that began with 2022’s “X” and continued with the prequel “Pearl,” is perhaps the installment most steeped in other movies. This is a movie where, when a character is threatening Maxine (Mia Goth), the porn star that survived the events of “X” and now, circa “MaXXXine” is struggling to make it in mainstream Hollywood in 1985, they send her a newspaper clipping with the headline: “The Texas Porn Star Massacre,” a direct reference to Tobe Hooper’s immortal “Texas Chain Saw Massacre.”

And that’s just the beginning of the metatextual delights that make “MaXXXine” so special. We thought that we’d talk about five of the movies that fundamentally inspired “MaXXXine.”

Since we’ll be talking about plot specifics, consider this your mild spoiler warning before we get into it.

“Psycho” (1960) Universal Pictures...

This article contains spoilers for "MaXXXine."

Writer/director Ti West trilogy of films starring Mia Goth — "X," "Pearl," and now "MaXXXine" — are, first and foremost, a solid trio of character-based horror films. Taken at face value, they tell an eerie, sexy, and violent cautionary tale about two women, Pearl and Maxine (both played by Goth), whose ambitions for stardom lead them to commit sinful acts.

Taken metaphorically, however, the films have a ton to say about the history of cinema itself, with a particular focus on the tense relationship between prurience and art that's existed within the medium since its inception. Horror movies and pornographic films have long been associated with each other, and West draws on that connection to explore the effects cinema has on everything from standards of youth and beauty -- particularly when it comes to women -- as well as the American Dream of going from rags to riches.

With “MaXXXine,” writer-director Ti West completes the trilogy he began with “X” and followed with the prequel “Pearl,” shepherding audiences through three bloodstained stories of ambition in as many years. After himself infiltrating Hollywood’s ecosystem as a scrappy outsider with acclaimed projects like 2009’s “House of the Devil” and 2011’s “The Innkeepers,” the three-quel marks West’s biggest film to date. Even so, its potential for success presents him many of the same risks faced by his protagonist Maxine (Mia Goth), who hopes to move past a troubled, violent — and to some, disreputable — past in order to fulfill her larger silver-screen dreams.

Speaking to Variety at what for him is the end of a very long journey, West takes the challenges in stride. Set in 1985, “MaXXXine” is drenched in history and iconography from the time — not only when the popularity of slasher movies like “X” were booming, but during...

Ti West’s time-jumping trilogy of Texas-fried serial killer shenanigans concludes with 2024’s Maxxxine. Leaving behind the 1970s porn shoots and 1930s stag loops for 1980s peep shows, Maxxxine is still firmly planted in West’s Adults Only world of bodies and body parts. It’s as gory as the two films that came before it and as referentially obsessed, for better or worse. We all got a kick of out X‘s Texas Porn Star Massacre but dear Body Double (1984) fans, get ready to eat up what Maxxxine is serving to you on a blood-stained silver cocaine platter.

Set in the VHS dominated world of Hollywood’s underbelly, Maxxxine sees X‘s Maxine Minx (Mia Goth) clawing and scratching and auditioning her way to stardom in 1985. Naturally, her biggest hurdle is breaking out of the world of Adult Film into “legitimate” movies. That’s easier said than done (obviously...

Writer/director Ti West has been one of horror’s most compelling, original voices since his 2005 debut “The Roost,” but with his last three movies, his filmmaking skills have risen to a whole new level. He had taken a six-year break from features when he released “X” in 2022, but the movie was well worth the wait; the 1970s-set story of an adult film cast and crew who find themselves under siege by a murderous couple, “X” was daring, scary, and funny — it was also immaculately crafted, with a precision and purposefulness in the framing and lensing that elevated it above most of the exploitation films from which it took inspiration. West shot “X” back-to-back with its prequel “Pearl,” an even more meticulously designed — and completely different in tone and style — period piece, this one an origin story for one of the first film’s killers set in 1918.

Now, West has...

