Viewed this film under the title, "Death Ride to Osaka" which is the same film as "Girls of the White Orchid" which deals with the Japanese Mafia who run an establishment that deals with young girls from America who have some talent like singing and dancing and are willing to selling their bodies for entertainment. However, these young girls are hired by an agency in the Los Angeles who advertise for young talented gals and they have no idea what they are really being hired for. Jennifer Jason Leigh, (Carol Heath) is one of these young girls who falls into this trap and finds herself trapped in Japan and at the mercy of dirty old men and Mafia pimps. This story goes on and on and begins to get very boring with girls trying to escape and some being sent to OSAKA.
9 Reviews
"...she's being shipped to Osaka."
JasonKleeberg11 March 2022
Made-for-TV films are an interesting time capsule which we just don't have anymore due to streaming services and the death of traditional television. From as far back as the 60's through the early 90's, made-for-TV movies were a big deal - event viewings that people made sure they had couch time set aside for. Unlike today's television environment, if you missed it, you may never have the chance to see them again. Most made-for-TV films were shown twice on network television, and in the case of this film, only once. These needed to be interesting stories that had to rely on tight storytelling without leaning on sex, violence, and language that you could get away with in theaters and they had to be done on a budget of what I'd estimate was about a million bucks or so.
Some people have a certain stigma around films made for TV, as if they're inherently of a lower quality or went straight to TV because they weren't good enough for the big screen, which is isn't exactly true. These aren't like direct to video DVD releases. Big time directors like Steven Spielberg and Edward Zwick have worked on productions made for TV with Duel (1971) and Special Bulletin (1983). Made-for-TV films like The Night Stalker and Don't Be Afraid of the Dark were amazing horror films, the latter even being remade in 2010 backed by Guillermo Del Toro.
Death Ride to Osaka, originally released on TV as Girls of the White Orchid, originally aired in late November, 1983 and was produced by NBC's Hill/Mandelker Films, which produced 10 different NBC made-for-TV films between 1981-1984, many focusing on specific audiences and this one was clearly geared towards the female crowd. It was released on a Monday night opposing Monday Night Football, so if you weren't interested in Dan Marino shellacking the Bengals, this was your counter-programming that evening. It stars Jennifer Jason Leigh in her last made-for-TV role. I was surprised that she was in this, considering she had a big role in the amazing comedy Fast Times at Ridgemont High just a year before this released, but it was common back then to bounce between features and other made-for-TV films before making the jump to theatrical features. She had been in The Killing of Randy Webster (1981) and The First Time (1982) and continued to make some ABC After School Specials and telefilms throughout her career. Interestingly, the events of the film are based on the true story of Tom Allard's girlfriend. Allard was an actor with bit parts in some films and played Shung in the 1991 TV show Land of the Lost and shows up as a newspaper salesman here.
Jennifer Jason Leigh plays the ultra-naive Carol Heath, a waitress in Los Angeles who aspires to be a singer and answers a talent ad in the paper that advertised opportunities in the Orient. Unfortunately, when she gets there, she realizes that the gig at the White Orchid club isn't exactly what she thought it would be. Sure, she's singing - and the film features some songs actually sung by Jennifer Jason Leigh, but she's also expected to cozy up with the local Japanese men, many of whom are Yakuza, with the expectation of sharing more than just a sweet, sweet voice. When girls brought to the White Orchid don't play ball, they're sent to the lower end clubs in Osaka, where dreams...and girls...die, hence the alternate title of the film. Also in the mix is Don, Carol's boyfriend who's in the Navy. When he's discharged, he comes looking for her and finds some trouble for himself overseas.
