A morgue attendant is talked into running a brothel at his workplace after a deceased pimp is sent there. However, the pimp's killers don't look too kindly on this new 'business', nor does the morgue's owner.
Four mental patients on a field trip in New York City must save their caring chaperon, who ends up being taken to a hospital in a coma after accidentally witnessing a murder, before the killers can find him and finish the job.
Jack and Caroline are a couple making a decent living when Jack suddenly loses his job. They agree that he should stay at home and look after the house while Caroline works. It's just that he's never done it before, and really doesn't have a clue.Written by
Murray Chapman <email@example.com>
When Jack is chasing the vacuum from room to room, his shirt goes back and forth from being dry and tucked to wet and untucked from shot to shot. See more »
[talking about the lay-off]
Your not exactly walking out of here empty handed, You got your pension and I'll give you this months gas money.
There's only one more thing I want.
[Jinx goes to window and tries to open it and jump out but is grabbed by Jack]
Hey keep that sense of humor buddy, its critical.
[Larry rushes at him and attempts to strangle him]
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In one scene, Jack's "girlfriends" take him to a male strip show in which the dancers are dressed as astronauts. Jack comments "These aren't the guys from the space shuttle, are they?" When the film was first shown on network television in 1986, the line was removed, presumably because it seemed in poor taste coming so soon after the Challenger disaster. See more »
An auto-engineer (Michael Keaton) gets fired from his job so his wife (Teri Garr) must go out and get a job to support the family. This leaves Keaton at home to take care of the kids and house. This is a film I use to watch countless times when I was little because it seemed it was showing up on HBO at least twice a day. I hadn't watched the movie in at least twenty years before this viewing and it held up well for me even though it's clear that it's certainly not a masterpiece or anything too special. The screenplay by John Hughes is pretty light from start to finish but the majority of the humor works thanks to the performance by Keaton. Keaton comes off very likable and he handles to the change from family man to coach potato very well and he manages several laughs. The best moments are when Keaton becomes obsessed with soap operas, which include a very fun dream sequence. Garr is also good in her role as are Jeffrey Tambor and Martin Mull in their supporting roles. I really can't sit here and type why this film works for me outside of its charm. I'm sure many will find the film too silly to enjoy so perhaps it's something nostalgic for me.
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