Alfie Byrne is a middle-aged bus conductor in Dublin in 1963. He would appear to live a life of quiet desperation: he's gay, but firmly closeted, and his sister is always trying to find him... See full summary »
A fifteen year marriage dissolves, leaving both the husband and wife, and their four children, devastated. He's preoccupied with a career and a mistress, she with a career and caring for ... See full summary »
In a small village on the border of Northern Ireland and The Republic of Ireland, the relationship between a short tempered policeman and his rebellious son becomes even more strenuous when the young man falls for a "wrong" girl.
Andrew Crocker-Harris is an embittered and disliked teacher of Greek and Latin at a British public school. After nearly 20 years of service, he is being forced to retire on the pretext of ... See full summary »
Nick is a writer in New York when he gets posted to a bureau in Greece. He has waited 30 years for this. He wants to know why his mother was killed in the civil war years earlier. In a ... See full summary »
In a touring Shakespearean theater group, a backstage hand, the dresser, Norman (Sir Tom Courtenay), is devoted to the brilliant but tyrannical head of the company. He struggles to support deteriorating star Sir (Albert Finney) as the company struggles to carry on during the London blitz. The pathos of his backstage efforts rival the pathos in the story of Lear and the Fool that is being presented on-stage, as the situation comes to a crisis.Written by
Plays by William Shakespeare that are performed, mentioned or referred to in this movie include "Othello", "Hamlet", "MacBeth", "Richard III", "King Lear", "As You Like It", and "The Merchant of Venice". Non Shakespearean plays included Sutton Vane's "Outward Bound" and "The Corsican Brothers". See more »
After Sir and Norman leave the marketplace, they're passed by a Routemaster bus. These buses were first used in London in 1954, and weren't used outside London until the 1970's. See more »
Keep your teeth in!
It's only when I'm nervous
You will be nervous. I guarantee it.
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What happens backstage is always true drama. And often pure comedy. Such is the case of The Dresser, a film about an effeminate wardrobe man who is devoted to the deteriorating lead of the acting troupe he travels with. The film takes place in one night about a particularly difficult performance of William Shakespeare's King Lear. Albert Finney plays Sir, the lead role of the performance. He is in no condition to perform such a difficult role, yet he perseveres anyways with the help of his Dresser, Norman (Tom Courtenay). The two powerful leads are the highlight of this beautiful film.
The Dresser is what acting is all about. It is an intriguing blend of film acting and stage acting. Albert Finney and Tom Courtenay give exquisite and robust performances. Their conflicting personalities make them a delightful pair to watch interact. The acting in this film has the kind of prowess and impact of a stage performance with its loud and exaggerated movements. This kind of acting only works in certain settings, and The Dresser is a perfect example of where it not only works but is very necessary. It allows for a detachment from reality, drawing one into the theatrical world, something which stands out in such a unique and perplexing way.
Peter Yates directs this film with precise and aesthetically glamorous grandeur. It is a grand film that doesn't go too far out of line and never gets lost in itself. Yates directs with a keen eye for subtle detail and sparkling brilliance. The film is written with the same kind of subdued wit and beauty, making the film fit together nicely. The dialouge is great and the actors who deliver it bring so much life to the characters and script that it makes for a brilliant expose of the acting world.
The Dresser is a great film that accomplishes beauty and immersion without an immaculate setting. The film is subtly fantastic. Definitely check this one out.
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