Les Pirates de L'île Sauvage (1983)
Nate and Hayes (original title)Reference View | Change View
- PG
- 1h 39min
- Action, Adventure
- 18 Nov 1983 (USA)
- Movie
Photos and Videos
Cast verified as complete
| Tommy Lee Jones | ... |
Captain Bully Hayes
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| Michael O'Keefe | ... |
Nathaniel Williamson
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| Max Phipps | ... |
Ben Pease
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| Jenny Seagrove | ... |
Sophie
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Grant Tilly | ... |
Count Von Rittenberg
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Peter Rowley | ... |
Louis Beck
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William Johnson | ... |
Reverend Williamson
(as Bill Johnson)
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| Kate Harcourt | ... |
Mrs. Williamson
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Reg Ruka | ... |
Moaka
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| Roy Billing | ... |
Auctioneer
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| Bruce Allpress | ... |
Mr. Blake
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| David Letch | ... |
Ratbag
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Prince Tui Teka | ... |
King of Ponape
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Pudji Waseso | ... |
Fong
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| Peter Vere-Jones | ... |
Gunboat Captain
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Tom Vanderlaan | ... |
Count's Lieutenant
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| Mark Hadlow | ... |
Gun Operator
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Phillip Gordon | ... |
Timmy
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| Norman Fairley | ... |
Pegleg
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Warwick Simmons | ... |
Pog
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Paul Farrell | ... |
Crewman #1
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Frank Taurua | ... |
Crewman #2
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Norman Keesing | ... |
Crewman #3
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Robert Bruce | ... |
Ben Pease Crew #1
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Timothy Lee | ... |
Ben Pease Crew #2
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Peter Bell | ... |
Ben Pease Crew #3
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| Peter Diamond | ... |
Ben Pease Crew #4
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John Rush | ... |
Ben Pease Crew #5
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Grant Price | ... |
Ben Pease Crew #6
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Karl Bradley | ... |
Ben Pease Crew #7
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| Rest of cast listed alphabetically: | |||
| Wiki Oman | ... |
Hooker (uncredited)
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Directed by
| Ferdinand Fairfax | ||
Written by
| Lloyd Phillips | ... | (story) |
| John Hughes | ... | (screenplay) and |
| David Odell | ... | (screenplay) |
| David Odell | ... | (screen story) |
Produced by
| Lloyd Phillips | ... | producer |
| Robert Whitehouse | ... | producer (as Rob Whitehouse) |
Music by
| Trevor Jones | ||
Cinematography by
| Tony Imi | ||
Editing by
| John Shirley | ||
Editorial Department
| Peter Baldock | ... | second assistant editor |
| Larry Richardson | ... | first assistant editor |
| Nancye Seaton | ... | supervising cutter |
Casting By
| Celestia Fox | ||
| Penny Perry | ||
Production Design by
| Maurice Cain | ||
Art Direction by
| Dan Hennah | ||
| Rick Kofoed | ||
Costume Design by
| Norma Moriceau | ||
Makeup Department
| Bob McCarron | ... | makeup supervisor / special makeup effects |
| Shayne Radford | ... | hair stylist |
| Wendy Sainsbury | ... | senior makeup artist |
| Angela Reading | ... | assistant hair stylist (uncredited) |
Production Management
| Jane Gilbert | ... | production manager |
| Ted Lloyd | ... | production supervisor |
Second Unit Director or Assistant Director
| Bert Batt | ... | first assistant director |
| Tim Coddington | ... | third assistant director |
| Michael Horton | ... | second unit director |
| Terry Pearce | ... | second assistant director |
| Chris Short | ... | second assistant director |
| Lee Tamahori | ... | first assistant director: second unit |
Art Department
| Jeanelle Aston | ... | property buyer / set dresser |
| Lissa Coote | ... | property master |
| Al Ford | ... | stand-by props |
| Josephine Ford | ... | art director: Fiji |
| Ed Mulholand | ... | leading head carpenter |
| Rob Outterside | ... | construction manager |
| Michael Worrall | ... | production design assistant (as Mike Worrall) |
| Peter Worrall | ... | production design assistant |
Sound Department
| Peter Best | ... | dubbing editor |
| Graham V. Hartstone | ... | re-recording mixer |
| John Ireland | ... | dialogue editor |
| Nicolas Le Messurier | ... | re-recording mixer |
| Gordon K. McCallum | ... | sound mixer |
| Graham Morris | ... | boom operator |
| Hammond Peek | ... | sound recordist: stereo backgrounds |
| Terry Poulton | ... | footsteps editor |
| Don Reynolds | ... | sound recordist |
| John Hayward | ... | re-recording mixer (uncredited) |
Special Effects by
| Kevin Chisnall | ... | special effects: New Zealand |
| Jeff Clifford | ... | special effects floor supervisor |
| Peter Dawson | ... | special effects supervisor |
| Ken Gittens | ... | special effects assistant (as Kenny Gittens) |
Stunts
| Peter Diamond | ... | stunt coordinator |
Camera and Electrical Department
| Richard Bluck | ... | focus puller |
| Roland Carati | ... | focus puller: second unit |
| Stuart Dryburgh | ... | best boy electric |
| Bob Hughes | ... | cinematographer: second unit |
| Brian Kassler | ... | key grip |
