Image and music are intertwined in this third collaboration between director Godfrey Reggio and composer Philip Glass. The film was produced to celebrate the World Wildlife Fund's ... See full summary »
Filmed over nearly five years in twenty-five countries on five continents, and shot on seventy-millimetre film, Samsara transports us to the varied worlds of sacred grounds, disaster zones, industrial complexes, and natural wonders.
Balinese Tari Legong Dancers,
Ni Made Megahadi Pratiwi,
Puti Sri Candra Dewi
This experimental film looks at the world and more specifically the effect man has had on the landscape and the environment. Without narration, the film shows the world in a pristine condition and untouched: blue skies, beautiful landscapes and endless vistas. The man-made world is much less appealing. Essentially a montage using a variety of film techniques to provide a visually stunning montage of images.Written by
October 4, 1982. More than 5,000 people filled the sold out Radio City Music Hall to experience a remarkable film event. That event was the world premiere of KOYAANISQATSI. Now everyone can share the power of that experience. See more »
The film cuts abruptly to a helicopter shot looking down at skyscrapers, then to night-time satellite images of a city, then to computer components. In fact this is pre-integrated circuit and pre-microcomputer technology, probably from an IBM mainframe or DEC PDP minicomputer. One element of older computer technology that can be clearly seen are twin panels of ferrite core memory, a couple of inches square, probably containing no more than 8k bytes of memory each. See more »
About an hour into the movie, the camera operator is reflected in the elevator's glass window as the elevator passes "between" floors while shooting the escalators. See more »
Koyaanisqatsi - Koyaanisqatsi - Koyaanisqatsi - Koyaanisqatsi - Koyaanisqatsi...
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This film communicates to you from the realm beyond words. If you want to muck up the purity of the experience by letting the infernal adjective machine stamp out labels and reactive prose poems through its 80 some minutes and afterward, you may not have been the ideal candidate to see this film. It begins with Russian Orthodox style basso profundo voices enunciating the title over images of petroglyphs, and then begins its journey: From the places beyond things, rock and sky, to the things we have girded ourselves in, cities. It is a wordless, feeling thing.
Ten stars. Pity it wasn't an IMAX.
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