The film is a pretty grounded look at the nature of prostitution trafficking in the early 80's. Watching this, it's easy to understand how young hopefuls would get caught up in this kind of scheme. It's scary to think that thousands of young girls probably answered ads just like the one in this film, only to find themselves stuck in a foreign land with no way out. There are a few other threads in the film - one featuring the other girls at the club - including a few that end tragically - and one featuring the Yakuza boss's son which didn't feel realistic, considering what he'd probably done up that point. The film stays on a pretty realistic course until the end, where it unfortunately steers into the realm of the preposterous and felt rushed - especially the climax, which features an elderly Yakuza boss using Kung fu with the speed of a man stuck in quick sand, and of course ending on a happy note for those slipping off to bed at 11pm on a work night. Looking at the limitations of films like this, there are short bursts of violence that are pretty tame and there was no foul language, which was par for the course on cable TV. I was, however, surprised that there was a bit of nudity in the film - at least four different scenes, including one featuring Jennifer Jason Leigh and one that kind of mirrors a naked, sleazy Flashdance style scene in an ugly Osaka bar that feels like it was filmed for a different film. For a made-for-TV film, I was not expecting naked women. Now, I was two when this film came out, so I can only imagine that the version shown on NBC did not show the nudity and that it was filmed in conjunction with either a European release or under the assumption that it would be on video store shelves within a few years.
Death Ride to Osaka is a decent enough film and an interesting cautionary tale that I'm sure was effective for couch surfers in 1983. As a stand alone experience now, it's tough to recommend to anyone outside of Jennifer Jason Leigh completionists, because she's the best thing about the film - she acts her ass off here and shows why she'd be the star that she was. While the film works as a decent melodrama, it's chock full of cheap tropes and packed with what I've heard referred to as 'yellow fear', and in an age where we've had enough fear mongering over what idiots have dubbed the "China Virus", this can be a tough pill to swallow. Still, for something that was probably expected to be seen only once, there is something to be said for the craft used to make the film. Jonathan Kaplan was an extremely competent director. The film is interestingly lit, well shot, and also features some great music.
This was released as part of Fun City Editions Primetime Panic set, alongside two other made-for-TV films Freedom (1981) and Dreams Don't Die (1982). The picture looks good although there's some noticeable grain. The disc contains some interviews, including one with the director Jonathan Kaplan, as well as a commentary by the incredibly informed film programmer Lars Nilsen.
Some people have a certain stigma around films made for TV, as if they're inherently of a lower quality or went straight to TV because they weren't good enough for the big screen, which is isn't exactly true. These aren't like direct to video DVD releases. Big time directors like Steven Spielberg and Edward Zwick have worked on productions made for TV with Duel (1971) and Special Bulletin (1983). Made-for-TV films like The Night Stalker and Don't Be Afraid of the Dark were amazing horror films, the latter even being remade in 2010 backed by Guillermo Del Toro.
Death Ride to Osaka, originally released on TV as Girls of the White Orchid, originally aired in late November, 1983 and was produced by NBC's Hill/Mandelker Films, which produced 10 different NBC made-for-TV films between 1981-1984, many focusing on specific audiences and this one was clearly geared towards the female crowd. It was released on a Monday night opposing Monday Night Football, so if you weren't interested in Dan Marino shellacking the Bengals, this was your counter-programming that evening. It stars Jennifer Jason Leigh in her last made-for-TV role. I was surprised that she was in this, considering she had a big role in the amazing comedy Fast Times at Ridgemont High just a year before this released, but it was common back then to bounce between features and other made-for-TV films before making the jump to theatrical features. She had been in The Killing of Randy Webster (1981) and The First Time (1982) and continued to make some ABC After School Specials and telefilms throughout her career. Interestingly, the events of the film are based on the true story of Tom Allard's girlfriend. Allard was an actor with bit parts in some films and played Shung in the 1991 TV show Land of the Lost and shows up as a newspaper salesman here.
Jennifer Jason Leigh plays the ultra-naive Carol Heath, a waitress in Los Angeles who aspires to be a singer and answers a talent ad in the paper that advertised opportunities in the Orient. Unfortunately, when she gets there, she realizes that the gig at the White Orchid club isn't exactly what she thought it would be. Sure, she's singing - and the film features some songs actually sung by Jennifer Jason Leigh, but she's also expected to cozy up with the local Japanese men, many of whom are Yakuza, with the expectation of sharing more than just a sweet, sweet voice. When girls brought to the White Orchid don't play ball, they're sent to the lower end clubs in Osaka, where dreams...and girls...die, hence the alternate title of the film. Also in the mix is Don, Carol's boyfriend who's in the Navy. When he's discharged, he comes looking for her and finds some trouble for himself overseas.
