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Body Double (1984)

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A young actor's obsession with spying on a beautiful woman who lives nearby leads to a baffling series of events with drastic consequences.

Director:

Brian De Palma

Writers:

Robert J. Avrech (screenplay), Brian De Palma (screenplay) | 1 more credit »
Reviews
Popularity
2,983 ( 16)
Nominated for 1 Golden Globe. Another 1 win & 3 nominations. See more awards »

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Cast

Cast overview, first billed only:
Craig Wasson ... Jake
Melanie Griffith ... Holly
Gregg Henry ... Sam
Deborah Shelton ... Gloria
Guy Boyd ... Jim McLean
Dennis Franz ... Rubin
David Haskell David Haskell ... Drama Teacher
Rebecca Stanley Rebecca Stanley ... Kimberly
Al Israel ... Corso
Douglas Warhit ... Video Salesman
B.J. Jones B.J. Jones ... Douglas
Russ Marin ... Frank
Lane Davies ... Billy
Barbara Crampton ... Carol
Larry Flash Jenkins ... Assistant Director (as Larry 'Flash' Jenkins)
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Storyline

Jake Scully comes home to find his girlfriend with another man and has to find a new place. In between his acting workshops and his job in a vampire B-movie, he scans the paper looking for anything. He happens to meet Sam Bouchard, a fellow actor who needs a house sitter. Both are pleased with the arrangement that will have Jake staying in the house and for a sweetener, Sam shows him his favorite neighbor, a well-built woman who strips with her window open each night. Jake becomes obsessed with meeting her and is able to help recover her purse from a thief, but shows his own phobia, he is incapacitated by claustrophobia when the thief runs through a tunnel. When Jake witnesses a murder, he finds out that the police love to pin crimes on peeping Toms. Jake discovers that here are just too many coincidences but must hunt them down himself without the police. Written by John Vogel <jlvogel@comcast.net>

Plot Summary | Plot Synopsis

Taglines:

Brian De Palma the modern master of suspense invites you witness - A seduction. A mystery. A murder. See more »

Genres:

Mystery | Thriller

Certificate:

R | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

26 October 1984 (USA) See more »

Also Known As:

Doble de cuerpo See more »

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Box Office

Budget:

$10,000,000 (estimated)

Opening Weekend USA:

$2,837,978, 28 October 1984, Wide Release

Gross USA:

$8,801,940
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Stereo

Color:

Color (Metrocolor)

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

Brian De Palma was not happy with the way that the chase on the beach was filmed. See more »

Goofs

In the dressing room, the saleswoman pulls a curtain partly closed. In the next shot, the curtains are in their original position until Gloria Revell herself closes them further. See more »

Quotes

Jake Scully: I like to watch.
Corso the Director: Makes you hot, doesn't it?
Jake Scully: Yeah!
Corso the Director: Makes me hot too, real hot. Come on over here and I'll show you how hot. Okay, take off your clothes, I wanna take some pictures.
Jake Scully: Okay. What is it that we're watching?
Corso the Director: I don't know. What are you, some kind of method actor?
See more »

Alternate Versions

This film was passed uncut in 2000 in the UK when re-submitted to the BBFC. See more »

Connections

Referenced in The Benchwarmers (2006) See more »

Soundtracks

Main Theme
Written by Pino Donaggio
See more »

Frequently Asked Questions

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User Reviews

 
hilarious exercise in style and murder mystery
12 January 2005 | by Spanish_PrisonerSee all my reviews

I've been a fan of De Palma long time and I just saw this one this night. To my enjoyment, I had a few smiles, even laughters, intensity, involving to the storyline, getting that suspense that is needed.

This movie is a perfect example to pull of what Hitchcock has done best in "Rear Window" and "Vertigo". De Palma set up those two basic ideas into a story that's really enjoyable and intense same time. Especially when you are in the knowledge of the movies of the 40s and 50s and the art of making a thriller you are just going to be pleased.

My guess is that De Palma made this movie out of pure pleasure, doing all those great stuff with claustrophobia, sexual need, voyeurism, grotesque murder, and most of all terrifying suspense.

The murder sequence was in my opinion of a well crafted exercise in suspense. You fear, then you hope, then you try to guess, it goes all right, then all wrong, the hero comes, it seems at right time, but still too late, it all goes on and on and you can't believe it happened. Loved and hated the sequence, for film-making and emotional purposes.

Not the greatest, but definitely one of De Palmas best.


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