In Ti West’s 1979-set slasher movie X, Mia Goth played would-be porn star Maxine and elderly killer Pearl. Spinning the film out into a triptych rather than a trilogy, the 1919-set Pearl was about the younger days of the murderess, while MaXXXine is set in 1985 and catches up with what the final girl of the Texas Porn Star Massacre did next in her life. Eventual binge-watchers will notice the way elements recur with variations across all three movies — something Maxine does at the climax mirrors what Pearl did in her film.

In a moment of metatextuality which functions also as a scare scene, Maxine has her head coated with goo as a make-up artist makes an impression to be used to create a severed-head prop for a dream sequence. She is transformed by dripping white gunk into the ghost image of old Pearl, who actually told her she would end up looking like her.

Plot: Years after the harrowing events of X, Maxine Minx (Mia Goth) is working as an adult film star in Los Angeles. Just as she lands a breakthrough part in a horror flick, a demented killer starts murdering the people in her life, and now, to save her life and career, she’ll have to face her past.

Review: Ti West’s MaXXXine is the third instalment of a career-defining trilogy for the director and his star, Mia Goth. The actress received some of the best notices of her career for the last film in the series, Pearl, and her double role in X made her a genre icon. MaXXXine is a star vehicle for her through and through, but while she delivers a good performance again, the film can’t help but pale compared to its somewhat scrappier predecessors.

With MaXXXine, West is working with a bigger budget, with the movie peppered with stars,...

“X,” the first movie in Ti West’s grungy but elevated artisanal-trash horror franchise (it’s been billed as a trilogy but may yet produce further installments), was an unusually effective stab at recreating the ’70s farmhouse-turned-charnel-house vibe of “The Texas Chain Saw Massacre,” spiced with the fleshpot voyeurism of ’70s porn. For a retro slasher movie, it was a novelty and a curio. The insane killer was an old farm wife suffering from erotic frustration — played, under a ton of make-up, by Mia Goth, the same actress who played one of the film’s porn performers. The movie was leagues better than your average “Chain Saw” knockoff, yet it never quite transcended the slasher formula. It was a psycho thriller crafted with a fanboy filmmaker’s encyclopedic rigor.

But “Pearl,” a prequel that West shot directly after “X” (it was released just six months later in 2022), took a startling leap.

After seven glorious seasons, the surreal and unpredictable saga that was Riverdale came to an equally absurd end in 2023. What began as a murder mystery with characters borrowed (but totally refurbished) from Archie Comics turned into a mish-mash of genres and homages that was ultimately extremely enjoyable. Few other television shows could survive for over half a decade with the kind of experimentation that Riverdale pulled off.

Soon enough, the show came to be known for its twists and turns, which could range from the mundane to totally wild. While every chapter had something weird going on, certain episodes stood out immensely for just how wild and chaotic they could be. Archie and Betty, the golden duo, could develop superpowers at the drop of a hat, or broody Jughead could start seeing aliens in the town. One could never really tell.

"Chapter Thirty-Seven: Fortune and Men's Eyes" Had the Epic Highs and Lows of Football.

On Friday nights, IndieWire After Dark takes a feature-length beat to honor fringe cinema in the streaming age.

First, the spoiler-free pitch for one editor’s midnight movie pick — something weird and wonderful from any age of film that deserves our memorializing.

Then, the spoiler-filled aftermath as experienced by the unwitting editor attacked by this week’s recommendation.

The Pitch: Peering Eyes and Multiple Endings

Sliver really should be mandatory viewing for any “Basic Instinct” fan — or any lover of Sharon Stone noirs, for that matter. Stone reunites with “Basic Instinct” screenwriter Joe Eszterhas for this 1993 erotic thriller that feels more like a Brian De Palma-esque satire on the genre itself. Mixed with the paranoia of surveillance technology, the voyeurism of “Body Double,” and the dual campy performances from Billy Baldwin and Tom Berenger as part of a twisted love triangle, “Sliver” is the ‘90s film you’ve never heard of but will adore.

Those look for a libido-juicing kick at this year’s Cannes Film Festival surely found it in “Motel Destino,” the sexually explicit erotic thriller from Brazilian director Karim Aïnouz.

