Now declared legally sane, Norman Bates is released from a mental institution after spending 22 years in confinement over the protests of Marion Crane's sister Lila Loomis, who insists that he's still a killer and that the court's indifference to his victims by releasing him is a gross miscarriage of justice. Norman returns to his motel and the old Victorian mansion where his troubles started, and history predictably begins to repeat itself.Written by
The set designers for Psycho II found many props and decor from the original film to use again, including their version of a notorious painting. "The Rape of Lucretia" returned to cover up Norman's peep hole in the wall of his office. It also saw a return in Psycho III. See more »
In the scene where the bloody rag is backing up the toilet, Mary grabs all of the towels to clean it up. When she then goes into Norman's mother's room and looks back into the bathroom, there are towels on the rack again. See more »
Mother, oh God, Mother. Blood! Blood!
The basis of the staff report Norman Bates is judged returned to sanity and is ordered released at will.
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Scenes of gore were shortened in the original theatrical version. However, the current Region 1 DVD includes all gore as well as some slightly longer scenes. See more »
Norman Bates (Anthony Perkins) is released after over 20 years in an asylum, supposedly cured. He goes back to Bates Motel...but then he starts seeing his dead mother again, gets phone calls from her and the murders start up again. Is it Norman going crazy again or is someone trying to drive him to it?
A very good, intricately plotted sequel to Hitchcock's classic. This could have been a disaster, but it isn't. The plot has many twists and turns and moves quickly. Director Richard Franklin does an excellent directing job, setting up some very eerie shots and duplicating some of Hitchcock's shots from the original. Perkins is just OK (he should have toned down on the twitches) and Meg Tilly is her usual blank self but there is a strong supporting cast including Vera Miles and Robert Loggia. One minor problem--was it necessary to get so violent and bloody at the end (although it's restrained for a 1980s horror film)? Still, worth catching. Great final shot too.
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