Teenage geniuses deal with their abilities while developing a high-powered laser for a university project. When their professor intends to turn their work into a military weapon, they decide to ruin his plans.
1936, Italian army is invading Ethiopia. Lieutenant Silvestri suffering toothache decides to reach the nearest camp hospital. But the lorry has an accident and stop near a rock, so ... See full summary »
A Pulitzer prize writer buys a cabin. The neighbors get suspicious when a stranger "breaks in". They see a black man and call the police, who start shooting at him. The sheriff tries a cover-up involving a white petty crook. Bad idea.
E. Max Frye
Samuel L. Jackson,
Julie, a girl from the valley, meets Randy, a punk from the city. They are from different worlds and find love. Somehow they need to stay together in spite of her trendy, shallow friends.Written by
Josh Pasnak <email@example.com>
While cruising down Hollywood Blvd there is an Empire Strikes Back advertisement. Released in 1980. See more »
When the girls are dancing to "Girls Like Me" at Suzi's slumber party, the album spinning on the turntable clearly has an A&M Records label on it, but the album that contained that song at the time was actually released on Slash Records. See more »
Originally, Men At Work's "Who Can It Be Now?" was played during the scene where Randy climbs into the upstairs bathroom through the window and hides in the shower, hoping that Julie will eventually come into the bathroom. In the Special Edition DVD, "Shelley's Boyfriend" by Bonnie Hayes and the Wild Combo continues playing from the previous scene, replacing the Men At Work tune. See more »
Eyes of a Stranger
Performed by Payolas
Written by Paul Hyde (as P. Hyde), Bob Rock (as B. Rock)
Irving Music of Canada, Ltd. / Blotch Music PRO
Administered by Irving Music, Inc. BMI
Courtesy of A&M Records See more »
Everyone has a great list of cinematic guilty pleasures, and "Valley Girl" has been on mine from the first time I saw it. It was clear from the first "valley view" of the San Fernando that it was several cuts above your average teen-aimed movie. Obviously, Nicolas Cage was pretty impressive, even if I had no idea of his heritage or his future. I liked Deborah Foreman, too, and the supporting cast was well-chosen. If the plot was trifling, it was at least clever and certainly not pretentious. And the music, from the opening by Foremen and her friends to the closing shot of the limo ride to Modern English's "I Melt With You," is a big plus. Overall, an very entertaining take on love across the valley of cultural differences from Martha Coolidge, who is one of our most underrated directors.
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