Competing in the main competition once again after “Invisible Life” and “Firebrand,” Aïnouz returned to his native Brazil to shoot this perverse psychosexual triangle about the owners of a sex motel along the country’s northeastern Atlantic coast, and the criminal drifter who disrupts their lives. The wild-haired Dayana (Nataly Rocha) operates the Motel Destino with her abusive husband Elias (Fábio Assunção), where she takes up an unhinged affair with Heraldo (Iago Xavier), and amid nonstop sucking and fucking, plot to kill Elias in the grand tradition of the great noirs. Except it’s a noir with a post-Hays Code, liberated twist that has rocked Cannes with its strong, pervasive sexual content, to use the language of the American Motion Picture Association’s ratings board.

Brian De Palma apparently was less than enthused by Pauline Kael’s scathing “Body Double” review. The legendary critic didn’t seem to grasp what De Palma was attempting with his 1984 meta noir send-up of Hollywood.

The auteur’s take on “Rear Window” centered on a struggling actor (Craig Wasson) who seems to witness a murder while housesitting for his friend’s (Gregg Henry) pal. His relationship with a rising young porn actress (Melanie Griffith) leads to him investigating whether or not his voyeurism could solve a crime.

“Body Double,” which is receiving a theatrical re-release as part of Netflix’s Milestone Movies program in honor of its 40th anniversary, was received “harshly” by critics, according to actor Henry, who reunited with writer/director/producer De Palma after having a single yet memorable line in “Scarface.” Henry went on to work with De Palma for six more films.

“You always...

The episode of Wtf Happened to This Horror Movie? covering Raising Cain was Written and Narrated by Mike Holtz, Edited by Joseph Wilson, Produced by Andrew Hatfield and John Fallon, and Executive Produced by Berge Garabedian.

There’s a lot to miss about the ’90s. Video stores. Arcades. Music Television. On and on. One of the many things I miss is the slew of original thrillers that used to grace the big screen. Each one with varying amounts of horror, cheesiness, and sex. Richard Gere and Michael Douglas were involved in more sex and danger in the ’90s than Maureen Prescott’s ghost. But today isn’t about watching the guy from Falling Down rip his expensive and pleated slacks off in a fever of passion. It’s about directing legend Brian De Palma returning to the genre with his very own fever dream Fight Club. A story of split personalities,...

Get ready to journey back to the 1980s with Netflix's curated selection of iconic films screening in select theaters and available to stream. From classic 80s staples like Beverly Hills Cop to cult classics like A Nightmare on Elm Street, there's something for every movie buff to enjoy. Netflix's Milestone Movie Collection celebrates cinema milestone years, with 1984 films lined up for April and May screenings, including The Natural and This is Spinal Tap.

If you're feeling nostalgic for the 1980s, Netflix has got you covered. As part of their Milestone Movies: The Anniversary Collection, the streamer is sending over two dozen 1984 movies to Netflix-owned theaters for a limited time. The films will screen at the Paris Theater in New York, The Egyptian Theater in Hollywood, and The Bay Theater in Pacific Palisades, California, throughout select dates in April and May (via Variety). The films will also be available to stream.

‘80s nostalgia is heading back to Netflix’s theaters with Milestone Movies: The Anniversary Collection – 1984.

The Milestone Movies collection will screen across three theaters: New York’s Paris Theater, The Egyptian Theatre in Hollywood and The Bay Theater in Pacific Palisades, Calif. Selected films turning 40 this year will play in Netflix’s theaters and the 1984 collection is also available to stream.

The Paris Theater in New York City will show blockbusters “Beverly Hills Cop,” “Footloose,” “Gremlins,” “Indiana Jones and the Temple of Doom,” “Muppets Take Manhattan,” “Natural,” “Nightmare on Elm Street,” “Romancing the Stone,” “Amadeus” and “Splash,” from April 12 to 18.

