Terry Brogan, an aging football player in L.A., is cut early in the season; he needs money, so he takes a job from a shady friend of his, Jake Wise, to track down Wise's girlfriend, Jessie, who's somewhere in Mexico. She's also the daughter of a very wealthy land developer, who owns Terry's team. He heads for Cozumel, finds Jessie, and promptly falls in love with her. He thinks it's mutual, then without warning, she heads back to L.A. and Jake. What's going on with her, and what's the connection between Jake's hold on Jessie and the various politicians, lawyers, and environmentalists who seem to be converging on some sort of land deal? Terry keeps looking for answers.Written by
One of three movies directed by Taylor Hackford in the 1980's with a hit song associated with the movie. In this film , the song was "Against All Odds (Take a Look at Me Now)" sung by Phil Collins whereas in Hackford's previous picture An Officer and a Gentleman (1982) the song was "Up Where We Belong" sung by Joe Cocker and in White Nights (1985) the songs were "Say You, Say Me" written and performed by Lionel Richie and "Separate Lives" written by Stephen Bishop and with Collins again as performer along with Marilyn Martin. All of those tunes were Oscar nominated for the Best Song Academy Award, the ones performed by Collins did not win but the Cocker and Richie song did take home the gold statuette. See more »
Jeff Bridges,while definitely in excellent physical shape for the film, clearly could only be a place kicker or a safety on a professional team. His build and size were just not those of a professional football player. See more »
This film does not work. Why not? Now there's a question...
This is the sort of film that you leave, recognizing that the film as a whole never "came together", but trying to figure out just WHERE it went wrong. The script was (or at least should have been) intelligent, the actors were competent... so what went wrong?
The best answer I could come up with (and heaven knows I'm no big shot Hollywood critic) was the way James Woods portrayed the character of Jake. This guy should have come off as a bigger-than-life, high-level Mafioso type; I got the impression of a cheap hood who tried to make himself look big as the front man for the real boss. When Jake orders the ex-football player to do a routine murder and the jock goes along with it, it doesn't underscore what a big man Jake is; it cheapens the lead character to think that he'd take orders to commit murder from the weaselly underling.
It didn't help this movie in the long run - okay, maybe its box office - that the continuous play of Phil Collins' "Against All Odds" on radio and MTV effectively made this movie a must-see... and regardless of how good the tune was and what it was nominated for, the lyrics had NOTHING WHATSOEVER to do with what happened in the course of the movie.
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