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Scarface (1983)

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In Miami in 1980, a determined Cuban immigrant takes over a drug cartel and succumbs to greed.

Director:

Brian De Palma

Writer:

Oliver Stone (screenplay by)
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Popularity
450 ( 94)
Top Rated Movies #105 | Nominated for 3 Golden Globes. Another 4 nominations. See more awards »

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Cast

Cast overview, first billed only:
Al Pacino ... Tony Montana
Steven Bauer ... Manny Ribera
Michelle Pfeiffer ... Elvira Hancock
Mary Elizabeth Mastrantonio ... Gina Montana
Robert Loggia ... Frank Lopez
Miriam Colon ... Mama Montana
F. Murray Abraham ... Omar Suarez
Paul Shenar ... Alejandro Sosa
Harris Yulin ... Mel Bernstein
Ángel Salazar ... Chi Chi
Arnaldo Santana Arnaldo Santana ... Ernie
Pepe Serna ... Angel
Michael P. Moran Michael P. Moran ... Nick The Pig
Al Israel ... Hector The Toad
Dennis Holahan ... Jerry The Banker
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Storyline

Tony Montana manages to leave Cuba during the Mariel exodus of 1980. He finds himself in a Florida refugee camp but his friend Manny has a way out for them: undertake a contract killing and arrangements will be made to get a green card. He's soon working for drug dealer Frank Lopez and shows his mettle when a deal with Colombian drug dealers goes bad. He also brings a new level of violence to Miami. Tony is protective of his younger sister but his mother knows what he does for a living and disowns him. Tony is impatient and wants it all however, including Frank's empire and his mistress Elvira Hancock. Once at the top however, Tony's outrageous actions make him a target and everything comes crumbling down. Written by garykmcd

Plot Summary | Plot Synopsis

Taglines:

The world is yours... See more »

Genres:

Crime | Drama

Certificate:

R | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English | Spanish

Release Date:

9 December 1983 (USA) See more »

Also Known As:

Scarface See more »

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Box Office

Budget:

$25,000,000 (estimated)

Opening Weekend USA:

$4,597,536, 11 December 1983, Wide Release

Gross USA:

$45,598,982

Cumulative Worldwide Gross:

$65,884,703
See more on IMDbPro »

Company Credits

Production Co:

Universal Pictures See more »
Show more on IMDbPro »

Technical Specs

Runtime:

| (TV)

Sound Mix:

4-Track Stereo (original release)| DTS (Blu-ray release) (DTS-HD Master Audio 7.1)

Color:

Color (Technicolor)

Aspect Ratio:

2.39 : 1
See full technical specs »
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Did You Know?

Trivia

Edward James Olmos turned down a role. See more »

Goofs

When Tony is leaving his mothers house, he has a long unsmoked cigar. But outside at the car when he gives Gina the money, the cigar is 2/3 smoked and lit. See more »

Quotes

[first lines]
Fidel Castro: ...los que no se adapten... al esfuerzo y al heroísmo de una revolución... ¡No los queremos! ¡No los necesitamos!
[in subtitles: They are unwilling to adapt to the spirit of our revolution. We don't want them! We don't need them!]
Fidel Castro: [Translation word-for-word:... the ones that won't adapt... to the effort and heroism of a revolution... We don't want them! We don't need them!]
See more »

Crazy Credits

SCARFACE is a fictional account of the activities of a small group of ruthless criminals. The characters do not represent the Cuban-American Community, and it would be erroneous and unfair to suggest that they do. The vast majority of Cuban-Americans have demonstrated a dedication, vitality, and enterprise that has enriched the American scene. See more »

Connections

Referenced in Big Mouth: Drug Buddies (2018) See more »

Soundtracks

Rush Rush
Performed by Debbie Harry
Music by Giorgio Moroder
Lyrics by Debbie Harry
Courtesy of Chrysalis Records
See more »

Frequently Asked Questions

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User Reviews

 
Grandiose, bloodyminded and implacable
18 December 2004 | by imdb-5032See all my reviews

This is one of my all time favorites.

If the movie has a flaw, it's that it comes at you like a raging bull. It doesn't so much engage the viewer as assault him. ''Scarface'' is as voracious and unyielding a production as Tony Montana himself. Nothing is left to the viewer's imagination.

Moroder's languorous synthpop fits the action to a tee. Like the chorus in a Greek tragedy, it wails and gnashes, broods and tugs, a constant reminder of Tony's inexorable fate.

Not so much a tale of caution as a disaster in progress, ''Scarface'' rips across the screen with the unstoppable force of a runaway train.


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