Indie and auteur titles “The Ballad of Narayama,” “Birdy,” “Body Double,” “Brother from Another Planet,” “Last Night at the Alamo,” “Love Streams,” “Moscow on the Hudson,” “Places in the Heart,” “Suburbia” and “Times of Harvey Milk” will be available from April 19 to 25.

In the Fantastic Journeys collection, “Dune,” “Fanny and Alexander,...

We're big fans of the horror genre here at /Film. In my humble opinion, it's the best of the film genres — one that can be molded, sculpted, and altered to fit into different-sized packages. Horror can be therapeutic. It can elicit emotions in us that remind us we're still alive and kicking. Like Nicole Kidman in that annoying AMC ad, we come to this place for magic. We come to horror movies to love, to cry, to care. Because we need that, all of us. With that in mind, we're unleashing a new monthly feature where we highlight the best horror movies to stream this month. So let's get ready to scream/stream.

Read more: The 15 Best Horror Movie Directors Of All Time

Late Night With The Devil

Streaming on Shudder April 19.

A horror mockumentary that plays its cards just right, "Late Night With the Devil" is one of the...

Netflix is continuing to roll out its celebration of iconic films, this time turning the page to 1984.

As part of the streaming platform’s “Milestone Movies: The Anniversary Collection,” Netflix has unveiled the 1984 films celebrating their 40-year anniversary in 2024 with classics like “Footloose” and “Sixteen Candles” alongside Oscar contenders “Amadeus” and “Iceman.”

The Milestone Movies hail from Warner Bros., Paramount Pictures, and Sony — the distributors that license content to Netflix.

Starting today, April 1, 2024, Netflix subscribers can revisit Brian de Palma’s erotic noir “Body Double” and Kevin Bacon’s breakout performance in “Footloose.” How about a double feature? There’s also “Repo Man” and “Beverly Hills Cop,” streaming just in time for franchise reboot “Beverly Hills Cop: Axle F” out this summer.

In addition to the cinematic celebrations in your Netflix queue, in-person special screenings of select films will continue at the Paris Theater in New York and Los Angeles...

Killer Collectibles highlights five of the most exciting new horror products announced each and every week, from toys and apparel to artwork, records, and much more.

Here are the coolest horror collectibles unveiled this week!

Contagion 4K Uhd from Warner Bros.

Contagion will infect 4K Ultra HD on February 27 via Warner Bros. The 2011 thriller has been newly restored in 4K from the original camera negative, overseen by director Steven Soderbergh, with High Dynamic Range.

The ensemble cast features Marion Cotillard, Matt Damon, Laurence Fishburne, Jude Law, Gwyneth Paltrow, Kate Winslet, Bryan Cranston, Jennifer Ehle, and Sanaa Lathan. Scott Z. Burns (The Bourne Ultimatum) wrote the script.

Three previously released featurettes are included: “The Reality of Contagion,” “The Contagion Detectives,” and “Contagion: How a Virus Changes the World.”

Body Double Vinyl Soundtrack from Waxwork Records

The soundtrack from Brain De Palma’s Body Double is coming to vinyl for $40 from Waxwork Records.

by Cláudio Alves

Superstar is my favorite new-to-me film of 2023. What's yours?

As the year draws to a close, it's time for reflection and hopes for the year to come. All over film publications, lists dominate, cataloging the best pictures of 2023, rushing to proclaim their champions before the ball drops. Here, however, let's do another exercise. Looking back at the past twelve months, I like to think about my favorite first-time watches of years gone by, classics and other sorts that were new to me, even if they were well known to everybody else. 

I think of Brian De Palma's Body Double, a perverse predilection I discovered on my travails through Erotic Thrillers. Then, there was Labyrinth of Cinema, Nobuhiko Obayashi's swan song, and a wild counterpoint to Nolan's Oppenheimer. While I wrote about those two, I have yet to mention my affection for Jafar Panahi's rebellious...

