The Dead Zone

One of the unwritten laws of the movies is that Stephen King books are nearly always disappointing when transferred to the big screen. One film which doesn't fit that rule is The Dead Zone. In the hands of David Cronenberg, you may expect this to be a gore-filled affair, but it is actually a very well-made, subtle film which emphasises the psychological sense of fear rather than settling for blood-spattered mayhem. There isn't a moment in the film that will make you jump out of your seat, but it is still an effectively scary film because it plays on your mind.

Normal, down-to-earth everyman Johnny Smith (Christopher Walken) is involved in a terrible car crash which leaves him comatose. Four years later, he miraculously awakens. To begin with, he is devastated to learn that his girlfriend has moved on, marrying and starting a family with another man. But soon he realises that this is the least of his problems. He soon discovers that the accident has left him with remarkable powers, which enable him to see into people's futures just by touching their hand. And Johnny is in for one hell of a nasty shock when he shakes hands with potential senator Greg Stillson (Martin Sheen) at a political rally....

An intelligently paced and very well-acted film, The Dead Zone is also full of unpredictable plot developments. Walken elicits great sympathy as the normal guy who rapidly learns that his new gift is actually a curse, and there are fabulous supporting performances from Tom Skerritt, Herbert Lom, Brooke Adams and the terrifying Martin Sheen. The film has several tremendous moments, but the climax in particular builds to an emotional crescendo. The premise of The Dead Zone is probably rather silly if you stop to think about it, but other than that it is a most impressive film - and still ranks as one of, if not THE, best adaptation of a Stephen King story so far.

I'm a great admirer of David Cronenberg, and "The Dead Zone' could well be his most underrated movie. The problem is that it's just not very Cronenbergesque, and being "Deprave" Cronenberg's first mainstream Hollywood movie, and coming hot off his provocative and mind blowing 'Videodrome', many people regard it as some kind of sell out. I really cannot agree. If you forget your preconceived idea of what Cronenberg movies SHOULD be (and let's not forget his other career oddities 'Fast Company' or 'M. Butterfly'), and just accept it for what it is, you'll see that it is a very well made and well acted thriller, and is almost impossible to fault. In my opinion it joins Kubrick's 'The Shining' and De Palma's 'Carrie' as the most effective Steven King adaptations to date. Christopher Walken is on top form here, and I think gives one of his very best performances. The supporting cast are also excellent, the lovely Brooke Adams ('Invasion Of The Body Snatchers'), horror veteran Herbert Lom ('Mark Of The Devil'), Martin Sheen ('Badlands'), Tom Skerritt ('Alien'), Anthony Zerbe ('The Omega Man'), and Cronenberg regular Nicholas Campbell, who is involved in the movies most unforgettable sequence. I've lost track of how many times I've watched 'The Dead Zone' over the years, but it never fails to hook me in, and I always get something more out of Walken's performance every time I view it. This movie may not be typical fare from David Cronenberg, but it is one of his most straightforward and entertaining films. Highly recommended.

THE DEAD ZONE is one of the best adaptations of a Stephen King novel, capturing the horror as well as King's meditation on destiny, fate, etc. It helps a lot that David Cronenberg directed it, lending his cold, somber tone, which fits perfectly with the story. Casting Christopher Walken as Johnny Smith was pure genius, since Walken's gaunt, haunted look and renowned quirkiness made him an ideal choice. Brooke Adams is Johnny's conflicted fiancee, Sarah, torn between a once promising past and a poignant future.

Johnny's long journey begins with an accident, resulting in a lengthy coma, which destroys his life while somehow allowing him to see events before they happen. This leads to his ability being used to help those around him, culminating in a decision that just might save the world.

Co-stars Herbert Lom as Johnny's soon-to-be eternally grateful doctor, Sam Weizak, Anthony Zerbe as zillionaire hockey dad, Robert Stuart, Tom Skerritt as the desperate Sheriff Bannerman, and Martin Sheen as the repellent politician, Greg Stillson.

P. S.- Once unimaginable, the rise of Stillson seems almost prophetic now...

I keep having to remind myself that David Cronenberg directed this, as it is so unlike his previous and subsequent work--more mainstream, less cold, and far less fixated on gooey special effects. What is going on here? One of the most stunning adaptations of a Stephen King novel with Christopher Walken absolutely brilliant as tortured coma victim Johnny Smith, that's what. An elementary-school teacher preparing to marry Sarah (Brooke Adams), Johnny has a run-in with fate that throws him into a coma for 5 years; when he awakens, he is plagued by psychic visions, including a chilling apocalypse that frames the film's final act. While the horror elements (including a suicide via scissors) carry an appropriate impact, the core of "The Dead Zone" is Walken's performance--he portrays Johnny as a recluse who regards his visions as a curse, and taps into a sensitivity and vulnerability that is rarely seen in male film characters; his interactions with others carry a down-home, plausible feel that gives the film a strong emotional resonance. Cronenberg directs Jeffrey Boam's script almost as a series of vignettes, but maintains a flowing pace and trusts Walken to deliver the film to a heartfelt, tragic conclusion.

It seems that movies starring Christopher Walken just can't go wrong! David Cronenberg's adaptation of Stephen King's "The Dead Zone" features him in one of his most interesting roles as literature teacher Johnny Smith, who becomes psychic after surviving a car wreck. He uses his newfound power to help people avoid danger, but soon faces a moral dilemma when it looks like political candidate Greg Stilson (Martin Sheen) may become the next Hitler.

This is one of those movies that has shades of everyone involved in it. Walken's eerie presence, Sheen's (apparent) "aw shucks" demeanor, plus the horrific feeling of Cronenberg and King. You're sure to love it. Also starring are Brooke Adams as Johnny's ex hubby, and Herbert Lom as a doctor (you may expect him to launch into an anti-Clouseau diatribe, but his role here is as far removed from Commissioner Dreyfus as possible).

Very well done.