Detroit cop Axel Foley is delighted when he receives a surprise visit from his best friend Mikey Tandino, who lives in California. Not long after Mikey arrives in Detroit, Mikey is killed, right in front of Axel, by a man named Zack. Axel follows Zack to Beverly Hills, California, where Beverly Hills police department Lieutenant Andrew Bogomil assigns Detective Billy Rosewood and Rosewood's partner, Sergeant John Taggart, to keep an eye on Axel. Axel visits his friend Jenny Summers, who works in an art gallery. With Jenny's help, Axel discovers that Zack works for Jenny's boss, Victor Maitland, the man who owns the art gallery. Maitland is a drug kingpin who is using the gallery as a front, and Maitland had Zack kill Mikey after Maitland accused Mikey of stealing some of Maitland's bonds. With the help of Jenny, Billy, and Taggart, Axel does what he can to make sure Maitland and Zack won't kill any more people.Written by
After then-Paramount chairman Frank Mancuso Jr. saw the opening sequence when the movie was screened for him and the rest of the top studio executives, he told Don Simpson and Jerry Bruckheimer "This movie will be bigger than 'Ghostbusters'. Let's commit to working on a sequel right away." See more »
When the semi truck crashes into the fruit truck, numerous spectators are standing in the background. See more »
Bonded Warehouse Clerk #2:
You got some kind of warrant for this?
You know, you have a very big mouth, sir! Are you hiding something from me? Is that what you're doing? I bet you that is your Porsche that's parked outside, isn't it? Isn't that your Porsche? Is it? How would you like me to have the IRS come down here and crawl up your fuckin' ass with a microscope? 'Cause they'll do it! I've seen them do it! It's not a pretty sight! I want you to know something, pal! And I want all of y'all to know something! I can have ...
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Scott Murphy's character of Det. Owensby is misspelled as Det. Owenby in the credits. See more »
Also shown on TV in an alternate "less explicit" language version. See more »
Cocky rule dodging Detroit Cop Axel Foley (Eddie Murphy) heads to Beverly Hills in search of those responsible for murdering his friend. Upon getting there he falls foul of everyone he meets due to his tough Detroit approach work. Undaunted, Foley, aided by old friend Jenny Summers (Lisa Eilbacher) and two intrigued local detectives, starts to unravel the mystery.
Hey Axel you got a cigarette?
There was a time when Eddie Murphy ruled the world. After Trading Places had introduced us to his sharp comedic tongue, and 48 Hours had shown him to be a more than capable action character actor, Beverly Hills Cop fused the two together and propelled Murphy to super stardom. Directed by Martin Brest and produced by Messers Simpson & Bruckheimer, it's really no surprise that "Hills Cop" is shallow, simple (a fish out of water comedy standard) and utterly commercial. Yet with its gusto, humorous script (Daniel Petrie Jr) and neat plotting, it becomes a hugely entertaining film - led superbly by Murphy due to infectious comedy energy and superb knack for timing.
You're not going to fall for the banana in the tailpipe routine!
It's hard to believe that the likes of Sly Stallone and Al Pacino were first mooted for the role, so not as a comedy one imagines, but as it being a standard police action movie, but enter Murphy and it ended up as a fine blend of action and comedy. There's little digs at Beverly Hills and its smugness, a way of life that Foley, with his down on the streets toughness, can't comprehend, while opposing police methods also get a wry once over - wonderfully threaded in the relationship between Foley, Taggart (John Ashton) and Rosewood (Judge Reinhold).
Small gripes reside, such as Steven Berkoff's by the numbers villain being something of a let down and Ronny Cox is sadly playing filler time with an underwritten character. But this is about Murphy, the fabulous stunt work and the successful union of action and comedy. And hey! even Harold Faltermeyer's bobbing synth score, "Axel F," has a nippiness that remains quintessentially 1980s. 8/10
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