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All of Me (1984)

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A dying millionaire has her soul transferred into a younger, willing woman. However, something goes wrong, and she finds herself in her lawyer's body - together with the lawyer.

Director:

Carl Reiner

Writers:

Edwin Davis (novel) (as Ed Davis), Henry Olek (adaptation) | 1 more credit »
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Nominated for 2 Golden Globes. Another 2 wins. See more awards »

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Cast

Cast overview, first billed only:
Steve Martin ... Roger Cobb
Lily Tomlin ... Edwina Cutwater
Victoria Tennant ... Terry Hoskins
Madolyn Smith Osborne ... Peggy Schuyler (as Madolyn Smith)
Richard Libertini ... Prahka Lasa
Dana Elcar ... Burton Schuyler
Jason Bernard ... Tyrone Wattell
Selma Diamond Selma Diamond ... Margo
Eric Christmas ... Fred Hoskins
Gailard Sartain ... Fulton Norris
Neva Patterson ... Gretchen
Michael Ensign ... Mr. Mifflin
Peggy Feury Peggy Feury ... Dr. Betty Ahrens
Nan Martin ... Divorce Lawyer
Basil Hoffman ... Court Clerk
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Storyline

Roger is called in to change the will of an aging millionairess. She has made arrangements for her soul to be 'captured' and transferred into the body of a younger girl. After an argument about the will, the millionairess dies, but her spirit somehow lands in Rogers body... Written by Colin Tinto <cst@imdb.com>

Plot Summary | Add Synopsis

Plot Keywords:

soul | lawyer | swami | jazz | virgin | See All (40) »

Taglines:

The comedy that proves that one's a crowd. See more »


Certificate:

PG | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

21 September 1984 (USA) See more »

Also Known As:

Min bedre halvdel See more »

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Box Office

Opening Weekend USA:

$5,803,848, 23 September 1984

Gross USA:

$36,403,064
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Stereo

Color:

Color (Technicolor)

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

This was the fourth and final film that Steve Martin made with Carl Reiner. The other movies were The Jerk (1979), Dead Men Don't Wear Plaid (1982) and The Man with Two Brains (1983). See more »

Goofs

Roger has a watch on when he arrives at Edwina's wake but loses it when he falls asleep and when Terry wakes him up, he has to ask her what time it is. He gets it back in the next scene, however, when he and Terry get in bed. See more »

Quotes

Tyrone Wattell: Roger, exactly how do you plan pulling this off?
Roger: Beats the heck out of me.
Tyrone Wattell: Well, if I can be of any help at all, you are in worse trouble than I thought.
See more »


Soundtracks

All of Me
Written by Seymour Simons and Gerald Marks
Performed by Joe Williams
Arranged by Billy May
Courtesy of Bourne Company
Played in closing credits
See more »

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User Reviews

 
Absolute Logic in the Ridiculous
21 October 2010 | by jzappaSee all my reviews

All of Me shares with a whole heap of wonderful screwball comedies an extremely straightforward method: Employ absolute reason in dealing with the ridiculous. Start with a wacky scenario, set up the rules, and adhere to them. The laughs occur when everyday human nature comes into quarrel with bizarre incidents. Carl Reiner has made a significant contribution to contemporary American comedy, both as a performer and director. Working exclusively in the genre of comedy, his films range from slapstick humor to sophisticated comic parodies of classical Hollywood genres. He chooses to bring other genres to his comedy rather than comedy to other genres.

The plot and its treatment may be light as a feather, but we can relate to virtually all of the intentions of the characters. There is, for instance, the millionaire bachelorette Lily Tomlin, who wants to live forever and thinks she has discovered a way to do that. There is the discontented lawyer Steve Martin, who is distractedly depressed with his work and will do anything to get a promotion, even indulge nut-case clients like Tomlin. There is the wicked Victoria Tennant, who plans to viciously swindle Tomlin, and there is the extraordinarily hilarious Prahka, who innocently expects to transmit Tomlin's soul into a brass pot, and the put it in Tennant's body. There is, nonetheless, a dreadful psychic blunder, and when Tomlin dies, she transmigrates instead into Martin's body.

The second the premise begins to fire off laughs is the second it's executed: the first time Martin has to contend with this foreign female being inside his brain. He keeps command of the left side of his body. She commands the right. They are struggling to cross the sidewalk together, each in their own way, and this sets up a frenzied tug-of-war only a razor-sharp physical comedian like Martin could pull off. Tomlin vanishes into Martin's body, but she does not vanish from the movie. Her reflection can be seen in mirrors, and there is some superb timing concerned with the way they play scenes with one another's mirror images. For another thing, there is a genuine feeling of her presence even when Martin is alone on the screen. And lighthearted as the movie may be, it scores a lot of points by speculating on the ways in which a man and a woman could learn to coexist thusly.

Frankly, even above Martin's masterful antics, my favorite might be Richard Libertini as the indecipherably Indian Prahka, who repeats words he doesn't understand in a tone of complete agreement. Yet, although All of Me is the last of the four Martin/Reiner collaborations, it gives Martin one of his all-time best screen opportunities to highlight his brilliant kind of physical slapstick. Watch Roger/Edwina have a go at walking down the street, or going to the bathroom, or making love with the surprisingly sexy Tennant. Each action is an awe-inspiring exhibition of fractured dexterity. Watch right-side Edwina assume responsibility in a courtroom, as left-side Roger falls asleep and the ever-so-feminine Edwina moves their body in a bizarrely macho swagger. The actor's challenge is hopelessly problematical---Steve Martin playing Lily Tomlin playing Roger Cobb---and superbly accomplished.


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