Tony Montana manages to leave Cuba during the Mariel exodus of 1980. He finds himself in a Florida refugee camp but his friend Manny has a way out for them: undertake a contract killing and arrangements will be made to get a green card. He's soon working for drug dealer Frank Lopez and shows his mettle when a deal with Colombian drug dealers goes bad. He also brings a new level of violence to Miami. Tony is protective of his younger sister but his mother knows what he does for a living and disowns him. Tony is impatient and wants it all however, including Frank's empire and his mistress Elvira Hancock. Once at the top however, Tony's outrageous actions make him a target and everything comes crumbling down.Written by
When Manny gets Tony, after basketball, both walk towards the gate, meanwhile a bearded character with a spotted brown shirt is walking behind them in and out of the camera for no apparent reason, when Manny and Tony reach the gate to check the incoming Rebenga, that same bearded brown-shirted man enters through the gate from outside, this time wearing a hat and with a limp leg. See more »
...los que no se adapten... al esfuerzo y al heroísmo de una revolución... ¡No los queremos! ¡No los necesitamos!
[in subtitles: They are unwilling to adapt to the spirit of our revolution. We don't want them! We don't need them!]
[Translation word-for-word:... the ones that won't adapt... to the effort and heroism of a revolution... We don't want them! We don't need them!]
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SCARFACE is a fictional account of the activities of a small group of ruthless criminals. The characters do not represent the Cuban-American Community, and it would be erroneous and unfair to suggest that they do. The vast majority of Cuban-Americans have demonstrated a dedication, vitality, and enterprise that has enriched the American scene. See more »
In 2003, the film was given a limited 20th anniversary theatrical re-release. Footage wise, the only difference was that the re-release replaced the original "Van Allen belts" Universal logo with the newer 3D logo. The audio however, was significantly different from the original 1983 mix. Most of the incidental music was remixed, and all of the film's gunshot sounds were replaced with newer ones. The audio in the film's final sequence in Tony Montana's mansion was completely revamped, deleting some sound effects that were previously incorrectly placed. In addition, Tony's dialogue during the gunfight was easier to hear, and some of the henchmen had alternate groans dubbed in. The 20th anniversary DVD, released shortly after, only has a Dolby Digital 5.1 and DTS track of the original mix, but the 2006 Platinum Edition DVD re-release and the Blu-ray edition included the audio remix in both DD 5.1 and DTS formats. Though the original mix is also available on the Blu-ray release. See more »
I find myself enjoying this film when I watch it. Well, perhaps enjoying is a bit of an odd verb when you think of the storyline, its characters, the amount of violence and of course, the f-bomb being dropped about 15,000 times.
I like Pacino in this film. He shows us the violent anger we didn't see in Michael Corleone. We're Michael would say, "Never hate your enemies, it clouds your judgement," Tony Montana's out killing everybody. Now granted, there are moments in his performance...or in the script where you have to laugh. The questioning scene in the beginning of the film is a fine example of this. When asked where he got that scar on his cheek...well, I can't write what he says in the regular version, but I will tell you that on edited version on TNT, it from was "eating pine apple."
There is a great performance from Robert Loggia. He's the only character I truly believed in the film. Frank was a businessman, not a killer. All he wanted was the money. Greed killed him, as it has killed so many people. I enjoyed the direction Loggia went with Frank. It has carried over his recent work and has made Loggia one of Hollywood's must durable supporting actors.
Brian DePalma adds his usual blend of violence, but it seemed that for once, he was trying to make his own film. Not borrowed. No guessing games on who he stole from this time. Although he's blasted for the film's content, it is a new beginning to his career which took off, but it was really "The Untouchables" that made me consider him a serious director.
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