A fake Fabergé egg, and a fellow Agent's death, lead James Bond to uncover an international jewel-smuggling operation, headed by the mysterious Octopussy, being used to disguise a nuclear attack on N.A.T.O. forces.
SPECTRE agents under the command of Ernst Blofeld infiltrate a US air force base situated in the UK and steal two Tomahawk cruise missiles. When NATO is held to ransom, the British reactive their "00" agents and send James Bond to recapture the warheads and kill Blofeld.Written by
Dave Jenkins <email@example.com>
Spectre (2015) is not the first time that SPECTRE had been considered as a James Bond film title, as it was intended to the be title of a proposed sequel to Never Say Never Again (1983). 'The James Bond Bedside Companion' by Raymond Benson states that "SPECTRE" was one of the working titles (others were "Longitude 78 West" and "James Bond of the Secret Service") for the various original scripts, outlines, and treatments, which totaled to at least ten literary properties, that Ian Fleming, Kevin McClory, and Jack Whittingham developed prior to Fleming using story elements from this material for his novel of Thunderball (1965), which later was adapted into that movie, and from which, resulted a long-standing legal dispute. Moreover, after McClory's Never Say Never Again (1983), which was a remake of Thunderball (1965), McClory planned "a series of James Bond films based on the copyrights of 'The Film Scripts' and the film rights to Thunderball (1965). Paradise Productions III made an announcement in February 1984 that the first film would be titled SPECTRE". See more »
The "training footage" being watched during Bond's review is clearly the opening scene, complete with cuts and camera angles that would require a film crew following Bond around to capture. See more »
I send you to a health farm to get yourself in shape! Instead you DEMOLISH it! Now I've had to notify the local police, get a minister to muzzle the press, and allocate a sizable chunk of my meager budget to renovating the establishment!
A man DID try to kill me, sir.
Oh! Caught you seducing his wife, did he?
No, sir, not at all. But, in fact, I did lose 4 lbs and God knows how many free radicals.
[slams the table]
That is the KIND of attitude that tempts me to suspend you, 007!
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Never Say Never Again got its title because Sean Connery had said in the 1970s (shortly after Diamonds Are Forever) that he would "never" do another Bond film. However, in 1983 he was persuaded to return to the role for a one-off special, a remake of his fourth entry Thunderball, and his wife rather humorously said to him that in the future he should make a point never to say never again. This film actually came out close to a Roger Moore entry in the series (Octopussy), and although Connery had more admirers as 007 than Moore, it was surprisingly Octopussy that scored a bigger box office hit.
Connery's Bond is older and more vulnerable than we remember him. His boss, M, doesn't hold him in very high regard and actually suggests that he take some time off in a plush health spa. During his time here, Bond uncovers a strange plot and the further he delves into the mystery the more he discovers. It seems that his old adversaries SPECTRE, fronted by the nefarious Blofeld (Max Von Sydow) have stolen two nuclear warheads which they will detonate if they are not paid an extortionate ransom. Chief overseer of this hideous plan is Emile Largo (Klaus Maria Brandeur), and Bond pursues Largo around the globe in an attempt to stop him, visiting such places as Monte Carlo and North Africa during the course of the mission.
The music by Michel Legrand is poor by series standards. It sounds rather similar to his music for the sleazy 1981 movie Your Ticket Is No Longer Valid, and is really ill-suited to this Bond production. However, in terms of villains, they've come with a couple of great ones for this film. Largo, as personified by Brandeur, is smooth but deadly, and hench-woman Fatima Blush (the sensual Barbara Carrera) is uncommonly disturbing. Rowan Atkinson also has a fairly good role as a dim-witted agent assigned to "help" Bond. The big action sequences are quite good, especially the horse chase around the North African sea-fortress and the motorbike chase, although some of the underwater moments are tough to understand because it's hard to figure out who is who behind the diving masks.
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