In London, twenty-seven year-old hairdresser Rita decides to complete her basic education before having children as desired by her husband Denny. She joins a literature course in an open ...
See full summary »
A shy reclusive lady is convinced by an invisible entity to sing. Subsequently, she finds herself noticed by a sleazy talent agent and her talent being showcased on-stage. She also meets a kind but nervous man who becomes her best friend.
Shirley's a middle-aged Liverpool housewife, who finds herself talking to the wall while she prepares her husband's chip'n'egg, wondering what happened to her life. She compares scenes in ... See full summary »
In London, twenty-seven year-old hairdresser Rita decides to complete her basic education before having children as desired by her husband Denny. She joins a literature course in an open university and is tutored by the middle-aged Dr. Frank Bryant, an alcoholic and debauched professor from the upper-class whose life has left him emotionally drained, without self-esteem. Frank lives with Julia, who's also a professor, and have a loveless marriage; Julia has a love affair with the Dean Brian. Rivals humor and determination to improve herself is contagious; she gives motivation to Frank who helps prepare her for the exams to join the university, and be able to leave Denny. Will she succeed in the exams?Written by
Claudio Carvalho, Rio de Janeiro, Brazil
For those that know the source story is assumed to be set in Liverpool, but also know Dublin well, it can be very jarring to recognize distinct elements such as landmarks, streets, and other visuals well-known to "locals", but relatively obscure to those outside of Ireland. With changes around Dublin city center in the following thirty plus years, it has become an unintentional record of how Dublin used to look. See more »
When Rita first enters her shared flat, a record is playing on the turntable. The needle is extremely close to the end of the record, yet the song continues playing in the background for at least another two minutes with no sign of stopping. See more »
I was introduced to this movie when I was 5 and though I had no idea about the issues being dealt with I was mesmerized. As an American child I was fascinated by the "ultra-odd" culture and cars and streets and language and I loved every second of it. I think I've judged every film since by this one which would explain why I've never really enjoyed the "Hollywood happy ending". I think my favorite line is when Rita says, "It's fun, tragedy, isn't it?". AMEN. I rediscovered it in college and understood that Rita's journey for education came full circle, without convenient resolution, and I can completely relate. Great acting, great directing, truly a human drama ... I'd long for a sequel if sequel's weren't so damn awful. Brava Julie!
13 of 15 people found this review helpful.
Was this review helpful to you?
| Report this