Critic Reviews



Based on 13 critic reviews provided by Metacritic.com
What makes The Hunger so much fun is its knowing stylishness, which Mr. Scott, who makes his theatrical film debut here, has brought to movies from a career in commercials and documentaries.
The Hunger [from the novel by Whitley Strieber] is all visual and aural flash, although this modern vampire story looks so great, as do its three principal performers, and is so bizarre that it possesses a certain perverse appeal.
Time Out
Visual sensualities will have a feast, but you'll have to read Whitley Strieber's novel if you don't want to emerge with a badly scratched head.
The Hunger is typically Tony Scott -- more style than substance, and perhaps simply an excuse to get Denueve and Susan Sarandon, Miriam's post-Bowie love, in bed together.
The obsessive conjunction of lesbian sex and flowing blood suggests a deep-seated misogyny, but neither this nor any other theme is registered with enough clarity to offend.
A slick, largely empty visual exercise with vague thematic overtones about a clash between American and European culture. The Deneuve/Sarandon sex scene, however, is not to be missed by fans of either actress.
Slant Magazine
Scott’s film scarcely has its pulse on the encroaching conservatism of the nation. In the end, it’s just a shallow lesbian fantasy so aggressively spit and polished as to suggest a 96-minute White Diamonds commercial. Of course, that’s not to say that it isn’t fun.
Miami Herald
An almost-horror film called The Hunger has in common with Flashdance an apparent obsession with style over other considerations, and the result, though weird, is no more satisfying. [02 May 1983, p.C6]
All style and no anything else, especially plot coherence.
The Hunger is an agonizingly bad vampire movie, circling around an exquisitely effective sex scene.

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