The film is a pretty grounded look at the nature of prostitution trafficking in the early 80's. Watching this, it's easy to understand how young hopefuls would get caught up in this kind of scheme. It's scary to think that thousands of young girls probably answered ads just like the one in this film, only to find themselves stuck in a foreign land with no way out. There are a few other threads in the film - one featuring the other girls at the club - including a few that end tragically - and one featuring the Yakuza boss's son which didn't feel realistic, considering what he'd probably done up that point. The film stays on a pretty realistic course until the end, where it unfortunately steers into the realm of the preposterous and felt rushed - especially the climax, which features an elderly Yakuza boss using Kung fu with the speed of a man stuck in quick sand, and of course ending on a happy note for those slipping off to bed at 11pm on a work night. Looking at the limitations of films like this, there are short bursts of violence that are pretty tame and there was no foul language, which was par for the course on cable TV. I was, however, surprised that there was a bit of nudity in the film - at least four different scenes, including one featuring Jennifer Jason Leigh and one that kind of mirrors a naked, sleazy Flashdance style scene in an ugly Osaka bar that feels like it was filmed for a different film. For a made-for-TV film, I was not expecting naked women. Now, I was two when this film came out, so I can only imagine that the version shown on NBC did not show the nudity and that it was filmed in conjunction with either a European release or under the assumption that it would be on video store shelves within a few years.
Death Ride to Osaka is a decent enough film and an interesting cautionary tale that I'm sure was effective for couch surfers in 1983. As a stand alone experience now, it's tough to recommend to anyone outside of Jennifer Jason Leigh completionists, because she's the best thing about the film - she acts her ass off here and shows why she'd be the star that she was. While the film works as a decent melodrama, it's chock full of cheap tropes and packed with what I've heard referred to as 'yellow fear', and in an age where we've had enough fear mongering over what idiots have dubbed the "China Virus", this can be a tough pill to swallow. Still, for something that was probably expected to be seen only once, there is something to be said for the craft used to make the film. Jonathan Kaplan was an extremely competent director. The film is interestingly lit, well shot, and also features some great music.
This was released as part of Fun City Editions Primetime Panic set, alongside two other made-for-TV films Freedom (1981) and Dreams Don't Die (1982). The picture looks good although there's some noticeable grain. The disc contains some interviews, including one with the director Jonathan Kaplan, as well as a commentary by the incredibly informed film programmer Lars Nilsen.
Not quite as titillating as Tiger baseball
charlytully28 October 2008
Warning: Spoilers
After studying the four comments made previously to this one, I see no need to do more than fill in the oversights from same. Obviously, anyone commenting on this title on IMDb has most likely seen a cheap DVD version (if and when the Jennifer Jason Leigh Collection comes out, this virtual public service announcement will NOT make the cut). The cheesiness of my DVD packagers ("Kreative Digital Entertainment" and "Hearst Entertainment") is exemplified by their clearly listing this 1983 flick as a "2004" film in the middle of the back cover. But just because these rip-off artists (who offer absolutely no extras--not even a trailer) are anachronistic, that's no excuse to retroactively fault this movie or JJL's Carol Heath character for being too naive, since it would not be until the next century that Dateline NBC ground out umpteen thousand internet sex stings. At the time this true-life warning sounded, many of the 20-something women I knew could well have been suckered in by the make-your-fortune-in-Tokyo gambit. After all, not much later an unknown never-was named Cecil Fielder returned to the U.S. from the Japanese off-off Broadway and immediately became the first major leaguer to bash out a 50-homer season in decades.
For Jennifer Jason Leigh die-hards only
Dan_Harkless26 September 2000
I bought this DVD not expecting a whole lot given its price tag of $6.99, and it was neither better nor worse than I expected. Only bought it because Jennifer Jason Leigh, who stars, is one of my favorite actresses. BTW, you might be confused looking at the DVD's front cover (which IMDb reproduces), because it shows a picture of co-star Ann Jillian with a caption of "Jennifer Jason Leigh". Dunno if the schlock DVD producers didn't know the difference or if they just thought the photo of Jillian all dolled up like a prostitute would be more eye-grabbing.
The film itself is about as good as you'd expect a U.S. TV "movie of the week" from 1983 to be. Interestingly, there's some nudity (the breasts of Jennifer Jason Leigh and a couple of other actresses make an appearance), so I wonder if it was produced for a pay-TV channel.
