Six years after Michael Myers last terrorized Haddonfield, he returns there in pursuit of his niece, Jamie Lloyd, who has escaped with her newborn child, for which Michael and a mysterious cult have sinister plans.
Three years after he last terrorized his sister, Michael Myers confronts her again, before traveling to Haddonfield to deal with the cast and crew of a reality show which is being broadcast from his old home.
An apparent murder-suicide in a hospital emergency room leads to an investigation by the on-call doctor, which reveals a plot by an insane toymaker to kill as many people as possible during Halloween through an ancient Celtic ritual involving a stolen boulder from Stonehenge and Halloween masks.Written by
Interestingly it was the opening sequence of one of the films written by prolific British Sci-Fi writer Nigel Kneale, the man who retracted his contributions to the script of Halloween III, that inspired John Carpenter's iconic opening of the first Halloween film. It was the intro of the 1967 film "The Quatermass and the Pit", part of a trilogy and based on a popular character that Kneale created that turned the initial sequence from a sidewalk pan ending on a mask to the close-up pumpkin and extinguished light. See more »
(at around 1h 15 mins) As panoramic views of the liquor store, the Rose of Shannon motel and the Silver Shamrock factory are shown, the current time in the movie is shown as 7:30PM. When the next scene immediately cuts to Cochran looking over a chair-bound Dr. Challis, the time on the digital clock above the door says 7:46. See more »
It's six o'clock. It's six o'clock... Curfew. Curfew... All residents of Santa Mira please clear the streets. Curfew is now in effect. Please confine your activites to your own home... Thank you... Have a plesant evening.
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The version on television is as follows: The opening sequence is in a letterbox format, as well as the first shot of Harry Grimbridge running out of the tunnel; the music from the TV is somewhat mismatched from the dialogue as Walter Jones watches; an additional line from the Silver Shamrock masks from the commercials that tells people to watch the big giveaway is heard before the power goes out; all uses of God's name in vain is removed; Marge's line of "They got their orders all screwed up" is changed to "all messed up"; Marge Guttman's misfire accident is violence-trimmed, so the music is mismatched to the scene and it edits a few moments of footage; Buddy Kupfer's line of, "Sticky toilet paper" is changed to "sticky dwarf toys"; the shot of snakes coming out of Little Buddy in Test Room A is removed so the deaths of Buddy and Betty are mysterious. See more »
Horror franchises are naturally inclined to become stale, obvious and boring after a while, say, after the third or fourth installment, when the formulaic script simply has nowhere else to go.
There's no reason whatever to supposed the same wouldn't happen with Halloween. Everybody knows John Carpenter DID NOT want Halloween to become a franchise. But the first two movies made a lot of money, and then they decided they HAD to release a new Michael Myers story every couple of years, if only to satisfy fans of easy and predictable slasher flicks.
The third installment in the franchise- Season of the Witch- was a huge departure from the story told in the first two parts- and was also a sign that the real intention was to create a collection of stories based on Halloween, but independent of each other. Of course, it did not succeed, and in the fourth chapter there we went to meet our "dear" Michael Myers and his endless thirst for blood again.
It was really a pity things went this direction. Because, truth be told, every Halloween sequel was worse than the previous one, with an indestructible killer who simply was a "seasonal" variation of Jason Vorhees, and all the writers had to do at a certain point was creating a new excuse for bringing Michael back, because the killer invariably ended "dead" or severely injured in each chapter. The rest of the "plot" was basically the same in every movie: Halloween night, Michael comes back to Haddonfield, people are sure he's either dead or only a legend, he starts to kill everyone in sight, someone realizes he's alive, there's a relative of his that he's willing to kill, etc, etc.
If this third installment in the franchise had been successful, things could have been different. And instead of having THE SAME MOVIE over and over again, we could have now a very interesting collection of good horror stories.
Why didn't this work out?
My theory is very simple: this didn't work out not only because people wanted Michael Myers back after his hospital bloodbath in Halloween II, but also because Halloween III: Season of the Witch is a very, VERY bad movie.
People might have thought: If the other installments in this series be like this one, then we'd rather have Michael Myers coming back every damn year for more of the same.
What can I say not to "spoil" (sic) the party of anyone else? Well, I will not describe the "plot", yet I must say this film does not have any sense whatsoever, bad actors, bad story line, horrible villain, pathetic death scenes, and you end up asking yourself if what you're seeing on screen is really for real. The movie does have a promising beginning, but it all goes downhill from there. I must confess, being a John Carpenter work, the soundtrack is eerie and fantastically atmospheric. Yet the story being told does not deserve a good soundtrack. I think the best way to describe this thing is: bizarre. It's really weird, but not in a positive, Kafka kind of way. It's weird because it doesn't go anywhere and has an awkward story line.
I will not give any spoilers, so go and watch for yourself if you haven't yet. I can assure you that you'll understand why the chose to bring Mike back after this "thing".
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