7.5/10
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182 user 95 critic

Trading Places (1983)

R | | Comedy | 8 June 1983 (USA)
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A snobbish investor and a wily street con artist find their positions reversed as part of a bet by two callous millionaires.

Director:

John Landis
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Popularity
675 ( 2,201)
Nominated for 1 Oscar. Another 3 wins & 4 nominations. See more awards »

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Cast

Cast overview, first billed only:
Denholm Elliott ... Coleman
Dan Aykroyd ... Louis Winthorpe III
Maurice Woods Maurice Woods ... Duke & Duke Employee
Richard D. Fisher Jr. Richard D. Fisher Jr. ... Duke & Duke Employee
Jim Gallagher Jim Gallagher ... Duke & Duke Employee
Anthony DiSabatino Anthony DiSabatino ... Duke & Duke Employee
Bonnie Behrend Bonnie Behrend ... Duke & Duke Employee
Sunnie Merrill Sunnie Merrill ... Duke & Duke Employee
James Newell James Newell ... Duke & Duke Employee (as Jim Newell)
Mary St. John Mary St. John ... Duke & Duke Employee
Bonnie Tremena Bonnie Tremena ... Duke & Duke Employee
David Schwartz David Schwartz ... Duke & Duke Employee
Ralph Bellamy ... Randolph Duke
Don Ameche ... Mortimer Duke
Tom Degidon Tom Degidon ... Duke Domestic
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Storyline

Louis Winthorpe is a businessman who works for commodities brokerage firm of Duke and Duke owned by the brothers Mortimer and Randolph Duke. Now they bicker over the most trivial of matters and what they are bickering about is whether it's a person's environment or heredity that determines how well they will do in life. When Winthorpe bumps into Billy Ray Valentine, a street hustler and assumes he is trying to rob him, he has him arrested. Upon seeing how different the two men are, the brothers decide to make a wager as to what would happen if Winthorpe loses his job, his home and is shunned by everyone he knows and if Valentine was given Winthorpe's job. So they proceed to have Winthorpe arrested and to be placed in a compromising position in front of his girlfriend. So all he has to rely on is the hooker who was hired to ruin him. Written by rcs0411@yahoo.com

Plot Summary | Plot Synopsis

Taglines:

They're not just getting rich... They're getting even. See more »

Genres:

Comedy

Certificate:

R | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

8 June 1983 (USA) See more »

Also Known As:

Black or White See more »

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Box Office

Budget:

$15,000,000 (estimated)

Opening Weekend USA:

$7,348,200, 12 June 1983

Gross USA:

$90,404,800
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono

Color:

Color (Technicolor)

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

DIRECTOR TRADEMARK (John Landis): (breaking the Fourth Wall): Eddie Murphy looks directly at the camera, as he is being taken away in a police car. When Randolph Duke explains to him what a B.L.T. is., he looks right into the camera as if to say, "These guys must think I'm a complete idiot." See more »

Goofs

During the frenzied trading floor scene, just after the announcement of the Secretary of Agriculture saying, "Ladies and Gentlemen, the Orange Crop Estimates for the next year..." The very next frame shows Dan Akroyd with his order pads facing the camera, completely covered in scribbles. No note taking or information on who he bought or sold to. See more »

Quotes

[first lines]
Coleman: [holding a breakfast tray while Louis is still asleep] Your breakfast, sir.
See more »

Crazy Credits

Ron Taylor is credited as 'Big Black Guy' and James D. Turner as ' Even Bigger Black Guy' See more »

Alternate Versions

When Ophelia (Jamie Lee Curtis) takes Louis (Dan Ackroyd) home with her, she undresses and examines her makeup in a large vanity mirror. In the theatrical release, she is bare-breasted; the scene was filmed again with her clothed for the television version. See more »

Connections

Referenced in Monkey in the Morning: #ThotAudit Taxing Boobs (2018) See more »

Soundtracks

DO YOU WANNA FUNK
by Patrick Cowley & Sylvester
Performed by Sylvester
Courtesy Megatone Records
See more »

Frequently Asked Questions

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User Reviews

 
Unusually good 80's comedy... contains a lot of sad truth
22 February 2006 | by TBJCSKCNRRQTreviewsSee all my reviews

I couldn't remember much of this movie when I borrowed it from a friend to watch for the second time... I can't have been very old when I first saw this, because there were not much more than one scene that I recognized. Even the title seemed new to me. Furthermore, I don't recall thinking about the film... about what it meant. This contains a lot of sad truth. The scenes of Aykroyd's character going from the peak of America's business life to rock bottom in a disturbingly short amount of time provide food for thought. Landis presents these events without pretense or heavy-handedness... he gives us the facts as they are. No bias. This direct, almost indifferent tone makes it all the more scary... this is the way it is, and that's accepted. The movie also has some insight to prove on racism and greed. Paul Gleason, whom I have only seen in The Breakfast Club(and Not Another Teen Movie, spoofing his character in aforementioned movie) plays a radically different role, yet still shows some of the authority he's famous for as the principal in The Breakfast Club. That was amusing to watch for someone who enjoyed said film so much. Jamie Lee Curtis bares a lot of skin, for those in the audience looking for that. Aykroyd and Murphy are both extraordinary. They get to play with their characters a lot, to great effect. They create so many funny moments, there are simply too many to list or for mere words to do justice; you'll just have to watch the film for itself. If you are a fan of either actor, you won't be disappointed. The language surprised me, with how uncensored it was, compared to today's standards. The plot is interesting, and based on an intelligent idea. The pacing is dynamic. The acting is all top-notch. The humor is mostly good and tasteful, with few but glaringly obvious exceptions(the fate of Beeks being an almost offensive one). The film has more heart than most of its kind... if you watch only one movie of this type, let this be it. I recommend this to fans of the actors and/or director, and people intrigued by the general idea. If you are even considering watching this... take my advice and do so. It is intelligent without being preachy and funny without trying too hard. John Landis has yet again created something big. 8/10


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