Small time crooksters Nick (Peter Falk) and Charlie (Charles Durning) have an elaborate plan to rob an exclusive jewelers store. Using a variety of disguises and posing as rich old men and ... See full summary »
John G. Avildsen
Parents in a small, conservative community don't think that the sex drive is a normal thing for children to experience. So much so, that they label education in that regard as a communist ... See full summary »
John G. Avildsen
In the Victorian period, two children are shipwrecked on a tropical island in the South Pacific. With no adults to guide them, the two make a simple life together, unaware that sexual maturity will eventually intervene.
Faye Hanlon is a prim and practical woman with a NASA engineer husband and a career as a professor at a small Florida college. Among her least favorite students is cocky Rick Monroe who is secretly paying his tuition as male stripper "Ricky the Rocket". When Faye is brought to a sweaty disco full of sweaty housewives, she is shocked to become a front-row witness to - and reluctant participant in - Ricky's explosive performance. Now each kiss has its result of actions, every lie will take its toll. And two desperate lovers will pay the ultimate price for a night in "Heaven".
The song "Heaven" by Bryan Adams appeared on the soundtrack of this film before the release of his album "Reckless" a year later (as the third single from the playlist - Adams insisted that the song was to be included when "Reckless" was released when his producer deemed the song as a power ballad which was not deemed as hard rock - the power ballad later paid off when Adams performed the theme song for the film Robin Hood: Prince of Thieves (1991)). It was recorded on June 6 and 7, 1983 at the Power Station in New York City. In April 1985, the song reached #1 on the Billboard Hot 100. See more »
When Faye and Patsy are talking at the airport, Patsy is holding her magazines with her left arm. When they hug, the magazines jump to her right arm. See more »
I rented this movie as a total goof with a friend about a year after it came out, expecting it to be as cheesy and pathetic as the trailer. This is not great cinema by any means. But some actual thought went into the making of this and it was a lot better than I ever anticipated. In fact, back in the day, Siskel and Ebert actually gave this two thumbs up, for the chemistry between Lesley Ann Warren and Christopher Atkins. It has been said that he was so into his character that after the filming it took him a long time to get over his costar. Lesley Ann Warren's shocked expressions are priceless. The great Bryan Adams songs are relevant; not just tacked on because they are cool and will sell soundtracks. This is not a movie you would ever want to admit aloud that you like. But you may be surprised to find that you're secretly admitting it to yourself.
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