The Egyptian vampire lady Miriam subsists upon the blood of her lovers. In return the guys or girls don't age until Miriam has had enough of them. Unfortunately that's currently the case with John, so his life expectancy is less than 24 hours. Desperately he seeks help from, the famous, Dr. Sarah Roberts. She doesn't really believe his story, but becomes curious and contacts Miriam . . . and gets caught in her spell, too.Written by
Tom Zoerner <Tom.Zoerner@informatik.uni-erlangen.de>
Tony Scott wanted to shoot the whole film in New York City, but had to settle for filming the bulk of the movie in London, England because the budget wasn't big enough to afford shooting the entire picture in New York. See more »
When Sarah is on the TV program discussing the condition Progeria, she pronounces it "Pra-j-eriah'. The correct pronunciation is "Pro-geria." See more »
For all the critics have to say, I must admit that this is one of my cult favorites. I keenly remember anticipating its release and seeing it at the 8th St. Playhouse theatre (where the weekly Rocky Horror movie/show ran for years in NYC). The mood and cinematography attest to its aspirations and for me are quite successful. In particular, the choice of soundtrack music is quite adept and urbane although only those very familiar with classical music will appreciate the tie-ins: Deneuve's playing of Ravel's "Gibet" from "Gaspard de la Nuit" for piano after John passes and after Sarandon's character makes her first kill...her husband. This piece is Ravel's programmatic interpretation of a French poem which describes a person wearily walking under the intense scorching sun and seeing something in the distance, approaches, only to find a corpse strung up, rotting in the midday sun. Beautiful usage of Schubert's Piano Trio as well as haunting movements of a Schubert piano sonata. Then there is the obvious thematic tie-in with "Lakmé" by Délibes. (Lesbian love) And you've got to love the use of the band BAUHAUS in the opening sequence-with the lead singer singing "Bela Lugosi's Dead" in the suspended cage. Deneuve is absolutely ravishing and used to great effect and lovingly photographed. David Bowie does an exceptional turn as her lover. What I admire most is the movie's ability to paint a feeling and mood of their existence outside time, eternally present yet eternally on the fringe, startlingly beautiful yet shrouded, veiled, amorphous and ultimately predatorial. Finally, the thought that Deneuve's past lovers never die but are trapped eternally in a constantly decaying shell is absolutely frightening. Did I mention that Deneuve is sublimely beautiful?!
62 of 72 people found this review helpful.
Was this review helpful to you?
| Report this