A tale of greed, deception, money, power, and murder occur between two best friends: a mafia enforcer and a casino executive, compete against each other over a gambling empire, and over a fast living and fast loving socialite.
A mentally unstable veteran works as a nighttime taxi driver in New York City, where the perceived decadence and sleaze fuels his urge for violent action by attempting to liberate a presidential campaign worker and an underage prostitute.
Robert De Niro,
Tony Montana manages to leave Cuba during the Mariel exodus of 1980. He finds himself in a Florida refugee camp but his friend Manny has a way out for them: undertake a contract killing and arrangements will be made to get a green card. He's soon working for drug dealer Frank Lopez and shows his mettle when a deal with Colombian drug dealers goes bad. He also brings a new level of violence to Miami. Tony is protective of his younger sister but his mother knows what he does for a living and disowns him. Tony is impatient and wants it all however, including Frank's empire and his mistress Elvira Hancock. Once at the top however, Tony's outrageous actions make him a target and everything comes crumbling down.Written by
According to AMC's "DVD TV: Much More Movie" airing, Cher loved the film; Lucille Ball came with her family and hated it because of the graphic violence and language; and Dustin Hoffman was said to have fallen asleep. Writers Kurt Vonnegut Jr. and John Irving were among those who allegedly walked out in disgust after the notorious chainsaw scene. At the middle of the film, Martin Scorsese turned to Steven Bauer and told him, "You guys are great - but be prepared, because they're going to hate it in Hollywood... because it's about them." See more »
USA Today boxes visible in background of scenes on Miami Beach early in the film, just after Tony leaves the government camp. USA Today did not begin service in Florida until the fall of 1982, while the scene takes place shortly after the April 1980 Mariel Harbor boat lift. See more »
...los que no se adapten... al esfuerzo y al heroísmo de una revolución... ¡No los queremos! ¡No los necesitamos!
[in subtitles: They are unwilling to adapt to the spirit of our revolution. We don't want them! We don't need them!]
[Translation word-for-word:... the ones that won't adapt... to the effort and heroism of a revolution... We don't want them! We don't need them!]
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SCARFACE is a fictional account of the activities of a small group of ruthless criminals. The characters do not represent the Cuban-American Community, and it would be erroneous and unfair to suggest that they do. The vast majority of Cuban-Americans have demonstrated a dedication, vitality, and enterprise that has enriched the American scene. See more »
ABC edited 32 minutes from this film for its 1987 network television premiere. See more »
In the tradition of the Godfather films, director Brian DePalma has brought Oliver Stone's creation Scarface to the big screen. It is the archetypal `rags to riches' story of a young Cuban refugee named Tony Montana. Al Pacino more than fulfils this role as he conveys the ruthless nature of Montana and likewise the ruthless nature of Miami's Cocaine underworld. Although Montana's ultimate position in life is morally wrong, he is a character with unequalled resolve. DePalma brings the audience not only into the inner recesses of Montana's world, but also the reality of the world that he has built.
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