An American soldier who escapes the execution of his comrades by Japanese soldiers in Borneo during WWII becomes the leader of a personal empire among the headhunters in this war story told... See full summary »
Los Angeles private investigator Harry Moseby is hired by a client to find her runaway teenage daughter. Moseby tracks the daughter down, only to stumble upon something much more intriguing and sinister .
During the 1920s, French Foreign Legion Major William Foster's unit is protecting an archaeological dig, but the discovery of an Arab sacred burial site prompts the angry Arab tribes to attack Foster's small garrison.
Nicaragua 1979: Star photographer Russel Price covers the civil war against president Somoza. Facing the cruel fighting - people versus army - it's often hard for him to stay neutral. When the Guerillas have him take a picture of the leader Rafael, who's believed to be dead, he gets drawn into the happenings. Together with his reporter friends Claire and Alex he has to hide from the army.Written by
Tom Zoerner <Tom.Zoerner@informatik.uni-erlangen.de>
When Russell and Claire pose for a photo while Alex is on stage at the club after they all first arrive in Nicaragua, the physical picture is from the wrong perspective and distance as it's a freeze frame of the scene taken from the actual movie. See more »
War reporter must choose between his heart and his head
This movie really hits the mark in many ways. It's the best movie of its genre. In the opening scene in some unspecified African civil war Nick Nolte, war journalist, discovers Ed Harris, mercenary, riding in the wrong truck surrounded by his enemies. Harris hasn't realized that after the confusion of the battle he climbed in a truck of soldiers from the opposite side. They in turn haven't realized that Harris isn't their mercenary. Harris says, `I guess they'd really be p***ed if they knew.' This scene sets the theme for the movie perfectly. Not only doesn't the mercenary care which side he is on, but it is implied that the sides are pretty much interchangeable and it doesn't much matter who's truck we climb in. This is pretty much Nolte's attitude as he travels from one war to another. We begin to suspect he isn't that different from Harris. But affairs in Nicaragua make his neutrality seem immoral and he is forced to choose between his journalistic ethics and his humanitarian ones.
Great writing is matched by great acting from Hackman, Harris and Nolte and Johanna Cassidy.
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