After twenty-two years of psychiatric care, Norman Bates attempts to return to a life of solitude, but the specters of his crimes - and his mother - continue to haunt him.After twenty-two years of psychiatric care, Norman Bates attempts to return to a life of solitude, but the specters of his crimes - and his mother - continue to haunt him.After twenty-two years of psychiatric care, Norman Bates attempts to return to a life of solitude, but the specters of his crimes - and his mother - continue to haunt him.
- Awards
- 2 nominations total
Bob Destri Hilgenberg
- Public Defender
- (as Robert Destri)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
A Sequel to Alfred Hitchcock's Cult-Classic 'Psycho', 'Psycho II' lives up-to the expectations & turns out to be A Terrific Sequel! Also, Anthony Perkins once again plays Norman Bates, amazingly.
'Psycho II' Synopsis: After twenty-two years of psychiatric care, Norman Bates attempts to return to a life of solitude... but the specters of his crimes -- and his mother -- continue to haunt him.
'Psycho II' has a superior start, middle & end. The Thrills are top-notch! Tom Holland's Screenplay is gripping & very well-written. Richard Franklin's Direction is eerie & unsettling. Cinematography is good. Editing is sharp. Art Design is excellent.
Performance-Wise: As mentioned before, Anthony Perkins once again plays Norman Bates, amazingly. He's impeccable in here! Vera Miles is first-rate. Meg Tilly is impressive. Robert Loggia leaves a mark. Dennis Franz is passable.
On the whole, 'Psycho II' is a High-Class Sequel, that Thrills, Scares & above all, Entertains Big Time!
'Psycho II' Synopsis: After twenty-two years of psychiatric care, Norman Bates attempts to return to a life of solitude... but the specters of his crimes -- and his mother -- continue to haunt him.
'Psycho II' has a superior start, middle & end. The Thrills are top-notch! Tom Holland's Screenplay is gripping & very well-written. Richard Franklin's Direction is eerie & unsettling. Cinematography is good. Editing is sharp. Art Design is excellent.
Performance-Wise: As mentioned before, Anthony Perkins once again plays Norman Bates, amazingly. He's impeccable in here! Vera Miles is first-rate. Meg Tilly is impressive. Robert Loggia leaves a mark. Dennis Franz is passable.
On the whole, 'Psycho II' is a High-Class Sequel, that Thrills, Scares & above all, Entertains Big Time!
Norman Bates (Anthony Perkins) is released after over 20 years in an asylum, supposedly cured. He goes back to Bates Motel...but then he starts seeing his dead mother again, gets phone calls from her and the murders start up again. Is it Norman going crazy again or is someone trying to drive him to it?
A very good, intricately plotted sequel to Hitchcock's classic. This could have been a disaster, but it isn't. The plot has many twists and turns and moves quickly. Director Richard Franklin does an excellent directing job, setting up some very eerie shots and duplicating some of Hitchcock's shots from the original. Perkins is just OK (he should have toned down on the twitches) and Meg Tilly is her usual blank self but there is a strong supporting cast including Vera Miles and Robert Loggia. One minor problem--was it necessary to get so violent and bloody at the end (although it's restrained for a 1980s horror film)? Still, worth catching. Great final shot too.
A very good, intricately plotted sequel to Hitchcock's classic. This could have been a disaster, but it isn't. The plot has many twists and turns and moves quickly. Director Richard Franklin does an excellent directing job, setting up some very eerie shots and duplicating some of Hitchcock's shots from the original. Perkins is just OK (he should have toned down on the twitches) and Meg Tilly is her usual blank self but there is a strong supporting cast including Vera Miles and Robert Loggia. One minor problem--was it necessary to get so violent and bloody at the end (although it's restrained for a 1980s horror film)? Still, worth catching. Great final shot too.
I first saw this movie as a horror loving kid, and I loved it. But then, as a grownup, I was reluctant to watch it again since so many films I loved as a kid turned out to be junk, after all. Since I'm a big Meg Tilly fan, I kinda wanted to keep my good memories... so I watched it again, for the same reason (go figure).
Well, it was even better than I remembered. Anthony Perkins gives a truly moving performance, and it's an accomplishment in itself considering the fact that it's an 80's horror movie - not to mentioned the legacy of the first. But the actor proposed a completely convincing continuation of the character. And yes, Tilly is quite good; not at all your average damsel in distress. I wish she'd consider a comeback (she was the ultimate wicked step-mom in Body Snatchers).
All in all, a very nice surprise, and certainly no disgrace to the original.
Well, it was even better than I remembered. Anthony Perkins gives a truly moving performance, and it's an accomplishment in itself considering the fact that it's an 80's horror movie - not to mentioned the legacy of the first. But the actor proposed a completely convincing continuation of the character. And yes, Tilly is quite good; not at all your average damsel in distress. I wish she'd consider a comeback (she was the ultimate wicked step-mom in Body Snatchers).
All in all, a very nice surprise, and certainly no disgrace to the original.
The 1960 'Psycho' is one of Alfred Hitchcock's greatest films and while it is high up in my list of "scariest films of all time" it doesn't stop it from being a personal favourite. Mainly for the cinematography, Hitchcock's direction, the music score and Anthony Perkins.
