A small revolution breaks out in a small Argentine town, as one group of Peronists calls they newly elected peronist a communist. The newly elected official enlists the aid of allies ...
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In 1920, some workers of Patagonia, grouped in anarchist and socialist societies, decide to make a strike demanding better working conditions. The situation becomes unsustainable and the government sends the order is restored.
A union organizing demolition worker and a friend of his decide to blackmail the corrupt company they work for setting up a fake accident. Because of a miscalculation the friend dies, but ... See full summary »
Julio De Grazia
19-year-old Argentina Martin has a nearly fatal drug overdose. After that his mother sends him to Madrid, where his film director father (also called Martin) lives with his new much younger lover Alicia and gay actor friend Dante.
Juan Diego Botto,
Mario and Ana, in voluntary exile from Buenos Aires, live in a remote Argentine valley with their 12-year-old son Ernesto. Mario runs a school and a wool cooperative; Ana, a doctor, heads a... See full summary »
Cuenta la historia de Jorge Pellegrini y Laura Ramallo a lo largo de casi dos décadas. Comienza en 1980 y termina en nuestros días. Cuenta le romance inicial, los posteriores desencuentros,... See full summary »
Bear has never gotten over the separation from his wife and daughter after having been convicted for armed robbery and homicide and sent to prison. Now he is out, to finally get his cut of ... See full summary »
Israel Adrián Caetano
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Alejo García Pintos,
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A small revolution breaks out in a small Argentine town, as one group of Peronists calls they newly elected peronist a communist. The newly elected official enlists the aid of allies ranging from the town drunk to young peronists to help hold his post. What follows is a slapstick war with a serious message.Written by
Jeremy Hubble <email@example.com>
Based on a satire by novelist Osvaldo Soriano, this bitter work is also set in the author's abstract rural Argentine village of Colonial Vela in 1974, the year of Juan Perón's death, and is intended as an allegory relating to events that led to a military takeover of the government. It features Federico Luppi whose stated liberal political ideals assured that he would have a lengthy period of cinematic unemployment. Serving as microcosm in a kettle for national turmoil, perceptions of Perón held by two disparate political factions in Colonial Vela are at cross-purposes with right-wing Perónists attempting to oust a municipal clerk whom, although apolitical, is accused of being a Marxist, with a result that his superior, the town administrator (Luppi), comes to the clerk's physical defence against massed forces including the mayor, chief of police and union organizers, along with a collection of hardcore rightists. Farcical humour is employed by director Héctor Olivera, but always in company with cruel violence, disconcerting to a viewer who is not only alert to what may occur next, but also incapable of divining what that may be, thanks to excellent acting by Luppi, Rodolfo Ranni as police chief, Héctor Bidonde as head of the collective right-wingers, and indeed the entire cast is spot on the corrosive intentions of Olivera. This production was shot in the province of Buenos Aires while the ruling generals were yet in power, and was released in the midst of the election period in 1983 when leftist radicals retired the Perónists, an event that this work helped bring about, in large part due to a graphic depiction of right-wing death squads, murdered hostages and torture, being most certainly a film of seminal importance to those having knowledge of the Perónist period; an English language subtitled version is available with translation from the Castilian original being adequate, despite the clumsily created title. In all respects, this is a tightly made effort, not for fans of Evita, either the person or the musical feature.
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