Jealous, harried air traffic controller Max Fiedler, recently dumped by his girlfriend, comes into contact with nuclear waste and is granted the power of telekinesis, which he uses not only to win her back, but to gain a little revenge.
Arms dealers from several companies vie to sell the most expensive and highest tech weapons to a South American dictator. There are complications; understanding the exact nature of how 'gifts' are used to grease the wheels of a sale, a religious conversion from one of the salesman and a romance that begins to grow between two competitors, not to mention the imminient financial collapse of one of the companies if they don't make this sale.Written by
John Vogel <email@example.com>
Closed captioning erroneously identifies the company Luckup as "LUCHUP" repeatedly, apparently misreading the company name when shown with a plane's trail cutting through the letters slightly above center, particularly where embroidered on the back of jackets. See more »
You got a nice flame job there, Becha. I'm gon' gi'ya a lil' touchup! A lil' touchup! Just a lil' touchup for ya!
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CBS edited 5 minutes from this film for its 1988 network television premiere. See more »
I loved this movie when it came out, and I still think it's one of Friedkin's most under- rated efforts. Where it lost a lot of the audience was in its requirement that they actually think about what was being presented to them. The jokes are not the usual Chevvy Chase, fall on his ass kind of thing, but for the most part have an actual point behind them. Where the film failed, I think, is culturally; audiences at the multiplex tend not to like to have to think about the entertainments they consume, so the movie got lukewarm reviews, and poor audiences. Look at the scene for example, where Gregory Hines' character is accosted by a mugger, and the way in which the scene escalates, for a perfect mini-allegory of the cold war, and the simplicity of its essential "strategies."
In truth, the movie falls between two stools, in terms of the audience it was aiming at. It's too much a Hollywood production to play on the art-house circuit; but its ethos is too "political" to play well in the major exhibition houses, ie, suburban multiplexes. It might be the case too, that because its satirical target is the military, some thought it as somehow "anti-American" and stayed away for that reason. But it's a fine film, well-structured and well scripted (in my opinion), having as its core the moral redemption of an immoral man. It also features a rarity for American commercial movies a black man in a major, well-thought out role who's not just a comedy sidekick for the hero. Give this one a chance, and it will reward multiple viewings.
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