While he may be known for his style of tension-building and mystery, Alfred Hitchcock isn't the only director adept at using these elements, hence why there's so many films that can easily pass as Hitchcokian classics. A maestro of classic horror and suspense, Alfred Hitchcock is one of the rare filmmakers to get a very word coined after him. Thematic or visual nods to the British auteur’s filmography are ever-present in many films after his lifetime, ranging from Body Double and Dressed To Kill to Basic Instinct and Disturbia. Several of his movies have also entertained non-English reinterpretations from around the world.

However, during the director's heyday, Hollywood and British cinema bore witness to movies that bore stark similarities to his multi-genre filmography. Be it in terms of narrative or stylistic elements, these productions might often get mistaken by cinephiles as Hitchcock-directed ventures even though he had nothing to do with them.

Slayyyter is sitting on a couch in Room 49 of the historic Chateau Marmont hotel in West Hollywood. She’s bare-faced, barefoot, and sporting a silky, off-white nightgown as she takes sips of her iced coffee. “I feel like if you die here, you’re immortalized in Hollywood culture,” she muses. Last night’s empty bottles of Dom Pérignon and a half-eaten cake sit on the kitchen counter. It’s the morning of her 27th birthday.

“I’m really weird with this place,” the pop singer continues, casually citing the number...

Full disclosure: This essay is being written by an avowed Bender (Aka Judd Nelson’s character in “The Breakfast Club”) apologist. And yes, nearly four decades since the release of the classic John Hughes teen dramedy, I’m well-aware of how problematic that is by our contemporary standards. While (sigh) the fingerless gloves, shredded denim vest, and studs made Bender the epitome of swoon-worthy bad boy chic, it took close to a decade for my still-forming teenage brain to realize that no, that is not, in fact, the ideal form of sensitive masculinity….because Bender is kind of a creep.

But this just goes to show how deeply the ’80s-era sexist, problematic dreamboat bad boy character has permeated culture. It’s the patriarchy of romance, by way of Reagan era sensibilities still relevant fifty years later. Broken boys will be broken boys in need of healing; but why has it...

HBO has long been considered the leader in prestige television programming, and, over the last five months, the 51-year-old cable network has fully reinforced this belief with the critically acclaimed first season of "The Last of Us" and the perfectly pitched conclusions of "Succession" and "Barry." But while we're still buzzing over the finales of those last two shows, you can't help but look ahead and wonder how the King of Peak TV rides this wave of hosannas to the next must-watch triumphs.

The jury is out as to whether Sam Levinson's "The Idol" will draw as many eyeballs as his wildly popular teen melodrama "Euphoria," but, judging from the critical reaction thus far (and the behind-the-scenes controversy), the series promises to be a supercharged hot-take generator. The show stars Lily-Rose Depp as an out-of-control pop star whose instability and sexual desirability is wantonly exploited to launch her to diva immortality.

Gather ’round, kids, and let’s tell a tale of a time long ago, when movie screens weren’t filled with just superheroes and special effects. A time when parents policed what you were watching for fear of an awkward conversation.

We’re referring, of course, to sex.

From “Basic Instinct” and “Eyes Wide Shut” to “Body Double,” “Risky Business” and “9 ½ Weeks,” on-screen nookie was once a staple of cinema, as much a part of the moviegoing experience as buttered popcorn.

But Hollywood has been strangely celibate for at least the last decade. There are no specific statistics on the declining rate of sex scenes in movies: The closest TheWrap could find was a 2022 report that found R-rated features, where you often found sex scenes, had dipped to a mere 30% share of releases. But if you look at films in theaters today, even R-rated ones like “Joker” and “It,...

Dakota Johnson is most well-known for playing Anastasia Steele in the "Fifty Shades of Grey" franchise. The films, which are based on the book series of the same name by E.L. James, marked her breakthrough role as an actress. Since then, she's led so many other films like "How to be Single," "Suspiria," and "The Lost Daughter." Next up, she's set to join Sony's Spider-Man universe as the titular character in "Madame Web."

