Jealous, harried air traffic controller Max Fiedler, recently dumped by his girlfriend, comes into contact with nuclear waste and is granted the power of telekinesis, which he uses not only to win her back, but to gain a little revenge.
A bright assistant D.A. investigates a gruesome hatchet murder and hides a clue he found at the crime scene. Under professional threats and an attempt on his life, he goes on heartbroken because evidence point to the woman he still loves.
Arms dealers from several companies vie to sell the most expensive and highest tech weapons to a South American dictator. There are complications; understanding the exact nature of how 'gifts' are used to grease the wheels of a sale, a religious conversion from one of the salesman and a romance that begins to grow between two competitors, not to mention the imminient financial collapse of one of the companies if they don't make this sale. Written by
John Vogel <email@example.com>
When Eddie is in the trailer talking to Ray on the radio, he's wearing the headset with the microphone on the left side. In the next shot, it's on the right side. See more »
For I do not do the good that I want. But the evil I do not want is what I do. Now if I do what I do not want it is no longer I that do it but sin which dwells within me.
That's beautiful, Ray.
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It seems like everyone's opinion on this movie is evenly divided. People either love it or hate it. Personally, I am not a Chevy Chase fan by any stretch of the imagination. But I like many of William Friedkin's films so I wanted to give this a chance and went in without too many preconceptions.
It obviously can't stand up to a comparison to DR. STRANGELOVE as a few here have done. However, it still remains a fairly on-target, unflattering satire of the weapons industry and by extrapolation, other mass production industries that love to sell the government and public crap product cosmetically hyped as the next great answer to all their fears and desires, product that ends up being useless or obsolete within a year (if it even works properly in the first place). There are some pretty funny scenes sprinkled throughout and I was pleasantly surprised through the whole film how much dark, subversively funny jabs Friedkin gets away with. Especially in a big studio movie.
There's one scene in particular that makes the film well worth seeing --Gregory Hines (I believe it was him) gets into a verbal altercation with another extremely hotheaded driver (a maniacal Tony Plana) (over a fender bender? it's been a while since I've seen it) -- the verbal sparring quickly escalates into a life-threatening situation and the emotional dynamics the two actors bring to the scene is scarily believable while remaining extremely funny. This scene alone provides a microcosmic metaphor for the provocations of nations going to war and perfectly illustrates the pointless absurdity of aggressive behaviour in general. Also of note, it's great to see the underrated Vince Edwards in a large supporting role as the ruthless air weapons manufacturer.
DEAL OF THE CENTURY is never less than amusing and has some extremely funny sequences -- much better than many of these IMDb reviews would lead you to believe.
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