Lester is a homeless shoeshine boy living in a railway station. He's got this funny knack for picking the winning horses' names out of the paper while shining shoes. When word gets around, ... See full summary »
In the midst of a frantic evacuation effort in the hours preceding a predicted earthquake, True World Forces agent Weed (Stephen Baldwin) and his partner, Payne (David Rasche), must secure ... See full summary »
Welder Gino Minnelli is the charismatic singer of the Philadelphia band Dreams. Gino is joined by Phil, guitarist/writer, drummer Weiner and vocalist Martha. Rich girl Lisa, with a powerful voice, joins them at uncle Frank's club.
Jack Casey used to be a hot-shot stock market whiz kid. After a disastrous professional decision, his life in the fast lane is over. He loses his nerve and joins a speed delivery firm which... See full summary »
This is the story of Rico, a man who lives in New York in 1976 but who lives his own life in Paris during the time of the 'New Wave'. He is a photographer who thinks he's a gangster, a ... See full summary »
Amos Poe used to hate the score mainly because Nile Rodgers was hired on the film before Poe himself knew there was a film going on. At first he thought his music was not right, but he changed his mind in the following years. See more »
(at around 1h 19 mins) Shadow of camera visible. See more »
A street lieutenant for the New York branch of the Mafia (Vincent Spano) is ordered by his boss to burn down the house that his mother, father and sister live in. Spano's younger sister (Jamie Gertz) is in the process of becoming a call girl. Plus his street connection (Michael Winslow) has a habit of using some of the heroin that he's supposed to be selling for Spano. Also Spano has to make the rounds through an abandoned tenement building where addicts wait in line to buy their heroin, in order to collect the night's profits and deliver them to the big Mafia boss (Raymond Serra). Of the characters mentioned, they are all fairly decently portrayed as parts of the overall depridation of the decaying urban environment, which looks pretty good in the film's use of color cinematography which looks as if it's been shot with gauze over the lens. The dilemma that Spano's character faces, of having to burn down the building in which his parents and sister live in order to stay in good with the Mafia sets up a tough ending showdown with the Mafia boss Serra. All in all, this film is rather a pleasant surprise.
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