Anik a young girl is in desperate need to heart implement. She with the help of her doctor goes to an hospital where a young guy Amir is in comma. He in his wedding night had an accident ... See full summary »
An American grandson of the infamous scientist, struggling to prove that his grandfather was not as insane as people believe, is invited to Transylvania, where he discovers the process that reanimates a dead body.
A bad Polish actor is just trying to make a living when what should intrude but World War II in the form of an invasion. His wife has the habit of entertaining young Polish officers while he's on stage which is also a source of depression to him. When one of her officers comes back on a Secret Mission, the actor takes charge and comes up with a plan for them to escape.Written by
John Vogel <email@example.com>
A street sign in the film reads "Ulica Kubelski," or "Kubelski Street" in Polish. Jack Benny, whose real name was Benjamin Kubelsky, starred in the original To Be or Not to Be (1942). See more »
When Mel Brooks character's car is being pulled by the horse you can see a line of some sort that is being used either to pull the horse forward or to help the horse pull the car. See more »
[Frederick has to stall Prof. Siletski while the others rush back to his hotel room to search it]
Just don't keep me hanging much longer, I stink without a script!
[under his breath]
He stinks with a script.
I heard that!
See more »
In the credits at the end, Anne Bancroft's name first appears in parenthesis, until Mel Brooks "waves" them off. This is a reference to a poster in the movie that has Anna Bronski's name in parenthesis. See more »
This remake of Ernst Lubitsch's wartime comedy has often been dismissed as a ham-fisted and unnecessary vanity exercise. This is grossly unfair, as the Brooks' version is in fact a deft and funny comedy that stands up well in comparison to its forebear. Mel Brooks and Anne Bancroft make their own the roles of the Bronskis, a Warsaw theatrical duo ("world famous in Poland")who star in revues at the Bronski theatre. When war breaks out the Bronskis become brood-hens to an ever-growing community of Jewish refugees while staying one step ahead of the Nazis. Brooks and Bancroft are fine in the roles of the battling Bronskis, particularly Mel Brooks who finds a touching level of vulnerability beneath the bombast and bluster of Frederick Bronski. Despite the farcical and improbable plot twists, the narrative is sound and genuine pathos registers throughout the film. Those with fond memories of Jack Benny and Carole Lombard in the lead roles may have boycotted this on first release, but they have denied themselves a rare treat - a sure-footed and genuinely entertaining film.
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