The Osterman Weekend (1983)

During the Cold War, a controversial television journalist is asked by the C.I.A. to persuade certain acquaintances, who are Soviet Agents of the Omega network, to defect.

Director:

Sam Peckinpah

Writers:

Robert Ludlum (novel), Ian Masters (adaptation)

Stars:

Rutger Hauer, John Hurt, Craig T. Nelson

2 wins.

Cast

Cast overview, first billed only:
Rutger Hauer	...	John Tanner
John Hurt	...	Lawrence Fassett
Craig T. Nelson	...	Bernard Osterman
Dennis Hopper	...	Richard Tremayne
Chris Sarandon	...	Joseph Cardone
Meg Foster	...	Ali Tanner
Helen Shaver	...	Virginia Tremayne
Cassie Yates	...	Betty Cardone
Sandy McPeak	...	Walter Stennings
Christopher Starr	...	Steve Tanner
Burt Lancaster	...	Maxwell Danforth
Cheryl Carter	...	Marcia Heller
John Bryson	...	Honeymoon Groom
Anne Haney	...	Honeymoon Bride
Kristen Peckinpah	...	Tremayne's Secretary

Storyline

In this adaptation of the Robert Ludlum novel, the host of an investigative news program has been convinced by the C.I.A. that the friends and associates he's invited to weekend with him in the country are actually engaged in a nefarious conspiracy which threatens national security,

---

Plot Keywords:

child gagged | white panties | girl in panties | weekend | conspiracy | 

---

Taglines:

From Robert Ludlum's Best Selling Novel

---

Genres:

Action | Drama | Thriller

---

Certificate:

R

Details

Country:

USA

Language:

English

Release Date:

4 November 1983 (USA)

Also Known As:

Das Osterman-Weekend

Filming Locations:

Toronto, Ontario, Canada

Box Office

Budget:

$6,500,000 (estimated)

Opening Weekend USA:

$301,129, 23 October 1983

Gross USA:

$6,486,797

Cumulative Worldwide Gross:

$6,486,797

Company Credits

Production Co:

Davis-Panzer Productions, Osterman Weekend Associates

Technical Specs

Runtime:

103 min 116 min (director's cut)

Sound Mix:

Mono

Color:

Color

Aspect Ratio:

1.85 : 1

Did You Know?

Trivia

Meg Foster hit Helen Shaver hard by accident in one scene, and welted her, connecting with her jaw and hitting her. Shaver then got up, and the two then did another take.

---

Goofs

In the kitchen scene after Ali and the Tanner son are kidnapped, Ali refers to the boy as 'Steve', which is supposed to be the character's name according to the closing credits. But the actor's real name is Christopher, and he is referred to as 'Christopher' or 'Chris' numerous times throughout the movie. Note that it may have been challenging for Meg Foster to remember to refer to him as 'Steve' since he is her real life son.

---

Quotes

Bernard Osterman: The truth is just a lie that hasn't been found out.

---

Alternate Versions

On the Anchor Bay DVD release there is a rough cut made by Sam Peckinpah which he made showed to the test audience. Because the majority of the audience walked out, from the imfamous sex between Fassett and his wife. The producer wanted Peckinpah to cut the scene out. Once he refuse to made the cuts, he got fired. Other scenes. 1) The sex scene is more extended and shot more wobbly to express how Fassett breaking point for revenge had started. 2) Delete scene of Osterman and Joe talking on the phone about their deal. 3) Extended scene of Virginia flirting with Dick on the phone. 4) There a deleted scene of John Tanner of having an affair with his director Marcia, there wakes up to find her dead. 5) The scene where Tanner and guest are arguing by the dinner table, in the theatrical cut Fassett switches on a Swiss ad, the Peckinpah's cut he has like a big image of Danforth. 6) Alterative ending is juxtapositioned between Tanner searching for his family and the TV studio.

---

Connections

Referenced in Passion & Poetry: Sam's Trucker Movie (2013)

User Reviews

"The truth is just a lie that hasn't been found out."

Sam Peckinpah is one of my favorite directors. I'll always see him as a visionary maverick responsible for crafting some of the most enjoyable movies I've ever seen. His The Wild Bunch and Bring Me the Head of Alfredo Garcia are among my favorite films. His last film, The Osterman Weekend, is something of a mixed bag. On the positive side, it has several good action set pieces that are very reminiscent of the other films I've mentioned. Scenes of bullets and arrows flying through the air and a particularly brutal fight scene with a bat filmed in slow-motion remind me of Peckinpah's glory days. Unfortunately, there's a plot in there that gets in the way of the fun. I've seen The Osterman Weekend twice now and I'm as confused about some of the events in the movie as I was the first time I saw it. I don't know if it was just Peckinpah being stubborn, but it feels unnecessarily confusing. There are plot points that go nowhere, plot holes big enough to drive the proverbial truck through, and plot twists that don't work. After a good set-up, the movie simply loses its way. A script that didn't try so hard to be clever and secretive and some judicious editing might have made The Osterman Weekend a winner.