Prologue: a driver has a big surprise with his passenger. Segment 1 ("Time Out"): a bigot man hates Jews, Black and Asian people. One day he will live in the World War II, hunted down by KKK and attacked in Vietnam War and feel the effects of his hatred. Segment 2 ("Kick the Can"): In a nursing home, the elder inhabitants learn that their minds can keep them young. Segment 3 ("It's a Good Life"): a traveler hits a boy in a bicycle with her car and takes the boy home. Soon she learns that the powerful boy brought her home indeed. Segment 4 ("Nightmare at 20,000 feet"): a writer is scary to fly and soon he sees a monstrous creature destroying the airplane engines during a stormy night.Written by
Claudio Carvalho, Rio de Janeiro, Brazil
You're travelling through another dimension. A dimension, not only of sight and sound, but of mind. A journey into a wondrous land whose boundaries are that of imagination. Next stop, the Twilight Zone! See more »
Jerry Goldsmith's recording sessions for the score took place from February 28 to March 3, 1983, with each recording day devoted to each segment of the film. Steven Spielberg attended most of these sessions. However, it was Joe Dante who mainly supervised the entire session, filling in for George Miller and John Landis, who were not involved in the post-production of the film, which included the music. Dante and Goldsmith would become good friends, and begin a fruitful collaboration that would last over the next two decades (1983-2003). See more »
Anthony discovers a hidden note, which he holds flat in the palm of his hand. When the camera cuts closer to reveal what's printed, the note is pinched between his thumb and forefinger. See more »
Anthony, where are we?
And the others?
I sent them where they wanted to go. Away from me. It's not fair! You're supposed to be happy when your wishes come true!
Anthony, take us back. Can you take us back?
So you can leave too?
And go where, Anthony? I've seen what you can do. I know you have a power... a gift that makes you special. You better be careful. For one day it may become too big for you to control. Now maybe. Just maybe. Together we can master it and learn from it. Use it in...
[...] See more »
CBS edited 8 minutes from this film for its 1986 network television premiere. See more »
I'm a huge fan of the series, and I remember being obsessed with TZ The Movie when it was released. I was 12, after all!!
Recently watched the film again for the first time in at least 15 years. I was blown away by the final segment, it's truly a classic which really scared the stuffing outta me. That evil little girl who takes Polaroids of everything freaked me out to no end. For me, it's the only segment in which the quality of the writing matches the direction and visuals from beginning to end.
I saw the original episode upon which Joe Dante's (3rd) segment is based when I was spending the night at my friend's house in 4th grade. It, too, really frightened me. I remember thinking to myself how hopeless the situation was-- if you even TRIED to not think bad thoughts about Anthony, you would end up thinking them, and he could still get you!! And didn't he "wish someone away to the cornfield"?? Man, that's some serious freakiness.
I thought the design of that segment in the movie was incredible, I'll never forget the mom holding the fishbowl, or the ferocious rabbit creature, or what happens to Ethel ("Run, Ethel....!") But the ending is truly atrocious and almost ruins what has come before.
What can I say about the other two segments? Better scripts were needed in order to make them work. And in the case of "Kick the Can", sticking more closely to the original episode would have given it more impact. (Not to mention firing Steven Spielberg.)And it's sad seeing Vic Morrow in his final role-- I'll always think of him as the sadistic coach in THE BAD NEWS BEARS, which is one of my all-time favorites.
All in all, a very uneven movie which improves steadily as it goes along. 6/10.
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