Dakota's success is unsurprising, especially considering her parents are famous actors, themselves. Her father, Don Johnson, has starred in hit TV series like "Miami Vice" and "Nash Bridges," while her mother, Melanie Griffith, rose to fame by appearing in films like "Working Girl," "Body Double," and "Something Wild." Not to mention, Dakota's grandmother is "The Birds" star Tippi Hedren, and her former stepfather is the award-winning Spanish actor and director Antonio Banderas. That's right. Acting...

Considering how long I’ve been writing this editorial series, it’s wild that this is the first entry tackling Brian De Palma. While there’s a history of contentious reactions to his works (primarily from feminists in the 70s and 80s who accused him of misogyny for his often brutal treatment of female characters), aside from Adrian Lyne, De Palma is easily one of the most significant directors to work on mainstream Erotic Thrillers.

Body Double is a solid entry in his filmography. It is also incredibly representative of his filmmaking interests in that it focuses on doubles, deep focus/split screens, Hitchcockian themes of obsession, sex and voyeurism, and, finally, a mystery murder that is more complicated than it initially appears.

For first time viewers, it might be surprising to learn that star Melanie Griffith does not appear until well past the one hour mark, after her doppelgänger,...

When director Ben Affleck first approached William Goldenberg, his Oscar-winning go-to editor (“Argo”), to cut “Air,” the sports biopic about Nike’s revolutionary Air Jordan basketball shoe line, it was only a couple of months before shooting began. Yet Goldenberg had to wait a month before reading the script while Alex Convery finished his rewrite.

It was a tight turnaround, but it led to a fast and loose production that perfectly fit the film’s recreation of the scrappy, underdog culture at Oregon-based Nike in 1984, which was then on the verge of bankruptcy.

“It’s about taking risks and greatness,” Goldenberg told IndieWire. “It’s about a lot of things that people can relate to…breaking out of the mold. And what’s great about working on a film like this is I have to watch the movie a lot, and I never got tired of it.”

“Air,” which had...

by Cláudio Alves

Our voyage through the Criterion Channel's Erotic Thrillers collection continues. Only this time, only one movie. Mind you, that wasn't the initial design, but plans were thwarted when confronted with what's bound to become a new favorite – Brian De Palma's 1984 Hitchcock homage sui generis, Body Double. The thing demanded full attention, a drill held low and ready to fuck to death whoever dared to ignore its call. So, it's time to kill morality where it stands, bury good taste while you're at it, and surrender to the wild ride. Let's go down the rabbit hole into Vioporn wonderland…...

Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past round-ups here.

Directed by David Lynch

On the occasion of the home video and streaming release of the newly remastered Inland Empire (for which we were lucky enough to chat with the man himself), Criterion has put together a fine tribute to David Lynch, also featuring Eraserhead (1977), Dune (1984), Twin Peaks: Fire Walk with Me (1992), Lost Highway (1997), and Mulholland Dr. (2001). Don’t sleep on the bonus features, including a new conversation between Laura Dern and Kyle Maclachlan. Also, set to arrive on April 1 is The Elephant Man (1980).

Where to Stream: The Criterion Channel

Eric Rohmer’s Tales of the Four Seasons

French New Wave master Eric Rohmer’s 1990s project was Tales of the Four Seasons, all of which have now received new restorations. Following...

Ben Affleck’s latest directorial effort, the Amazon theatrical release “Air,” has scored the Oscar-winning filmmaker some of the best reviews of his entire career and also probably earned Affleck a spot on many future Spotify Wrapped year-end playlists. The basketball drama about Nike’s efforts to sign Michael Jordan to a lucrative sneaker contract starts with the Dire Straits hit “Money for Nothing” and includes numerous ‘80s favorites throughout.

But Affleck doesn’t just include radio hits on the film’s soundtrack. As revealed by Film Music Reporter – and as known by anyone who has seen the movie thus far – “Air” also heavily features classic ‘80s film score in lieu of its own complete original score. Among some of the movie, scores included in “Air” are “Firestarter,” “Three O’Clock High,” “Risky Business,” “Beverly Hills Cop” and “Beverly Hills Cop II,” “Desperately Seeking Susan,” “Raw Deal,” and “Body Double.” Composer Paul Haslinger,...