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Scarface (1983)

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In Miami in 1980, a determined Cuban immigrant takes over a drug cartel and succumbs to greed.

Director:

Brian De Palma

Writer:

Oliver Stone (screenplay by)
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Popularity
383 ( 316)
Top Rated Movies #105 | Nominated for 3 Golden Globes. Another 4 nominations. See more awards »

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Cast

Cast overview, first billed only:
Al Pacino ... Tony Montana
Steven Bauer ... Manny Ribera
Michelle Pfeiffer ... Elvira
Mary Elizabeth Mastrantonio ... Gina
Robert Loggia ... Frank Lopez
Miriam Colon ... Mama Montana
F. Murray Abraham ... Omar
Paul Shenar ... Alejandro Sosa
Harris Yulin ... Bernstein
Ángel Salazar ... Chi Chi
Arnaldo Santana Arnaldo Santana ... Ernie
Pepe Serna ... Angel
Michael P. Moran Michael P. Moran ... Nick The Pig
Al Israel ... Hector The Toad
Dennis Holahan ... Banker
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Storyline

Tony Montana manages to leave Cuba during the Mariel exodus of 1980. He finds himself in a Florida refugee camp but his friend Manny has a way out for them: undertake a contract killing and arrangements will be made to get a green card. He's soon working for drug dealer Frank Lopez and shows his mettle when a deal with Colombian drug dealers goes bad. He also brings a new level of violence to Miami. Tony is protective of his younger sister but his mother knows what he does for a living and disowns him. Tony is impatient and wants it all however, including Frank's empire and his mistress Elvira Hancock. Once at the top however, Tony's outrageous actions make him a target and everything comes crumbling down. Written by garykmcd

Plot Summary | Plot Synopsis

Taglines:

The world is yours... See more »

Genres:

Crime | Drama

Certificate:

R | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English | Spanish

Release Date:

9 December 1983 (USA) See more »

Also Known As:

Scarface See more »

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Box Office

Budget:

$25,000,000 (estimated)

Opening Weekend USA:

$4,597,536, 11 December 1983, Wide Release

Gross USA:

$45,598,982

Cumulative Worldwide Gross:

$65,884,703
See more on IMDbPro »

Company Credits

Production Co:

Universal Pictures See more »
Show more on IMDbPro »

Technical Specs

Runtime:

| (TV)

Sound Mix:

4-Track Stereo (original release)| DTS (Blu-ray release) (DTS-HD Master Audio 7.1)

Color:

Color (Technicolor)

Aspect Ratio:

2.39 : 1
See full technical specs »
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Did You Know?

Trivia

In order to create the most accurate picture possible, Oliver Stone spent time in Florida and the Caribbean interviewing people on both sides of the law for research. "It got hairy," Stone admitted of the research process. "It gave me all this color. I wanted to do a sun-drenched, tropical Third World gangster, cigar, sexy Miami movie."

Unfortunately, while penning the screenplay, Stone was also dealing with his own cocaine habit, which gave him an insight into what the drug can do to users. Stone actually tried to kick his habit by leaving the country to complete the script so he could be far away from his access to the drug. "I moved to Paris and got out of the cocaine world too because that was another problem for me," he said. "I was doing coke at the time, and I really regretted it. I got into a habit of it and I was an addictive personality. I did it, not to an extreme or to a place where I was as destructive as some people, but certainly to where I was going stale mentally. I moved out of L.A. with my wife at the time and moved back to France to try and get into another world and see the world differently. And I wrote the script totally f***ing cold sober." See more »

Goofs

When Tony and the guys are following the white car outside the United Nations building to blow it up remotely, there are two beer cans and two food containers on the dashboard of their car. In the exterior shots of Tony and the guys in the car, the beer can closest to Tony is partially crumbled. But in the interior shots of Tony's point of view, the crumbled beer can is perfectly straight and not crumbed. The beer can is crumbled in the exterior shots and undamaged in the interior shots. See more »

Quotes

[first lines]
Fidel Castro: ...los que no se adapten... al esfuerzo y al heroísmo de una revolución... ¡No los queremos! ¡No los necesitamos!
[in subtitles: They are unwilling to adapt to the spirit of our revolution. We don't want them! We don't need them!]
Fidel Castro: [Translation word-for-word:... the ones that won't adapt... to the effort and heroism of a revolution... We don't want them! We don't need them!]
See more »

Crazy Credits

In the opening we see a crawl text (with narrator) that reads: "In May of 1980, Fidel Castro in an effort to normalize relations with the Carter Administration opened the harbor at Mariel, Cuba with the apparent intention of letting some of his people join their relatives in the United States. Within seventy-two hours, 3,000 U.S. boats were headed for Cuba. In the next few weeks, it became evident that Castro was forcing the boat owners to carry back with them not only their relatives but the dregs of his jail population. By the time the port was closed 125,000 'Marielitos' had landed in Florida. An estimated 25,000 had criminal records. This is the story of that minority those they call 'Los Bandidos'." See more »

Alternate Versions

Much of the chainsaw murder and the shootout at the end of the movie was cut in Norway before its cinema release; later video versions are uncut. See more »

Connections

Referenced in Game One: Episode #1.3 (2006) See more »

Soundtracks

Shake It Up
Performed by Elizabeth Daily
Music by Giorgio Moroder
Lyrics by Giorgio Moroder and Arthur Barrow
See more »

Frequently Asked Questions

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User Reviews

 
Grandiose, bloodyminded and implacable
18 December 2004 | by imdb-5032See all my reviews

This is one of my all time favorites.

If the movie has a flaw, it's that it comes at you like a raging bull. It doesn't so much engage the viewer as assault him. ''Scarface'' is as voracious and unyielding a production as Tony Montana himself. Nothing is left to the viewer's imagination.

Moroder's languorous synthpop fits the action to a tee. Like the chorus in a Greek tragedy, it wails and gnashes, broods and tugs, a constant reminder of Tony's inexorable fate.

Not so much a tale of caution as a disaster in progress, ''Scarface'' rips across the screen with the unstoppable force of a runaway train.


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