Ted Kramer's wife leaves him, allowing for a lost bond to be rediscovered between Ted and his son, Billy. But a heated custody battle ensues over the divorced couple's son, deepening the wounds left by the separation.
Aurora and Emma are mother and daughter who march to different drummers. Beginning with Emma's marriage, Aurora shows how difficult and loving she can be. The movie covers several years of their lives as each finds different reasons to go on living and find joy. Aurora's interludes with Garrett Breedlove, retired astronaut and next door neighbor are quite striking. In the end, different people show their love in very different ways.Written by
John Vogel <email@example.com>
The character Garrett Breedlove didn't exist in the novel. The character was meant to be a foil and love interest for Aurora, and was first designed for Burt Reynolds, and then custommade for Jack Nicholson. See more »
While traveling in the car in Texas, the background shows warehouses from "Miller & Paine", a department store that didn't exist in Texas (but did in Lincoln, Nebraska, where the scene was filmed). See more »
It's past ten. My daughter is in pain. I don't understand why she has to have this pain. All she has to do is hold out until ten, and IT'S PAST TEN! My daughter is in pain, can't you understand that! GIVE MY DAUGHTER THE SHOT!
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It's often a strange experience to revisit a film that made a big splash decades earlier. I remember enjoying it enormously and enjoyed it enormously again last night but the reasons for the enjoyment have changed. The film as a film has remained solidly planted in 1983, specially the score but what will lead this film into the forever ever are the writing of course and the performances. Shirley MacLaine's truthfulness warts an all is a work of art. She is present one hundred per cent of the time and let's remember, Shirley MacLaine didn't start as an actress, she was a dancer who became a star thanks to a twist of fate and she has remained there as an example of honesty and courage ever since. Her Aurora in Terms Of Endearment is a monumental treat. Debra Winger's performance is a revolution of sorts. Every detail confirms and/or challenges our feelings for her but she's never less that one hundred per cent truthful. It's impossible not to love her even if she doesn't make it easy for you. Jack Nicholson is a terrific interference and every one of his moments have a pleasure of their own. So, a 35 year old movie with a teenager's heart.
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