I was surprised to find out after watching the film that it's based on a true story (I don't think they mention this in the credits anywhere). You'd never think this given the unrealistic nature of many of the events in the film.
Other than the stilted dialogue, lack of imagination, bog-standard camera setups, and whatnot, an annoying factor is the cross-racial casting. True, the average American can't tell at a glance from where in Asia someone comes from, but Asians can tell, and Asiaphiles can tell. Much worse than the non-Japanese-looking actors, however, is the absolutely horrible pronunciation of Japanese dialogue. Oddly, none of the Japanese dialogue is subtitled, which wouldn't have been too terrible for me, as I speak Japanese, but the language is so butchered by the non-Japanese-natives that I couldn't comprehend much of it. In one scene an American actress seems to use nonsense syllables when she's supposed to be speaking Japanese (perhaps she couldn't remember her line or they didn't get it translated for her in time or something).
To sum up, fans of Jennifer Jason Leigh (or T2 score-writer Brad Fiedel) may want to watch this out of curiosity, but others need not bother. Personally, I had to watch Leigh's wonderful performance in "The Hudsucker Proxy" afterwards to wash the bad taste out of my mouth.
The film itself is about as good as you'd expect a U.S. TV "movie of the week" from 1983 to be. Interestingly, there's some nudity (the breasts of Jennifer Jason Leigh and a couple of other actresses make an appearance), so I wonder if it was produced for a pay-TV channel.
I was surprised to find out after watching the film that it's based on a true story (I don't think they mention this in the credits anywhere). You'd never think this given the unrealistic nature of many of the events in the film.
Other than the stilted dialogue, lack of imagination, bog-standard camera setups, and whatnot, an annoying factor is the cross-racial casting. True, the average American can't tell at a glance from where in Asia someone comes from, but Asians can tell, and Asiaphiles can tell. Much worse than the non-Japanese-looking actors, however, is the absolutely horrible pronunciation of Japanese dialogue. Oddly, none of the Japanese dialogue is subtitled, which wouldn't have been too terrible for me, as I speak Japanese, but the language is so butchered by the non-Japanese-natives that I couldn't comprehend much of it. In one scene an American actress seems to use nonsense syllables when she's supposed to be speaking Japanese (perhaps she couldn't remember her line or they didn't get it translated for her in time or something).
To sum up, fans of Jennifer Jason Leigh (or T2 score-writer Brad Fiedel) may want to watch this out of curiosity, but others need not bother. Personally, I had to watch Leigh's wonderful performance in "The Hudsucker Proxy" afterwards to wash the bad taste out of my mouth.
Hawaii Five-O Was Better
Lechuguilla29 March 2007
Oriental bad guys entice a sweet, naive young American girl named Carol (Jennifer Jason Leigh) to Tokyo, ostensibly to further her singing career. But the bad guys run a prostitution ring out of a Tokyo club called the White Orchid. And Carol's real job is that of a prostitute. Carol resists, and her boyfriend leaves the U.S. to rescue her. Based on a real life event, this made-for-TV film is sub-par.
For one thing, Leigh is miscast. She's too young and too innocent looking. Another problem is that beyond the basic premise, there just isn't that much to the story. Pacing is slow. Characters spend a lot of time walking around on the streets. Ancillary singers sing and perform in the club. All of which add up to ... filler.
The film has a cheap, made-for-TV look and feel. Music is nondescript. Acting is stilted. The film's ending is predictable and visually unimaginative. "Girls Of The White Orchid" is rather like an inferior imitation of an extended episode of Hawaii Five-O. I kept waiting for Steve McGarrett to show up to tell his partner: "book'em, Danno".
For one thing, Leigh is miscast. She's too young and too innocent looking. Another problem is that beyond the basic premise, there just isn't that much to the story. Pacing is slow. Characters spend a lot of time walking around on the streets. Ancillary singers sing and perform in the club. All of which add up to ... filler.
The film has a cheap, made-for-TV look and feel. Music is nondescript. Acting is stilted. The film's ending is predictable and visually unimaginative. "Girls Of The White Orchid" is rather like an inferior imitation of an extended episode of Hawaii Five-O. I kept waiting for Steve McGarrett to show up to tell his partner: "book'em, Danno".
