Antonio Salieri believes that Wolfgang Amadeus Mozart's music is divine and miraculous. He wishes he was himself as good a musician as Mozart so that he can praise the Lord through composing. He began his career as a devout man who believes his success and talent as a composer are God's rewards for his piety. He's also content as the respected, financially well-off, court composer of Austrian Emperor Joseph II. But he's shocked to learn that Mozart is such a vulgar creature, and can't understand why God favored Mozart to be his instrument. Salieri's envy has made him an enemy of God whose greatness was evident in Mozart. He is ready to take revenge against God and Mozart for his own musical mediocrity.Written by
The filmmakers often used music with text that could be interpreted as referential to the pathos of the story, and several times in Latin. One instance is where Mozart's coffin is being carried out of the church and dumped into the pauper's grave. The music is the Lacrimosa from Mozart's Requiem mass as the choir sings "Lacrimosa dies illa,/ Qua resurget ex favilla/ Judicandus homo reus./ Huic ergo parce, Deus:/ Pie Jesu Domine:/ Dona eis requiem. Amen," which translates as "That day is one of weeping,/ on which shall rise again from the ashes/ the guilty man, to be judged./ Therefore spare this one, O God,/ merciful Lord Jesus:/ Give them rest. Amen." See more »
At the beginning of "Amadeus", the dying Salieri hums the first bars of "Eine kleine Nachtmusik" to the confessor - probably the most immediately recognizable tune Mozart ever wrote. The joke is that the confessor, who knows nothing of Salieri's music, delights in knowing "Eine kleine", and continues humming the melody back to Salieri, to Salieri's disgust. But in 1823, even though Mozart had been dead over 30 years, this music was unknown to the public. It was only published in 1827, by Mozart's widow, who was then still alive. See more »
The producer, screenplay writer and director thank the following for their boundless assistance in our effort to present the physical authenticity and aura you have seen and felt in "Amadeus": -The National Theatre of Czechoslovakia and Prague's Tyl Theatre management for allowing us to film in the Tyl sequences from the operas: "Abduction from the Seraglio," "The Marriage of Figaro," and "Don Giovanni." It was actually in this magnificently preserved theatre that Wolfgang Amadeus Mozart conducted the premiere performance of "Don Giovanni" on October 29, 1787. -His Eminence Cardinal Frantisek Tomasek for his kindness in permitting us to use his beautiful residence headquarters in Prague as the Emperor's palace. -The Barrandov Studios and CS Filmexport for their help in filming "Amadeus" in Prague and in castles and palaces throughout Czechoslovakia. See more »
The Orion Pictures logo, which was seen at the beginning of the film when it was first released theatrically, was not shown when the film played on both cable and commercial television, and is not seen on the VHS or DVD releases. See more »
An Excellent film of describing Mozart's life from wealthy with great fame that shatters in pieces
Amadeus is one tremendous film. The acting was great. Tom Hulce did wonderful and I have only seen him once in a film and that was Animal House. The rest of the cast was great to like F. Murry Abraham did a terrific job in his performance. The music was brilliant, I have never seen a film with such great performances in their plays. I really did admire this movie, everything in it was very interesting and after I watched the film I did a little research on Mozart. The script and directing was superb and the cinematography was brilliant. I couldn't of asked for a better film than Amadeus. I'm glad I saw this film!
Hedeen's outlook: 10/10!! **** A+
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