Invisible aliens in a tiny flying saucer come to Earth looking for heroin. They land on top of a New York apartment inhabited by a drug dealer and her female, androgynous, bisexual ...
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Invisible aliens in a tiny flying saucer come to Earth looking for heroin. They land on top of a New York apartment inhabited by a drug dealer and her female, androgynous, bisexual nymphomaniac lover, a fashion model. The aliens soon find the human pheromones created in the brain during orgasm preferable to heroin, and the model's casual sex partners begin to disappear. This increasingly bizarre scenario is observed by a lonely woman in the building across the street, a German scientist who is following the aliens, and an equally androgynous, drug-addicted male model. (Both models are played by Anne Carlisle, in a dual role.) Darkly funny and thoroughly weird.
According to an interview with Anne Carlisle in the July 1984 edition of Moviegoer Magazine, the movie was the most successful independent film of the 1983 year grossing $1.7 million at the box-office in the film's first months of release. See more »
At the turn of the century heroin was available at every corner drugstore. Any housewife could get some for a headache.
I am not a turn of the century housewife and I don't want heroin in my house.
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I am crazy about this weird, beautiful little film!
I saw LIQUID SKY at a Midnight Showing here in Kansas City, back in 1983 or 84. I was in my late teens and just discovering Independent and Foreign films. A true cinematic oddity, this was a far cry from most of the schlock I was paying to see at the multiplex at that time. To each his own, but I LOVED LIQUID SKY! It's everything a Cult classic should be. The cinematography and use of color are incredible and has the Empire State building ever looked as majestic on screen? In retrospect, I also think the film is a harbinger of what was to come in the mid-late 80's. It's look at excess and style over substance more or less defined that period in time......and despite the crazy hair and Day-Glo makeup, Anne Carlisle is simply stunning.
About two years ago, I bought the DVD from AMAZON.com and although the packaging and overall quality could have been better, I was just glad to finally have a copy of the film in ANY format. Until that time, the only place in KC I could find Liquid Sky, was a beat up copy on VHS from my local Library(!). I probably checked that tape out a dozen times, just to show friends, many of whom, despite what you might think of us simple folk (alleged) here in Middle America, absolutely loved it's warped charms. The film made New York and it's hip, arty inhabitants seem as if they were from another planet. They were no less strange than the killer Alien, or whatever the hell that thing in the film was.
I am curious to know what ever became of Anne Carlisle and Paula E. Sheppard. There is almost zero information about them anywhere in Cyberspace. I did want to join in to say, after viewing the film again last night on DVD for the umpteenth time, that I am crazy about this weird, beautiful little film. It as if an 80's equivalent of Andy Warhol's Factory pooled their money and ideas together to make the coolest low-budget film ever. It captures everything that was fascinating about Independent film in the 80's. A visual experience that is colorful, bizarre, risqué, dark, smart and yes, even funny. I can see how this film would divide people, but if you like it, that's cool. If you don't, well, that's also cool. That I still have it etched in my brain over 20 years later, to me, says a good deal about Liquid Sky's unusual appeal.
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