A morgue attendant is talked into running a brothel at his workplace after a deceased pimp is sent there. However, the pimp's killers don't look too kindly on this new 'business', nor does the morgue's owner.
Four mental patients on a field trip in New York City must save their caring chaperon, who ends up being taken to a hospital in a coma after accidentally witnessing a murder, before the killers can find him and finish the job.
Jack and Caroline are a couple making a decent living when Jack suddenly loses his job. They agree that he should stay at home and look after the house while Caroline works. It's just that he's never done it before, and really doesn't have a clue.Written by
Murray Chapman <firstname.lastname@example.org>
The premise came about when John Hughes recounted to Lauren Shuler Donner about a disastrous experience he had looking after his two children in the absence of his wife, which Shuler found hilarious. After asking if that could make a good movie, she replied that "it sure sounds funny to me". Hughes wrote the film, and flew to Los Angeles to re-write the script with Shuler. See more »
While Ron is flipping through the radio stations in Caroline's hotel room, you can hear the same DJ prattle that was on the kids' radio at the beginning of the movie. See more »
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In one scene, Jack's "girlfriends" take him to a male strip show in which the dancers are dressed as astronauts. Jack comments "These aren't the guys from the space shuttle, are they?" When the film was first shown on network television in 1986, the line was removed, presumably because it seemed in poor taste coming so soon after the Challenger disaster. See more »
I know it seems weird to say this about a John Hughes film, but I honestly think this is one of the great films of all time. There are so few movies that are so.. flawless. The script is hilarious. The editing is seamless. Every line is quote-worthy. The acting is spot-on. Michael Keaton is at the top of his game, Terry Garr is a comic genius, and the casting is perfect.
The story is both goofy, and rather deep. It conatins at least a dozen of my top 100 all-time favorite movie 'moments'. Its the kind of film you see late at night on TV, and you start watching a few minutes, then suddenly before you know it, you've watched the whole thing AGAIN. Obviously, I highly recommend this film, and encourage more filmmakers to study it, because they just don't make 'em like this anymore.
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