When a professional couple who have lived & worked together for many years finally decide to marry, their sudden betrothal causes many unexpectedly funny and awkward difficulties. They soon... See full summary »
In World War II, a strategic Italian village agrees to surrender to the Allies only if it's allowed to organize a celebratory festival while giving aerial reconnaissance the false impression of fierce ground fighting.
Marianna, a Los Angeles based therapist, tells the story of one of her patients, middle aged David Fowler, a successful sculptor. He originally came to see her due to his sudden impotence in all aspects of his life, including in his art and in his sex life, the latter especially worrisome as he has always adored women in the holistic sense, they in general who adore him right back. David's sessions with Marianna have most often been comprised of he talking about the women in his life, both past and present, those in his early life who included his single mother who had her fair share of suitors and lovers, and a plethora of prostitutes, one to who he lost his virginity and the profession which he has always treated with respect beyond the issues of many women resorting to the business as a last resort to survive. He has moved from one girlfriend/lover to another in his fear that he would miss something special in the women he has not yet met. Those women include but are not limited to...Written by
The title of 1983's "The Man Who Loved Women" tells you everything you need to know: Burt Reynolds plays David Fowler, a man who sees the beauty in practically every woman and therefore can never settle down with one. As such, he ends up isolated and on the couch of a therapist, Marianna (Julie Andrews). The entire movie consists of Marianna trying to figure David out and help him while the latter relays several of his amorous connections in flashback. When the therapy is over will THEY start a relationship? Fowler's many women include Kim Basinger, Marilu Henner and Denise Crosby.
I encourage you to read Nsouthern51's review from April 25, 2001, on IMDb because it expertly interprets and evaluates the movie. While the film could be considered a romantic comedy it's also a tragic study of a Romeo and therefore there's a pall of melancholy despite the light tone and amusing elements, including black comedy. Speaking of which, while I don't think adultery's something to take lightly and therefore don't find it very amusing, it ties into Fowler's folly and blindness due to his weakness, women.
The good thing is that Fowler's not all bad or unlikable (Burt is his typical amiable self in an atypical role). He's not the conventional lothario who uses and abuses; he genuinely loves women and is fascinated by them. He loves them so much he can't bear to be with just one because that would mean he'd never know hundreds or thousands of others, but then he aches because he doesn't want to hurt the women he leaves.
The best part is Fowler's salvation of a new-to-the-trade prostitute whom he ends up hiring for his sculpting business. He nobly resists acting on his carnal instincts and therefore sacrifices for her good. The girl is played by a pre-Star Trek (TNG) Denise Crosby and she looks great.
At the end of the day the movie features Reynolds in an unusual role, which might turn off fans, and the strange mix of melancholy and amusement may turn-off others. It's not great, but it's good enough for what it is and therefore worthwhile. It's similar to Altman's "Dr. T and the Women" (2000) so if you don't like that movie you probably won't like this one.
The film runs 110 minutes and was shot in Houston, Texas, and Los Angeles, CA.
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