Hearing that 'Psycho' had three sequels, my immediate reaction was what's the point especially considering the fiasco that was the 1998 remake. It did strike me initially that 'Psycho' was perfect as it was and didn't need a sequel, let alone three as well as a telefilm spin-off and remake. The first sequel, finally getting round to watching the sequels after a little arm twisting, turned out to be surprisingly good. Not just being a worthy follow-up but also a well above average film in its own way. Is it as good as Hitchcock's film? Not a chance, not as scary or as suspenseful. But considering that expectations were dubious 'Psycho II' was so much better than expected.
'Psycho II' starts to drag ever so slightly towards the end and occasionally feels a touch over-plotted. Sadly too the ending is ridiculous and undermines the actually very neat execution of the rest of the film.
On the other hand, 'Psycho II' boasts some very stylish and moody cinematography and the setting is still eerie even in colour. Jerry Goldsmith proves himself to be a more than worthy successor to Bernard Hermann, enormous shoes to fill considering Hermann's score in the 1960 film is one of the most iconic chilling music scores in cinema. Goldsmith's score here is lush and ominously haunting without ever intruding.
Franklin directs beautifully, having a real knack for creating a creepy atmosphere and suspenseful touch, not quite the unequalled Hitchcockian touch but it is the closest the sequels ever get to having anything resembling it. The script is clever and taut with some touches of darkly wicked humour, while the story is on the most part very neatly paced, highly atmospheric and always coherent with some very imaginative twists.
As for the performances, they are also strong. Anthony Perkins returns in his most iconic role and proves that only one person can play this character. Meg Tilly and Vera Miles are very credible too while Dennis Franz and Robert Loggia provide some necessary grit.
In summary, surprisingly good and worthy first sequel to a classic. Doesn't disgrace it at all. 7/10 Bethany Cox
Hearing that 'Psycho' had three sequels, my immediate reaction was what's the point especially considering the fiasco that was the 1998 remake. It did strike me initially that 'Psycho' was perfect as it was and didn't need a sequel, let alone three as well as a telefilm spin-off and remake. The first sequel, finally getting round to watching the sequels after a little arm twisting, turned out to be surprisingly good. Not just being a worthy follow-up but also a well above average film in its own way. Is it as good as Hitchcock's film? Not a chance, not as scary or as suspenseful. But considering that expectations were dubious 'Psycho II' was so much better than expected.
'Psycho II' starts to drag ever so slightly towards the end and occasionally feels a touch over-plotted. Sadly too the ending is ridiculous and undermines the actually very neat execution of the rest of the film.
On the other hand, 'Psycho II' boasts some very stylish and moody cinematography and the setting is still eerie even in colour. Jerry Goldsmith proves himself to be a more than worthy successor to Bernard Hermann, enormous shoes to fill considering Hermann's score in the 1960 film is one of the most iconic chilling music scores in cinema. Goldsmith's score here is lush and ominously haunting without ever intruding.
Franklin directs beautifully, having a real knack for creating a creepy atmosphere and suspenseful touch, not quite the unequalled Hitchcockian touch but it is the closest the sequels ever get to having anything resembling it. The script is clever and taut with some touches of darkly wicked humour, while the story is on the most part very neatly paced, highly atmospheric and always coherent with some very imaginative twists.
As for the performances, they are also strong. Anthony Perkins returns in his most iconic role and proves that only one person can play this character. Meg Tilly and Vera Miles are very credible too while Dennis Franz and Robert Loggia provide some necessary grit.
In summary, surprisingly good and worthy first sequel to a classic. Doesn't disgrace it at all. 7/10 Bethany Cox
What a pleasure it is to see good old Norman in this rather decent sequel to the acclaimed the movie 'Psycho' - Anthony Perkins' role in this film is one fantastic, also an interesting and unpredictable plot buffers up the quality of this film, a great film, and a hidden gem....RECOMMENDED
Did you know
- TriviaThe reflection of young Norman Bates in the doorknob when he flashes back to his mother's poisoning is Anthony Perkins' son Osgood Perkins.
- GoofsThere is a vertical window on the side wall of the front entry (to the left as you face the door) which is often clearly seen illuminated in exterior shots. However when interior scenes of the front entry are shown, there are solid walls and no windows on either side of the entry way.
- Quotes
Norma Bates: Remember, Norman. I'm the one who loves you. Only your Mother truly loves you.
- Crazy creditsThe Universal Studios logo is in black and white.
- Alternate versionsThe television version includes various extra takes, including one when Norman is on the porch of the house and he says goodbye to Dr. Raymond.
- ConnectionsEdited from Psycho (1960)
- SoundtracksPiano Sonata Op. 27, No. 2 'Moonlight'
(uncredited)
Written by Ludwig van Beethoven
Played by Anthony Perkins
Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- Psicosis 2
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $5,000,000 (estimated)
- Gross US & Canada
- $34,725,000
- Opening weekend US & Canada
- $8,310,244
- Jun 5, 1983
- Gross worldwide
- $34,725,000
- Runtime1 hour 53 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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