Erotic horror anthology series where the hosts Terence Stamp (in season 1) and David Bowie (in season 2) eccentrically introduce each of the steamy, erotic and often supernatural tales of power, sex, lust, and driving urges.
The film concerns an elderly couple played by Rosamund Greenwood and Roy Evans, who we later discover to be brother and sister, who accidentally run over and kill a young cyclist played by ... See full summary »
Kenny Loggins performs in the music video "Danger Zone" from the original motion picture soundtrack for the film Top Gun (1986) recorded for Columbia Records. Kenny Loggins sings as he ... See full summary »
The Egyptian vampire lady Miriam subsists upon the blood of her lovers. In return the guys or girls don't age until Miriam has had enough of them. Unfortunately that's currently the case with John, so his life expectancy is less than 24 hours. Desperately he seeks help from, the famous, Dr. Sarah Roberts. She doesn't really believe his story, but becomes curious and contacts Miriam . . . and gets caught in her spell, too.Written by
Tom Zoerner <Tom.Zoerner@informatik.uni-erlangen.de>
The 19th Century mansion seen in the movie was a house located in the affluent London suburb of Mayfair. See more »
During the quick cuts when John attacks Alice, blood splashes on the sheet music. A few cuts later, the music stand is kicked to the floor, and the open pages are now blood-free. The unstained pages are seen again at the end of the sequence (in a fade effect that reinstates their blood stains). See more »
Before embarking onto this one, you must decide whether or not you enjoy films which look like a very extended (and quite expensive) MTV video clip of the early to mid 80's. If you don't, don't bother with this, it'll probably annoy you greatly. If you do, you're in for an indulgent visual ride and great entertainment, because every frame in Tony Scott's cult classic is carefully planned, beautifully orchestrated and wonderfully filmed - from the iconic opening sequence through to the heavily filtered last shot, it's polished until it gleams. Production design is given full reign and is faultless - the sets, lighting and costumes work fabulously with the soundtrack and the editing, creating a very recognisable style which is a genuine product of the trend aesthetics of the decade in question. And there's an added bonus of knowing use of music - this being the film that "relaunched" the Delibes' Lakme aria, paving the way for it becoming a monster classipop hit it is today. The film also employs Ravel at his most frozenly emotional,and, to stunning effect, Deneuve at arguably her most frozenly beautiful. One of those films remembered for perfectly encapsulating the visual style of its times.
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