The crew of a nuclear bomber attack the Soviet Union while the President of the United States tries desperately to regain control of his military after his helicopter crashes during a ... See full summary »
Director:
Jack Sholder
Stars:
Powers Boothe,
Rebecca De Mornay,
James Earl Jones
A TV reporter and cameraman are taken hostage on a tugboat while covering a workers strike. The demands of the hostage-takers are to collect all the nuclear detonators in the Charleston, SC... See full summary »
The frightening story of the weeks leading up to and following a nuclear strike on the United States. The bulk of the activity centers around the town of Lawrence, Kansas.Written by
Anthony Ventarola <theventman@aol.com>
The nuclear missile launch code, sent to the Minuteman silos to fire their missiles at the Soviet Union, was portrayed in the film as "Alpha-7-8-November-Foxtrot-1-5-2-2" with an authentication of "Delta X-ray". See more »
Goofs
When the missiles are launching behind the Medical Center and behind the park gazebo, you can see dents and imperfections in the rear-projection screen. See more »
Quotes
Joe Huxley:
[over a citizens band radio at the University of Kansas]
I have an atmosphere report for anybody who's listening. Dr. Oakes, do you read? Come in, Dr. Oakes, do you hear me?
Dr. Russell Oakes:
Yes, Joe.
Joe Huxley:
We are holding fast at just a hair under 50 rads per hour. I thought that it would have diminished by now. I guess that means we're picking up fallout from... Titan missile bases in Wichita... wherever else out west. That's the way the wind blows - straight toward St. Louis.
Dr. Russell Oakes:
When will it be safe to move people to ...
[...] See more »
Alternate Versions
Originally filmed at 3 hours, the original release version (which ran in European theatres and later worldwide on home video) ran 126 minutes. The network telecast version (available for a time on LaserDisc) ran 120 minutes. Heavily edited for later telecast showings. Most current video cassette and disc versions run the full 126-minute length. See more »
If you think this movie's theme is outdated, think again. The Doomsday Clock has moved ahead three times since the end of the Cold War. From a press release: "Chicago, February 27, 2002: Today, the Board of Directors of the Bulletin of the Atomic Scientists moves the minute hand of the `Doomsday Clock,' the symbol of nuclear danger, from nine to seven minutes to midnight, the same setting at which the clock debuted 55 years ago. Since the end of the Cold War in 1991, this is the third time the hand has moved forward."
I watched this movie again a few weeks ago, after seeing it on TV as a ten-year-old kid. While some of the story-lines were painful (e.g. the soon-to-be-wed farmer's daughter whining when dad caught her sneaking off to have sex) this was a well-done movie showing the effects of nuclear war on middle america.
While maybe you can knock this for it's dramatic quality, I think it holds together as an honest story. Some of the criticisms I've read below don't hold together. The story *is* clear about the effects that happen at different distances from ground-zero. The Russians nailed Kansas because of the missile silos there. And it is honest about human nature: in the aftermath lots of people help, like the doctor, but others kill for food or land and there's plenty of panic and anger to go around.
This movie made an impression on me when I saw it as a kid and also now as an adult. And for those out there knocking it--remember this: The Day After made the people of the United States realize what kind of horrible toys their leaders are dealing with. It sparked the movement against nukes. We need a similar movement today--because people have forgotten, or don't think nuclear weapons are a threat. But the United States is now researching new, tactical nukes which, if smaller, will still result in fallout poisoning people unlucky to be in the neighborhood. Just like the kids in Iraq that get to breath the Uranium dust from our tank-busting weapons.
I wish we had more movies like this, and like _Traffic_, that bring painful realities to life and make people think.
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If you think this movie's theme is outdated, think again. The Doomsday Clock has moved ahead three times since the end of the Cold War. From a press release: "Chicago, February 27, 2002: Today, the Board of Directors of the Bulletin of the Atomic Scientists moves the minute hand of the `Doomsday Clock,' the symbol of nuclear danger, from nine to seven minutes to midnight, the same setting at which the clock debuted 55 years ago. Since the end of the Cold War in 1991, this is the third time the hand has moved forward."
I watched this movie again a few weeks ago, after seeing it on TV as a ten-year-old kid. While some of the story-lines were painful (e.g. the soon-to-be-wed farmer's daughter whining when dad caught her sneaking off to have sex) this was a well-done movie showing the effects of nuclear war on middle america.
While maybe you can knock this for it's dramatic quality, I think it holds together as an honest story. Some of the criticisms I've read below don't hold together. The story *is* clear about the effects that happen at different distances from ground-zero. The Russians nailed Kansas because of the missile silos there. And it is honest about human nature: in the aftermath lots of people help, like the doctor, but others kill for food or land and there's plenty of panic and anger to go around.
This movie made an impression on me when I saw it as a kid and also now as an adult. And for those out there knocking it--remember this: The Day After made the people of the United States realize what kind of horrible toys their leaders are dealing with. It sparked the movement against nukes. We need a similar movement today--because people have forgotten, or don't think nuclear weapons are a threat. But the United States is now researching new, tactical nukes which, if smaller, will still result in fallout poisoning people unlucky to be in the neighborhood. Just like the kids in Iraq that get to breath the Uranium dust from our tank-busting weapons.
I wish we had more movies like this, and like _Traffic_, that bring painful realities to life and make people think.