A tale of greed, deception, money, power, and murder occur between two best friends: a mafia enforcer and a casino executive, compete against each other over a gambling empire, and over a fast living and fast loving socialite.
A mentally unstable veteran works as a nighttime taxi driver in New York City, where the perceived decadence and sleaze fuels his urge for violent action by attempting to liberate a presidential campaign worker and an underage prostitute.
Robert De Niro,
Rupert Pupkin is obsessed with becoming a comedy great. However, when he confronts his idol, talk show host Jerry Langford, with a plea to perform on the Jerry's show, he is only given the run-around. He does not give up, however, but persists in stalking Jerry until he gets what he wants. Eventually he must team up with his psychotic Langford-obsessed friend Masha to kidnap the talk show host in hopes of finally getting to perform his stand-up routine.Written by
Andrew Hyatt <firstname.lastname@example.org>
While being profiled for "E! True Hollywood Story", Jerry Lewis was surprised at the critics praise of his performance. Lewis disregarded the praise, and said that he was just playing himself. See more »
The TV sets in the store display window near the end, where Jerry Langford angrily watches the end of Rupert Pupkin's TV appearance, are all tuned to channel 3. There is no TV station in New York City on channel 3 (two major stations, WCBS and WNBC, are on channels 2 and 4 respectively). However, channel 3 was (and is) commonly used for connecting video devices such as home computers and videotape recorders to TV sets. The film crew most likely rigged a videotape player to the TVs to mimic a network broadcast, thus requiring them to be tuned to channel 3--a small detail that most audience members wouldn't have noticed. See more »
And now, from New York, The Jerry Langford Show! With Jerry's guests Tony Randall, Richard Dreyfuss, Rodney Dangerfield, Dr. Joyce Brothers, Lou Brown and the orchestra, and little old me Ed Herlihy. And now say hello to Jerry!
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Scorsese and De Niro's underrated black comedy masterpiece.
'The King Of Comedy' is easily Martin Scorsese's most underrated and misunderstood movie. Scorsese and Robert De Niro's previous collaboration was the brilliant boxing biopic 'Raging Bull', generally regarded by most people as a masterpiece. Then the two made 'The King Of Comedy'... What a brave move! You couldn't find a more different movie, but one just as impressive and extraordinary. This movie is disliked by many, deliberately ignored by others. It's a very uncomfortable film. It's a (very) black comedy and is genuinely funny in places, but much of it is embarrassing to watch. Not because it is inept, but because of the believability of De Niro's obnoxious and irritating "loser" and wanna be comic Rupert Pupkin. De Niro has made a lot of disappointing movies in the last few years but 'The King Of Comedy' reminds you of just how brilliant he can be. I can't think of many actors who would be brave enough to play this part! Jerry Lewis is a performer I have always disliked, but he is excellent in this movie, probably because he is playing someone very close to himself in real life. The rest of the supporting cast aren't the most obvious choices, led by confrontational comedienne Sandra Bernhard and the "forgotten" Charlie's Angel Shelley Hack. Plus there are Tony Randall and a couple of other celebrities playing themselves, and a blink and you'll miss it cameo by The Clash (!). I really admire Scorsese for taking such a risk with this movie, which is one of the most original and provocative ever released by a major Hollywood studio. Bravo! This is must see viewing for not only all Scorsese or De Niro fans, but anyone who appreciates unusual or difficult movies.
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