Jennifer jason lee surprised me with this one.
triple824 April 2004
Warning: Spoilers
I admit I rented this purely because the above named actress was in it so I felt it must be good. While I did not know this was based on a true story until I found IMDb, that doesn't change the fact that the movie was of low caliber even though it gives the story in general an extra dose of heartbreak.
Let me start with the positves. Good acting. Well what else to expect from Ms Lee? She is a top quality actress and she gives it her all here. Actually everyone was believable. The movie was a bit frightening at points in its believability.
But the negatives outweigh the positives. here's the problem.This was WAY to movie of the weekish.(which maybe it was-I had thought it was a straight to video movie until I read otherwise on here.) But the movie makers had the ingredients to make a good picture-sad, realistic subject matter, and one of the most talented actresses of our generation. Unfortunately that didn't happen.Instead, we get a picture that seemed at times almost exploitative. When I rented it I had no idea how much nudity there was and it seemed to me a lot of things were done for shock value. This just reminded me of those late night b movies that run when most people are asleep and don't know their on. Knowing now that this was based on a true story it seems, even more so, that stronger material could have been developed so the acotrs/actresses would have had more to work with. I admit I rented it based on the fact that Jennifer was in it. But I expected more quality and there should have been more. I would unfortunately not give this more then a 3 or 4 out of 10-though higher for the acting. It's to Jennifer's credit that even in a weak picture she still steals the show.
Let me start with the positves. Good acting. Well what else to expect from Ms Lee? She is a top quality actress and she gives it her all here. Actually everyone was believable. The movie was a bit frightening at points in its believability.
But the negatives outweigh the positives. here's the problem.This was WAY to movie of the weekish.(which maybe it was-I had thought it was a straight to video movie until I read otherwise on here.) But the movie makers had the ingredients to make a good picture-sad, realistic subject matter, and one of the most talented actresses of our generation. Unfortunately that didn't happen.Instead, we get a picture that seemed at times almost exploitative. When I rented it I had no idea how much nudity there was and it seemed to me a lot of things were done for shock value. This just reminded me of those late night b movies that run when most people are asleep and don't know their on. Knowing now that this was based on a true story it seems, even more so, that stronger material could have been developed so the acotrs/actresses would have had more to work with. I admit I rented it based on the fact that Jennifer was in it. But I expected more quality and there should have been more. I would unfortunately not give this more then a 3 or 4 out of 10-though higher for the acting. It's to Jennifer's credit that even in a weak picture she still steals the show.
NBC exploitation
BandSAboutMovies8 June 2023
Warning: Spoilers
This was based on a report by ABC's 20/20 about women who go to Japan to work as entertainers but end up becoming sex workers for the Yakuza. NBC wanted producer Leonard Hill to use Melinda Culea from The A-Team but he wanted Jennifer Jason Leigh. He did use two actors who were currently on NBC shows, Ann Jillian (who was on Jennifer Slept Here at the time this was made) and Thomas Byrd (who was on the show Boone).
Director Jonathan Kaplan started his directing career making New World movies like Night Call Nurses and The Student Nurses and ended up making more socially acceptable stuff like The Accused. This would be in the middle of all that and unites the exploitation and the art and makes a TV movie out of it.
Jennifer Jason Lee is Carol Heath, a waitress who has come to Japan to be a new wave singer and, well, you can imagine how that worked out. Ann Jillian plays Marilyn, who made the same journey years ago and stuck around, and Carolyn Seymour plays the woman who runs the hostess bar, Madame Mori. Yes, this is pretty much a Mr. Mom reunion with those two actresses. Plus, Mako and Soon-Tek Oh show up. They take Carol's passport, the U. S. embassy refuses to help and perhaps only her American ex-boyfriend Don (Thomas Byrd) can save her.
Brad Fieder did a pretty fun synth score for this and wow, Steve Miller's "Abracadabra"" pops up and you forget this was a TV movie. You know, unless you watched the international cut of this which has a few moments of nudity and sex. The Tubi edition has them, as does the Fun City Editions Primetime Panic box set.
Director Jonathan Kaplan started his directing career making New World movies like Night Call Nurses and The Student Nurses and ended up making more socially acceptable stuff like The Accused. This would be in the middle of all that and unites the exploitation and the art and makes a TV movie out of it.
