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Amadeus (1984)

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The life, success and troubles of Wolfgang Amadeus Mozart, as told by Antonio Salieri, the contemporary composer who was insanely jealous of Mozart's talent and claimed to have murdered him.

Director:

Milos Forman

Writers:

Peter Shaffer (original stage play), Peter Shaffer (original screenplay)
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Popularity
929 ( 289)
Top Rated Movies #81 | Won 8 Oscars. Another 33 wins & 14 nominations. See more awards »

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Cast

Cast overview, first billed only:
F. Murray Abraham ... Antonio Salieri
Tom Hulce ... Wolfgang Amadeus Mozart
Elizabeth Berridge ... Constanze Mozart
Roy Dotrice ... Leopold Mozart
Simon Callow ... Emanuel Schikaneder
Christine Ebersole ... Katerina Cavalieri
Jeffrey Jones ... Emperor Joseph II
Charles Kay ... Count Orsini-Rosenberg
Kenneth McMillan ... Michael Schlumberg (2002 Director's Cut)
Kenny Baker ... Parody Commendatore
Lisbeth Bartlett Lisbeth Bartlett ... Papagena (as Lisabeth Bartlett)
Barbara Bryne Barbara Bryne ... Frau Weber
Martin Cavina Martin Cavina ... Young Salieri (as Martin Cavani)
Roderick Cook Roderick Cook ... Count Von Strack
Milan Demjanenko Milan Demjanenko ... Karl Mozart
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Storyline

Antonio Salieri believes that Wolfgang Amadeus Mozart's music is divine and miraculous. He wishes he was himself as good a musician as Mozart so that he can praise the Lord through composing. He began his career as a devout man who believes his success and talent as a composer are God's rewards for his piety. He's also content as the respected, financially well-off, court composer of Austrian Emperor Joseph II. But he's shocked to learn that Mozart is such a vulgar creature, and can't understand why God favored Mozart to be his instrument. Salieri's envy has made him an enemy of God whose greatness was evident in Mozart. He is ready to take revenge against God and Mozart for his own musical mediocrity. Written by Khaled Salem

Plot Summary | Plot Synopsis

Taglines:

The man... The music... The madness... The murder... The motion picture... See more »


Motion Picture Rating (MPAA)

Rated R for brief nudity | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA | France | Czechoslovakia

Language:

English | Italian | Latin | German

Release Date:

19 September 1984 (USA) See more »

Also Known As:

Amadeus: The Director's Cut See more »

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Box Office

Budget:

$18,000,000 (estimated)

Opening Weekend USA:

$505,276, 23 September 1984, Limited Release

Gross USA:

$51,973,029
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (director's cut)

Sound Mix:

70 mm 6-Track (70 mm prints)| Dolby Digital (director's cut)| Dolby (35 mm prints)

Color:

Color

Aspect Ratio:

2.39:1
See full technical specs »
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Did You Know?

Trivia

According to John Harkness's book "The 1999 Academy Awards Handbook", Maurice Jarre, in his speech accepting the 1984 Best Original Score Oscar for A Passage to India (1984), expressed his gratitude that Amadeus (1984) had not been Oscar-nominated for Best Original Score. An obvious joke, since none of Amadeus' score was original. See more »

Goofs

Both Mozart and Salieri are shown conducting an orchestra in modern style, by standing in front and waving the arms. In the 18th century, the conductor played first violin or harpsichord, the other musicians watching his head and hand movements. It was the rise of large orchestras in the 19th century that forced the conductor to abandon his instrument and take a more visible position. See more »

Quotes

[first lines]
Antonio Salieri: Mozart! Mozart, forgive your assassin! I confess, I killed you...
See more »

Crazy Credits

"Amadeus" was originally a National Theater Production in London, then produced in America by The Shubert Organization, Elizabeth I. McCann/Nelle Nugent and Roger Berlind. See more »

Alternate Versions

The director's cut (2002) adds the following scenes (twenty minutes in total):
  • When Salieri talks of his initial success in Vienna, a section has been added where Salieri describes how he believed God had accepted his vow, and how he honored it, working hard and often for free, while staying chaste.
  • When Salieri describes his first impression of Mozart's music to the priest, a shot has been added, where Salieri expresses his denial, saying that the music couldn't be anything but an "accident".
  • After the performance of "Die Entführung aus dem Serail", the scene has been extended after Caterina Cavalieri storms off of the stage, with Wolfgang getting a bucket of water and throwing over Frau Weber. After that a scene has been added where Salieri and Mozart visits Cavalieri in her lodge. Caterina throws some surly remarks about Constanze before she too comes and asks that she and Mozart go home. Mozart walks out on Caterina, and the scene goes to Salieri saying that he knew Mozart "had had her".
  • When Salieri asks "What was God up to?", the monologue has been extended, with Salieri speculating that it might be a test by God.
  • After Salieri admits to have started to hate Mozart, a shot has been inserted of Salieri praying, asking that Mozart be sent to Salzburg. This is immediately followed by the shot of the archbishop telling Leopold that he won't take Mozart back.
  • After Mozart refuses to submit his work for the royal appointment, a scene has been added showing Wolfgang and Constanze arguing. This establishes that the couple is in need of money.
  • When Constanze goes to visit Salieri in secret, the scene has been extended, starting with Salieri teaching a student.
  • The biggest addition comes after Constanze asks if Salieri will help them; instead of just walking out on her, he says says that she must come to his place, alone in the evening, strongly implying they must have sex for him to recommend Mozart's on the committee.
  • The scene switches to Salieri praying at his clavichord as Constanze arrives. She begins to undress, with Salieri looking shocked. When she is half-nude, Salieri calls in his valet and tells him to escort Constanze out. Humiliated and furious she throws a candelabra after him. Wolfgang finds Constanze crying in bed at home. This explains why Constanze is so eager to throw Salieri out of her home at the end of the movie.
  • Another large section is added where Salieri implies to the emperor that Mozart has been molesting young female students. This results in someone else getting the royal appointment. Mozart comes to see Salieri, receiving the news. Mozart asks Salieri for a loan, again establishing that he needs money. Salieri recommends Mozart give lessons to a Herr Schlumberg's daughter. The lesson however turns out a major frustration for Mozart, with Herr Schlumberg's dogs howling and causing a ruckus.
  • A scene has been added where Salieri and Baron Van Swieten discuss Mozart's financial difficulties. This is followed by a shot of a drunken Mozart again visiting Herr Schlumberg, asking if he may give lessons and - when denied - asks for a loan. That request is denied as well.
See more »

Connections

Featured in The 77th Annual Academy Awards (2005) See more »

Soundtracks

Axur, Re d'Ormus: Act IV: Son Queste Le Speranze
(uncredited)
Written by Antonio Salieri
See more »

Frequently Asked Questions

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User Reviews

 
One of the greatest films of all time.
4 February 2001 | by johndohertySee all my reviews

One of the greatest movies of all time. This is a movie that speaks for itself. Beautiful Cinematography and stellar performances by all especially F. Murray Abraham who carries the film. Tom Hulce was a terrific choice for this movie. True this is historically incorrect but it doesn't matter this film works on so many different levels... the music ahhh the music. Mozart is pure genius and his music touches this film and everyone involved. You can just sense that Mozart's inspiration drove everyone on this film to perfection. A must see film for all!


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