Filmed over nearly five years in twenty-five countries on five continents, and shot on seventy-millimetre film, Samsara transports us to the varied worlds of sacred grounds, disaster zones, industrial complexes, and natural wonders.
Balinese Tari Legong Dancers,
Ni Made Megahadi Pratiwi,
Puti Sri Candra Dewi
Image and music are intertwined in this third collaboration between director Godfrey Reggio and composer Philip Glass. The film was produced to celebrate the World Wildlife Fund's ... See full summary »
A documentary which challenges former Indonesian death-squad leaders to reenact their mass-killings in whichever cinematic genres they wish, including classic Hollywood crime scenarios and lavish musical numbers.
This experimental film looks at the world and more specifically the effect man has had on the landscape and the environment. Without narration, the film shows the world in a pristine condition and untouched: blue skies, beautiful landscapes and endless vistas. The man-made world is much less appealing. Essentially a montage using a variety of film techniques to provide a visually stunning montage of images.Written by
The film contains a total of four frames (two frames each in two different places) of someone who appears to be adult film actress Marilyn Chambers. These appear during the "channel surfing" montage within the segment titled The Grid. In three of the four frames, she is visibly topless. See more »
About an hour into the movie, the camera operator is reflected in the elevator's glass window as the elevator passes "between" floors while shooting the escalators. See more »
Translation of the Hopi Prophecies sung in the film: "If we dig precious things from the land, we will invite disaster." - "Near the Day of Purification, there will be cobwebs spun back and forth in the sky." - "A container of ashes might one day be thrown from the sky, which could burn the land and boil the oceans."
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Prior to end credits translation of the title and Hopi prophecies heard in the film are given. See more »
A welcome assault on the senses, 'Koyaanisqatsi' is not for the impatient or nervous. You have to give it time because it is slightly dull in the very beginning, as the music and landscapes are fairly ordinary. Once it gets going, its really fascinating. Some gorgeous images, none generated by a computer I might add, and a soundtrack to match the intensity makes this a unique movie experience. I saw it on the big screen when it was first released, and it was MUCH better than on my not-that-big television.
One of the things I also like about this movie is the fact that since there is no dialogue, it can be shown in any country in the world unchanged. We would all see it the exact same way. I like the idea of that very much.
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