Elisabeth and Simon have been deeply in love for two months when Simon momentarily dies, but comes back to life. Simon does not want any further medical tests, but the couple are forced to ...
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Three intertwined tales. On the eve of the First World War, Count Forbek starts to build a fantastic castle in the Ardennes forest. After the war he uses it to start a utopian society by ... See full summary »
Irrestisible charm and talent help Serge Alexandre alias Stavisky, small-time swindler, to make friends with even the most influential members of the French industrial and political elite ... See full summary »
From beyond the grave, celebrated playwright Antoine d'Anthac gathers together all his friends who have appeared over the years in his play "Eurydice." These actors watch a recording of the... See full summary »
Odile is looking for a new, bigger apartment. Her younger sister Camille just completed her doctoral thesis has fallen in love with an estate agent who is responsible for Odile's apartment ... See full summary »
The intersecting stories of three people who face difficult choices in life-changing situations are used to illustrate the theories espoused by Henri Laborit about human behavior and the relationship between the self and society.
Elisabeth and Simon have been deeply in love for two months when Simon momentarily dies, but comes back to life. Simon does not want any further medical tests, but the couple are forced to grapple with the possibility of his death. They eventually tell their close friends Jérôme and Judith Martignac about the event. The Martignacs are both clerics, and Judith has just been giving a funeral service for a villager who committed suicide, though Jérôme would have nothing to do with suicide...Written by
There is at least a red and/or black item in every interior scene, since the color red stands for love and black for death. See more »
Around 12.40 in the film, when Elisabeth picks up some papers from the floor, standing in front of a mirror and after wards walks to Simon, you can see someone in the mirror pulling the camera. See more »
Resnais assembles four staples of his repertory company for a downbeat exploration of love, faith, death, call it what you will - or twelfth night.
You need stamina to sit through a sub-Bergman philosophical tract that not only doesn't get anywhere but doesn't seem to WANT to get anywhere. You could argue that it's better to travel hopefully than to arrive and you could further argue that with fellow travellers of this quality - Sabine Azema, Andre Dussollier, Pierre Arditi, Fanny Ardant - it's not even bad to travel indefinitely and if you are one of those then this is the journey for you but a short break it's not. As is to be expected from such a stellar cast the acting is certainly out of the right bottle but frailer hearts may wish to exchange this bottle for the one with the skull and crossbones on the label long before half way. For olive lovers only. 7/10
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