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News Items (1983)

Faits divers (original title)
This documentary follows the daily life of a section of the police station of the fifth "arrondissement" (district) of Paris.

Director:

Raymond Depardon
Reviews
1 nomination. See more awards »

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Storyline

This documentary follows the daily life of a section of the police station of the fifth "arrondissement" (district) of Paris.

Plot Summary | Add Synopsis

Plot Keywords:

police | paris france | See All (2) »

Genres:

Documentary

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Details

Country:

France

Language:

French

Release Date:

1 June 1983 (France) See more »

Also Known As:

Kronika wydarzen See more »

Filming Locations:

Paris, France

Company Credits

Production Co:

Copyright Films, Films A2 See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Color:

Color (Eastmancolor)
See full technical specs »

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User Reviews

 
Ethics in the Realm of Observational Documentary
8 February 2007 | by meddlecoreSee all my reviews

I would say that this observational documentary, by Raymond Depardon, is similar to parts of Wiseman's Public Housing and Domestic Violence. For those of you who aren't familiar with either director...think of it as COPS made like an art film. One difference between the two documentarians though, is that Depardon has a more ethical filmaking style, blacking out peoples faces at times, and even offering disclaimers in some of his other films (ie. Delits Flagrant), whereas Wiseman seems not to care about peoples feelings about being filmed, after they've given consent. This film is shot magnificently. They shoot from angles that attempt to emulate the gaze of the subject, but still seem to remain unintrusive (as much as a camera can). This type of filming in a documentary quenches both my cinematic and voyeuristic desires. I'm not sure if Depardon did the camera-work or if he directed the cameraman during the filming, but whoever is responsible for the aesthetics behind these shots should be greatly praised, as this film is absolutely beautiful, despite its content- as all Depardon's films are. I do know he was a renown photographer before he became a filmmaker, so I suppose credit should most likely be given to him. Unfortunately I had no subtitles, but even without subtitles this film is easy to watch, as every shot is beautiful.


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