| Mike Lemmon | ... | second assistant camera (as Michael Lemmon) |
| Murray Milne | ... | second focus puller |
| Mick Morris | ... | gaffer |
| Ashley Scott | ... | clapper loader |
| Richard Scott | ... | grip |
| Alan Smith | ... | camera operator |
| Theo Westenberger | ... | still photographer |
Casting Department
| Tom Finlayson | ... | casting: New Zealand |
| Val Lamond | ... | casting: New Zealand |
| Michael Lynch | ... | casting: Australia |
Costume and Wardrobe Department
| Barbara Darragh | ... | assistant costume designer |
| Joan Grimmond | ... | wardrobe mistress |
| Michael Kane | ... | stand-by wardrobe |
Location Management
| Lyn Galbraith | ... | location manager: Fiji |
Music Department
| Richard Bissill | ... | Musician: French horn |
| John A. Coleman | ... | orchestrator (as John Coleman) |
| Marcus Dods | ... | conductor |
| Trevor Jones | ... | orchestrator |
| Peter Knight | ... | orchestrator |
| John Richards | ... | music recordist |
| Dan Goldwasser | ... | soundtrack producer (uncredited) |
| London Symphony Orchestra | ... | music performed by (uncredited) |
Script and Continuity Department
| Jackie Sullivan | ... | continuity |
Additional Crew
| Robin Cagney | ... | armorer |
| Rea Francis | ... | publicist |
| Fay Furner | ... | secretary to producer |
| Catherine Madigan | ... | studio manager |
| Terry McGrath | ... | production accountant |
| Janet McIver | ... | production assistant |
| Julie Washington | ... | liaison: London |
| Anne Wooten | ... | assistant to producer |
| Brian Mahony | ... | insurance broker (uncredited) |
Production Companies
Distributors
- Kerridge Odeon (1983) (New Zealand) (theatrical)
- Paramount Pictures (1983) (United States) (theatrical)
- United International Pictures (UIP) (1983) (United Kingdom) (theatrical)
- Paramount Pictures (1983) (United States) (VHS)
- Roadshow Films (1984) (Australia) (theatrical)
- United International Pictures (UIP) (1984) (Sweden) (theatrical)
- United International Pictures (UIP) (1984) (Norway) (theatrical)
- United International Pictures (UIP) (1985) (Japan) (theatrical)
- Home Video Hellas (HVH) (1986) (Greece) (VHS)
- National Broadcasting Company (NBC) (1987) (United States) (tv)
- Paramount Films of India (1986) (India) (theatrical)
- CIC Video (West Germany) (video)
- CIC Vídeo (Brazil) (video)
- Roadshow Home Video (1985) (Australia) (VHS)
Special Effects
Other Companies
- La-La Land Records (score album released by) (limited edition)
- The London Symphony Orchestra (LSO) (orchestra)
Storyline
| Plot Summary |
It's the late nineteenth century in the South Pacific. Bully Hayes considers himself a pirate with morals and standards, and while he has never flown the skull and crossbones, he has dealt in illegal trade, albeit never having swindled or killed anyone who didn't deserve it. It is after one of those trading missions with a native tribe gone wrong that he is arrested "by an old friend" under Spanish law for attempting to sell arms to the enemy, a crime punishable by hanging. Awaiting his fate in a dank prison cell, he tells his lawyer how he came to this situation. What Bully specifically tells him is the last escapades aboard his former beloved ship, the Rona, the long voyage transporting New Englander Nathaniel Williamson and his British fiancée Sophie to their South Pacific mission where they were to be married before bringing the word of God to the natives. Earnest Nathaniel disliked him from the beginning due to the harmless or not so harmless flirtation between him and Sophie. Before Nathaniel and Sophie married, the mission was massacred, and by the time Nathaniel, one of the few survivors, regained consciousness, Sophie was gone, he believed at Bully's hands. Alone, Nathaniel, without the necessary survival skills, went looking for Bully and Sophie. Nathaniel, within an inch of his life, eventually found Bully - or in reality Bully found him, convincing him that it was probably his former business partner, the unscrupulous Ben Pease, who massacred the mission and kidnapped Sophie. So Bully and "Nate" joined forces to locate Ben and Sophie as Bully recognized his feelings for her and as Nate recognized her feelings for Bully. They discovered that Ben was working in cooperation with the Germans who were trying to set up a South Pacific outpost for global reach, and were probably going to use Sophie as a trading item to purchase an island from the natives who used maidens like Sophie as a sacrifice to their God. Nate and Bully and their crew had to save Sophie before she was used as a sacrifice, which meant needing to defeat Ben, the Germans and the natives of that island. The outcome of this tale will have an effect as Bully ultimately takes the walk to face the noose. Written by Huggo |
| Plot Keywords | |
| Taglines | Partners in Piracy. Rivals in Romance. Allies in Adventure. See more » |
| Genres | |
| Parents Guide | View content advisory » |
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Additional Details
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Box Office
| Budget | $12,000,000 (estimated) |
Did You Know?
| Trivia | Captain Bully Hayes was, in real-life, a ship Captain called William Henry ("Bully") Hayes, who sailed in the South Pacific Seas during the mid nineteenth century, until he was murdered in 1877. See more » |
| Goofs | As Hayes and his crew stop Ben Pease in the streets of Samoa we see he is clearly surrounded. In fact people and Hayes' remaining crew cut off the escape route. However when Pease makes his escape away from Hayes, the crew and everyone that cut him off are standing to the sides of the road giving him a clear path. See more » |
| Movie Connections | Featured in Nate and Hayes/A Night in Heaven/The Big Score/Terms of Endearment/Danton (1983). See more » |
| Quotes |
Ben Pease:
Can't trust women - even when they're dead! See more » |