Anik a young girl is in desperate need to heart implement. She with the help of her doctor goes to an hospital where a young guy Amir is in comma. He in his wedding night had an accident ... See full summary »
A bad Polish actor is just trying to make a living when what should intrude but World War II in the form of an invasion. His wife has the habit of entertaining young Polish officers while he's on stage which is also a source of depression to him. When one of her officers comes back on a Secret Mission, the actor takes charge and comes up with a plan for them to escape.Written by
John Vogel <email@example.com>
Mel Brooks served as a Corporal in the U.S. Army in North Africa during World War II. Part of his duties included defusing land-mines in areas before the infantry moved in. Brooks was a graduate of the Virginia Military Institute, and he also fought in the Battle of the Bulge late in 1944. See more »
After the air raid two of the actors are cleaning up outside the theatre. Mel Brooks arrives in a car pulled by a horse with reins clearly visible. In the next shot, close to the driver's door, the reins are no longer there. See more »
In the credits at the end, Anne Bancroft's name first appears in parenthesis, until Mel Brooks "waves" them off. This is a reference to a poster in the movie that has Anna Bronski's name in parenthesis. See more »
This remake of Ernst Lubitsch's wartime comedy has often been dismissed as a ham-fisted and unnecessary vanity exercise. This is grossly unfair, as the Brooks' version is in fact a deft and funny comedy that stands up well in comparison to its forebear. Mel Brooks and Anne Bancroft make their own the roles of the Bronskis, a Warsaw theatrical duo ("world famous in Poland")who star in revues at the Bronski theatre. When war breaks out the Bronskis become brood-hens to an ever-growing community of Jewish refugees while staying one step ahead of the Nazis. Brooks and Bancroft are fine in the roles of the battling Bronskis, particularly Mel Brooks who finds a touching level of vulnerability beneath the bombast and bluster of Frederick Bronski. Despite the farcical and improbable plot twists, the narrative is sound and genuine pathos registers throughout the film. Those with fond memories of Jack Benny and Carole Lombard in the lead roles may have boycotted this on first release, but they have denied themselves a rare treat - a sure-footed and genuinely entertaining film.
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