Rupert Pupkin is a passionate yet unsuccessful comic who craves nothing more than to be in the spotlight and to achieve this, he stalks and kidnaps his idol to take the spotlight for himself.
An egotistical saxophonist and a young singer meet on V-J Day and embark upon a strained and rocky romance, even as their careers begin a long, up-hill climb.
Director:
Martin Scorsese
Stars:
Liza Minnelli,
Robert De Niro,
Lionel Stander
A tale of nineteenth-century New York high society in which a young lawyer falls in love with a woman separated from her husband, while he is engaged to the woman's cousin.
Director:
Martin Scorsese
Stars:
Daniel Day-Lewis,
Michelle Pfeiffer,
Winona Ryder
A tale of greed, deception, money, power, and murder occur between two best friends: a mafia enforcer and a casino executive, compete against each other over a gambling empire, and over a fast living and fast loving socialite.
Haunted by the patients he failed to save, an extremely burned-out Manhattan ambulance paramedic fights to maintain his sanity over three fraught and turbulent nights.
Director:
Martin Scorsese
Stars:
Nicolas Cage,
Patricia Arquette,
John Goodman
Rupert Pupkin is obsessed with becoming a comedy great. However, when he confronts his idol, talk show host Jerry Langford, with a plea to perform on the Jerry's show, he is only given the run-around. He does not give up, however, but persists in stalking Jerry until he gets what he wants. Eventually he must team up with his psychotic Langford-obsessed friend Masha to kidnap the talk show host in hopes of finally getting to perform his stand-up routine.Written by
Andrew Hyatt <dres@uiuc.edu>
This was Sandra Bernhard's second appearance in a live-action movie, after Nice Dreams (1981), and the first one where she has dialogue. See more »
Goofs
Rupert is talking to Jerry in Jerry's limousine. Rupert bandages his hand with Jerry's handkerchief. In the next sequence in the car the bandage is missing. Following this Rupert's hand is again bandaged. See more »
Quotes
[first lines]
Ed Herlihy:
And now, from New York, The Jerry Langford Show! With Jerry's guests Tony Randall, Richard Dreyfuss, Rodney Dangerfield, Dr. Joyce Brothers, Lou Brown and the orchestra, and little old me Ed Herlihy. And now say hello to Jerry!
See more »
Travis Bickle from "Taxi Driver" and Rupert Pupkin from "The King of Comedy" are not as unlike as they may first appear. They are men desperately searching for some meaning in their spiritually empty lives, neither man connecting with anyone else; the consequent strain has driven each to his own brand of insanity. Both can be likened to Lee Harvey Oswald-men leading lives of quiet desperation, wanting to do something-ANYTHING-to have SOME impact on the world.
Pupkin is further removed from reality than Bickle (actually Bickle's attitudes about his environment aren't entirely unreasonable) and it's unlikely he could ever be "normal", no matter how much therapy he had. He's lost in his own little world, a world devoid of any real substance. To him, Heaven would be a place where he would exist solely on TV. Real life is too messy.
"The King of Comedy" is the best satire I've seen about the vapidness of society's values and the public's obsession with celebrity. It has its share of funny moments but the overall effect is deadening. Even though things went about as well as Pupkin could have expected in the end, what has he gained? Nothing of any value, though in his delusional mind, he probably would disagree. Ah, Pupkin! Ah, humanity!
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Travis Bickle from "Taxi Driver" and Rupert Pupkin from "The King of Comedy" are not as unlike as they may first appear. They are men desperately searching for some meaning in their spiritually empty lives, neither man connecting with anyone else; the consequent strain has driven each to his own brand of insanity. Both can be likened to Lee Harvey Oswald-men leading lives of quiet desperation, wanting to do something-ANYTHING-to have SOME impact on the world.
Pupkin is further removed from reality than Bickle (actually Bickle's attitudes about his environment aren't entirely unreasonable) and it's unlikely he could ever be "normal", no matter how much therapy he had. He's lost in his own little world, a world devoid of any real substance. To him, Heaven would be a place where he would exist solely on TV. Real life is too messy.
"The King of Comedy" is the best satire I've seen about the vapidness of society's values and the public's obsession with celebrity. It has its share of funny moments but the overall effect is deadening. Even though things went about as well as Pupkin could have expected in the end, what has he gained? Nothing of any value, though in his delusional mind, he probably would disagree. Ah, Pupkin! Ah, humanity!