A wealthy mystery man named Charlie runs a detective agency via a speakerphone and his personal assistant, John Bosley. His detectives are three beautiful women, who end up in a variety of difficult situations.
Stubble-faced detective Crockett lived in a sailboat guarded by his alligator Elvis. His partner Tubbs was a black New York cop looking for his brother's killer. Together they took on the Florida drug world. The show influenced men's fashions toward Italo-casual and interior decor toward the Miami look. Very trendy music and unusual guest performers.Written by
Ed Stephan <email@example.com>
Although Lt. Martin Castillo rarely engaged in the show's many shootouts, his weapon of choice was a Colt Trooper Mk V 357 magnum with a six inch barrel. It's improbably large for a plain-clothes officer whose duties are primarily administrative. It may have been an attempt to remind Sonny Crockett who has the bigger gun. See more »
Ricardo Tubbs could certainly quit the NYPD and join the Miami-Dade police force. However, it would take him years to be assigned as a detective on that force as there would be dozens of officers with seniority over him. See more »
Your partner looks kinda intense today.
Det. Stan Switek:
I haven't seen him like this since 1983 when he chased a guy who stole a hubcap from the bug van.
Have we already had the scene where I ask what this is all about and you say, "Shut up, we ask the questions".
Det. Stan Switek:
I don't know, did we, Lar?
See more »
Three episodes of the series have these additional songs playing at the closing credits instead of the show's original theme song: "Calderone's Return": Tina Turner - "What's Love Got to Do With It?"; this song plays over footage of Crockett and Tubbs riding a speedboat, plus flashbacks of Tubbs and Angelina. "Phil the Shill": Phil Collins - "Life is a Rat Race" and "Freefall" (final episode): Terry Kath - "Tell Me"; this song plays over a montage of scenes from the show. See more »
Although made for television this show portrayed a real street presence not often found in the public domain. Having lived through this period and witnessed, first hand, the "drug culture," and its effect on the population, the program stands as a warning to those who want to experiment, the nightmare to the general population, and the ever-present danger and bravery of the police who try to cope with this never-ending misery. The daily antics of Crocket and Tubbs, the characters they meet, the villains and the heroes of their streets,make the reality palatable while at the same time shrouding their discomfort with humor, e.g., Izzy, material breaking down, glitzy surroundings. Well worth watching many times over.
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