Jennifer Jason Lee is Carol Heath, a waitress who has come to Japan to be a new wave singer and, well, you can imagine how that worked out. Ann Jillian plays Marilyn, who made the same journey years ago and stuck around, and Carolyn Seymour plays the woman who runs the hostess bar, Madame Mori. Yes, this is pretty much a Mr. Mom reunion with those two actresses. Plus, Mako and Soon-Tek Oh show up. They take Carol's passport, the U. S. embassy refuses to help and perhaps only her American ex-boyfriend Don (Thomas Byrd) can save her.
Brad Fieder did a pretty fun synth score for this and wow, Steve Miller's "Abracadabra"" pops up and you forget this was a TV movie. You know, unless you watched the international cut of this which has a few moments of nudity and sex. The Tubi edition has them, as does the Fun City Editions Primetime Panic box set.
A Good Story of Trafficking of Human Beings
claudio_carvalho13 November 2009
In Los Angeles, the naive and lonely burger waitress and aspirant singer Carol Heath (Jennifer Jason Leigh) finds an advertisement in the newspaper with a job opportunity in Tokyo. She has a meeting with the agents, the American Cavanaugh (Philip Charles MacKenzie) and the Japanese Shiro (Richard Narita); she signs the contract in English and Japanese and travels to Japan to work at the White Orchid night-club. She shares a hotel room with a dancer and sooner she discovers the scheme of prostitution in the club that belongs to Yakuza. Alone, without money and her passport, she is protected by Shiro, but pressed by the managers Madame Mori (Carolyn Seymour) and her husband Mori (Mako) to be receptive to client's proposals. Meanwhile her former boyfriend returns to LA and seeks her out.
"Girls of the White Orchid" is a good story of trafficking of human beings, showing the recruitment, transfer and reception of white slaves. Unfortunately, the plot becomes unrealistic in the moment that Carol refuses to prostitute, and has an awful commercial conclusion with the rescue of her boyfriend. There are better recent movies about this theme but considering that this is a TV movie of 1983, I believe it is one of the first to deal with this subject. The reviews in IMDb and the IMDb User Rating are very unfair with this film. My vote is seven.
Title (Brazil): "Escravas Brancas" ("White Slaves")
"Girls of the White Orchid" is a good story of trafficking of human beings, showing the recruitment, transfer and reception of white slaves. Unfortunately, the plot becomes unrealistic in the moment that Carol refuses to prostitute, and has an awful commercial conclusion with the rescue of her boyfriend. There are better recent movies about this theme but considering that this is a TV movie of 1983, I believe it is one of the first to deal with this subject. The reviews in IMDb and the IMDb User Rating are very unfair with this film. My vote is seven.
Title (Brazil): "Escravas Brancas" ("White Slaves")
Take this ride to hell
PeterMitchell-506-56436429 January 2013
Warning: Spoilers
Death Ride To Osaka is quite a harrowing film, where at the end of this, from our lead's perspective, we too feel drained as we've been put through this poor girl's ordeal. A vulnerable girl (Leigh) answers an ad for a hostess/ singer, and boy, is she mislead. The ads a front for a sex slavery ring. This is an all too real situation, where our innocents who show promise, whether it's in singing, acting, modelling, travel to Asian countries where it's not long before they're hooked on drugs, and are selling their bodies, where the crime syndicates profit big time. Here our lass, is a promising singer, where here in Tokyo, is not all she ends up doing. Defying the bastards who are using her for sex, she goes to the authorities to no avail. She is truly trapped. The boyfriend, a marine, who returns home, sets out after her, he too describing his girlfriend as vulnerable. Death Ride doesn't go for the sex or nudity either. There's little of either. It takes it's subject from a realistic standpoint, where we share Carol's journey and plight to escape this hell hole. And when the girls complain too much, they're sent on that death ride, where in Osaka, it's a much deeper hell. An older woman who's sent there, escapes, and is run down. A younger woman at the start, protesting to an older John about touching her, we revisit her later where she now looks older and highly drugged, forming a lazy speech pattern. Leigh fits the bill superbly amongst other good players. Although a t.v. movie. this is an eye opener for teens out there who have stars in their eyes, not to be duped by every ad they see, where this film serves as a forewarning to the dangers that are hugely present in far away countries.
See also
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