The Sign of Four (1983)

Hired by a young lady, Sherlock Holmes and Dr. Watson investigate the strange recent deaths of her missing father's friends from the army, as well as the whereabouts of the Great Mogul, the second-largest diamond in the world.

Director:

Desmond Davis

Writers:

Arthur Conan Doyle (novel) (as Sir Arthur Conan Doyle), Charles Edward Pogue (screenplay)

Stars:

Ian Richardson, David Healy, Thorley Walters

1 win & 2 nominations.

Cast

Cast overview, first billed only:
Ian Richardson	...	Sherlock Holmes
David Healy	...	Dr. John Watson
Thorley Walters	...	Major John Sholto
Cherie Lunghi	...	Mary Morstan
Joe Melia	...	Jonathan Small
Terence Rigby	...	Inspector Layton
Clive Merrison	...	Bartholomew Sholto
Richard Heffer	...	Thaddeus Sholto
John Pedrick	...	Tonga
Michael O'Hagan	...	Mordecai Smith
Robert Russell	...	Williams
John Benfield	...	McMurdo
Moti Makan	...	Lal Rao
Kate Binchy	...	Maid
Gordon Rollings	...	Mr. Sherman

Storyline

Hired by a young lady, Sherlock Holmes and Dr. Watson investigate the strange recent deaths of her missing father's friends from the army, as well as the whereabouts of the Great Mogul, the second-largest diamond in the world.

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Plot Keywords:

stolen treasure | hidden treasure | stolen diamond | diamond | greed | 

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Genres:

Crime | Mystery

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Certificate:

Not Rated

Details

Country:

UK

Language:

English

Release Date:

7 December 1983 (USA)

Also Known As:

Sherlock Holmes: The Sign of Four

Filming Locations:

London, England, UK

Company Credits

Production Co:

Mapleton Films

Technical Specs

Runtime:

97 min

Sound Mix:

Mono

Color:

Color

Aspect Ratio:

4:3

Did You Know?

Trivia

Ian Richardson later appeared in Murder Rooms: Mysteries of the Real Sherlock Holmes (2000) as Doctor Joseph Bell, the real-life inspiration for Holmes.

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Goofs

The amount of jewels falling out of Small's wooden leg is much smaller than what we see in the chest later in the scene.

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Connections

Version of The Sign of Four: Sherlock Holmes' Greatest Case (1932)

User Reviews

Above average Holmes adaptation

This is not at all a bad adaptation of Arthur Conan Doyle's second Sherlock Holmes novel. Ian Richardson makes a fine (if too affable) Holmes, and David Healy (though portly enough to be Mycroft Holmes) is one of the screen's better Watsons. It's quite entertaining...and when I first saw it, I considered it the best Sign of Four adaptation ever made. In later years, however, I would discover the Granada productions...and their adaptation of Sign of Four, which far overrides this one in terms of faithfulness, style, pacing, direction, acting, and suspense.

There are a few problems with this adaptation which could have easily been rectified. First off, the plot structure is changed so drastically from that of the novel. Not necessarily a problem, in itself. But in this case, too much is revealed to us too early on, leaving little room for suspense, and making Holmes's deductions seem fairly anti-climactic. Rather than learning of the particulars of various events through Holmes's brilliant deductions, we actually SEE the events first, then watch Holmes work them out via deductive reasoning. The other major disadvantage to this structure is that the introduction (a representation of events that Conan Doyle didn't reveal to us until the final act!) is quite labored and unnecessarily delays the introduction of Holmes and Watson. By the time Holmes begins to seriously investigate the matter of the one-legged man and his strange ally, we are nearly halfway through the film. We already know far more than we should, and many of the events which follow are altered due to the shifting of later themes to an earlier point in the film, giving a very uneven feel to the overall piece. The first two acts are far too leisurely, and the final act plays out at breakneck speed.

Beyond that, some of the characters have been changed beyond all recognition. Again, this is a needless change, and does nothing to enhance the story. In fact, in some cases, notably the alteration of Thaddeus Sholto, the changes detract from the effectiveness of various scenes. Conan Doyle's Sholto was an extremely nervous little man...seemingly on the verge of a minor nervous breakdown at all times. This greatly enhanced the suspense of the story...as being in his presence made us, as readers, a bit jittery, as well. So, naturally, presenting him as a dashing young man with a fine gift for articulation deadens the impact of the scenes in which he appears.

I know I'm focusing on the negative here, but I find it difficult not to compare this film with the Granada production which usurped it three years later. That adaptation was practically perfect in every way...fantastic performances all around (including a spot-on Thaddeus Sholto, courtesy of Ron Lacey), extremely faithful to the source material...easily one of the best Holmes adaptations ever committed to film. Still, this version has a lot to offer, and is quite fun in its own way. Though I would have liked to have seen Holmes indulge in a few mood swings (and perhaps brandish his cocaine needle, just for the sake of accuracy), Richardson is one of the better Sherlocks. And Healy is no slouch as Watson, even if he doesn't match David Burke or Edward Hardwicke.

The truth is, I was duly impressed with this film the first time around, and I still quite enjoy watching it from time to time. View this and the Granada version back-to-back and debate the pros and cons for yourself.