San Francisco heiress Page Forrester is brutally murdered in her remote beach house. Her husband Jack is devastated by the crime but soon finds himself accused of her murder. He hires ... See full summary »
Scudder is a detective with the Sheriff's Department who is forced to shoot a violent suspect during a narcotics raid. The ensuing psychological aftermath of this shooting worsens his ... See full summary »
Terry Brogan, an aging football player in L.A., is cut early in the season; he needs money, so he takes a job from a shady friend of his, Jake Wise, to track down Wise's girlfriend, Jessie, who's somewhere in Mexico. She's also the daughter of a very wealthy land developer, who owns Terry's team. He heads for Cozumel, finds Jessie, and promptly falls in love with her. He thinks it's mutual, then without warning, she heads back to L.A. and Jake. What's going on with her, and what's the connection between Jake's hold on Jessie and the various politicians, lawyers, and environmentalists who seem to be converging on some sort of land deal? Terry keeps looking for answers.Written by
Of the movie's Mexican locations, producer-director Taylor Hackford said: "There are millions of dollars in production values on the screen that one could never create in Hollywood. It's exciting to think that many moviegoers will be seeing these fantastic locations for the first time. Stylistically, I wanted to contrast these rough, ancient Mexican textures with the cold, modern surfaces of Los Angeles. Often, L.A. has been used in films as a kind of lotus-land . . . people waking up in the morning, saying, 'God, I can't believe those palm trees'. But people from L.A., especially those who wield power, don't feel or act that way. It's not that the absurdities are lost on them; they've simply made their peace with the city and attend to business. That's the point of view I'm taking in this film. Jeff Bridges and Rachel Ward are both fugitives from the corruptive power and manipulation of Los Angeles. The romantic, other-worldliness of the Yucatan provides a setting for them to find each other . . . something that would never have been possible in L.A., because of their respective' emotional baggage and class differences". See more »
A dog could never ride untethered in any seat, especially a front bucket seat, of a car racing through traffic and steering and accelerating and braking as violently as happened in Jake Wise's (James Woods') car in the racing scene, without being violently thrown around inside the car, hurt, and/or thrown from the car.. See more »
The single thing that stand out most for me in this film is the very last shot of Rachel Ward looking at the camera while Phil Collins, singing the title song, says "How can I just watch you walk away, when all I can do is watch you leave".
If you've ever been part of a couple where 2 people loved each other so very much, but it had to end because circumstances like jobs, school, parents, etc. made it impossible to continue, this movie is for you.
If you've lived through a time in your life when you and your friends/lovers were immortal-young lions-with the world at your feet, but one day you sense a change of seasons in the air... a change that for shadows the coming of the real world you always knew was there but that you had hoped against hope to avoid, you'll love this movie.
Great characters, solid performances, top notch script, beautiful natural scenery in Mexico, great soundtrack and a real "LA in the 80's" feel. For the most part the film holds up well today and the "look" is timeless. Very few holes in the plot, if any, and a fine supporting cast.
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