Directed by
| John Herzfeld | ||
Writing Credits
| John Herzfeld | ... | (written by) |
Cast (in credits order) verified as complete
Produced by
| Joan Edwards | ... | associate producer |
| Kate Edwards | ... | associate producer |
| Michele Panelli-Venetis | ... | associate producer (as Michele Panelli) |
| Roger M. Rothstein | ... | producer |
| Joe Wizan | ... | producer |
Music by
| Patrick Williams | ||
Cinematography by
| Fred J. Koenekamp | ... | (as Fred Koenekamp) |
Editing by
| Jack Hofstra | ||
Casting By
| Jane Feinberg | ||
| Mike Fenton | ||
| Valorie Massalas | ||
Production Design by
| Albert Brenner | ||
Art Direction by
| Spencer Deverell | ||
Set Decoration by
| Marvin March | ||
Costume Design by
| Tom Bronson | ... | (as Thomas Bronson) |
Makeup Department
| Frank Griffin | ... | makeup artist |
| Barbara Lorenz | ... | hair stylist |
| Evelyn Trimmer | ... | hair stylist |
| Brad Wilder | ... | makeup artist |
Production Management
| Henry Kline | ... | production manager |
| Issy Shabtay | ... | production supervisor |
Second Unit Director or Assistant Director
| Frederic B. Blankfein | ... | first assistant director (as Fredric Blankfein) |
| John Moio | ... | second unit director |
| Joseph Paul Moore | ... | second assistant director (as Joseph Moore) |
Art Department
| Camille Abbott | ... | production illustrator |
| Barry Bedig | ... | property master |
| Stan Cockerell | ... | assistant property master |
| Leon Harris | ... | production illustrator |
| Paul Myerberg | ... | leadman |
| Everett Olson | ... | construction coordinator |
| Kandy Stern | ... | set designer |
| Robby Vandermark | ... | painter |
| Dianne Wager | ... | set designer (as Diane Wager) |
Sound Department
| Bud Alper | ... | production sound mixer |
| Max Bell | ... | stereo sound consultant: Dolby |
| G.W. Davis | ... | sound editor |
| Sean Hanley | ... | loop editor |
| Frank Howard | ... | sound editor |
| David M. Ice | ... | supervising sound editor (as David Ice) |
| Richard Overton | ... | sound recording mixer |
| Theodore Soderberg | ... | sound recording mixer |
| Richard Sperber | ... | dialogue editor |
| Don S. Walden | ... | dialogue editor |
| Paul Wells | ... | sound recording mixer |
| Ken Dufva | ... | foley artist (uncredited) |
Special Effects by
| Alan E. Lorimer | ... | special effects (as Alan Lorimer) |
| Ken Speed | ... | special effects assistant (uncredited) |
Visual Effects by
| Lou Carlucci | ... | special optical effects: Xenon Corporation |
| Charles Chiodo | ... | visual effects: Introvision Systems, Inc. |
| Sam DiMaggio | ... | visual effects: Introvision Systems, Inc. |
| Tim Donahue | ... | visual effects art director: Introvision Systems, Inc. |
| Lisa Dorney | ... | visual effects: Introvision Systems, Inc. |
| Bill Frenzel | ... | special optical effects: Xenon Corporation |
| Karl Garabedian | ... | special optical effects: Xenon Corporation |
| Clay Hutchison | ... | special optical effects: Xenon Corporation |
| Hall Hutchison | ... | special optical effects: Xenon Corporation |
| William Mesa | ... | visual effects supervisor: Introvision Systems, Inc. |
| Terry Molatore | ... | special optical effects: Xenon Corporation (as Terry Sittig) |
| John Murray | ... | visual effects: Introvision Systems, Inc. |
| Sam Nicholson | ... | visual effects supervisor |
| Elliot Rosenblatt | ... | visual effects: Introvision Systems, Inc. |
| Jim Stewart | ... | special optical effects: Xenon Corporation |
| Thomas Thomas | ... | special optical effects: Xenon Corporation |
| Cynthia Webster | ... | visual effects technical director: Introvision Systems, Inc. (as Brett Webster) |
| Kevin Kutchaver | ... | special optical effects (uncredited) |
Stunts
| John Moio | ... | stunt coordinator |
| Tom Morga | ... | stunt double: John Travolta |
| Beth Nufer | ... | stunt double: Olivia Newton John |
| Larry Holt | ... | stunt performer (uncredited) |
| Debby Porter | ... | stunts (uncredited) |
Camera and Electrical Department
| Larry Barbier | ... | still photographer |
| Richard Barth | ... | assistant camera |
| Dave Friedman | ... | still photographer |
| Douglas Kirkland | ... | still photographer |
| Richard C. Kratina | ... | camera operator: New York (as Richard Kratina) |
| Edward Morey III | ... | camera operator (as Ed Morey III) |
| John Murray | ... | key grip |
| Warren Rothenberger | ... | director of photography: New York |
| Gene Stout | ... | gaffer |
| Herb Ritts | ... | still photographer: poster art (uncredited) |
Costume and Wardrobe Department
| James P. Cullen | ... | wardrobe: men (as Jim Cullen) |
| Ron Heilman | ... | assistant costume designer |
| Jackie Lahane | ... | wardrobe: women |
| Aida Swinson | ... | wardrobe: women |
Editorial Department
| Joanna Cappuccilli Lovetti | ... | assistant editor (as Joanna Cappuccilli) |
| John W. Carr | ... | assistant editor (as John Carr) |
| Lynzee Klingman | ... | additional editor |
| Pam Sharp | ... | assistant editor (as Pamela Sharp) |
Location Management
| James Koehler | ... | location auditor (as Jim Koehler) |
| Roger Paradiso | ... | location manager: New York |
| John R. Woodward | ... | location manager |
Music Department
| Jellybean Benítez | ... | additional production & remix: "It's Gonna Be Special" |
| Michael Boddicker | ... | musician: synthesizer |
| Kevin Elson | ... | music producer |
| David Foster | ... | song producer |
| James Thatcher | ... | musician: French horn |
| Kenneth Wannberg | ... | music editor (as Ken Wannberg) |
| Patrick Williams | ... | music adaptor |
Script and Continuity Department
| Julie Pitkanen | ... | script supervisor |
Transportation Department
| Aram Betkijian | ... | transportation coordinator |
| Roy A. Grace | ... | driver |
| Dean E. Mason | ... | driver special effects |
| Julio Salazar | ... | production driver |
Additional Crew
| Penny Brocato | ... | craft service |
| Dan Curry | ... | title designer |
| Gary Kalkin | ... | unit publicist |
| Claire Mactague | ... | production coordinator |
| Roger Schumacher | ... | animal supplier |
| Gary Weddington | ... | assistant auditor |
