A nerdish boy buys a strange car with an evil mind of its own and his nature starts to change to reflect it.A nerdish boy buys a strange car with an evil mind of its own and his nature starts to change to reflect it.A nerdish boy buys a strange car with an evil mind of its own and his nature starts to change to reflect it.
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- 3 nominations total
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Featured reviews
This is a well made horror/Fantasy picture, John Carpenter directs and puts his talent even into the music score, which is classic Carpenter old school synth based vibe, among also the presence of many 1950's rock n roll classic tracks, to give you a vibe of the car 'Christine' Period of manufacture during the 1950's.
Of course there are a few flaws here and there, but it's a addictive watch, with many modern horrors churned out in recent years which go straight to Netflix streaming service, this 1980's film has a high a look of high production value, especially when comparing it to so many modern digital movies from 2000 onwards. , I love the grain in the film and the non CGI, it has great special effects never the less.
I think it stands up as one of Carpenters better features along with The Thing and Assault on Precinct 13. It's perhaps not quite as good, but still it seems to have aged well. Good fun, if you like a car based film with mind of its own.
For my Smart Money, "Christine" is one of John Carpenter's most underrated efforts (up there with "Assault on Precinct 13"), and also one of his most effective. Even though its modest look and relative restraint in gore came as a result of "The Thing"'s box-office failure the previous year, and Carpenter has all but admitted his heart wasn't in the project, it ultimately turned out VERY well (if this is an effort from a sleepwalking Carpenter, he's better than most directors when they're awake). As someone who was knocked out by Rob Bottin's intricately gruesome FX work in "The Thing," but left cold by the shallow characters, "Christine" fills in the gaps of suspense and human story with ease. In retrospect, some of the absurd plot elements ("a haunted car," as Carpenter constantly reiterates) lends the film an odd humor that doesn't detract from things (and indeed, it was Stephen King's own infatuation with cars and rock music that inspired this story of obsession). Scenes are composed with great skill by Carpenter (making wonderful use of the widescreen image), and there are many striking images sprinkled throughout (the most incredible being the flaming Christine speeding after a villain). The excellent cast gives their all in making a potential B-movie premise glow with A-list polish: Keith Gordon's Arnie (the painfully square high-school senior who buys the titular vehicle), John Stockwell's Dennis (the resourceful jock and best friend), Alexandra Paul's Leigh (the earthy girlfriend who sparks Christine's jealousy), and Harry Dean Stanton's Junkins (the snooping P.I.) provide this tale with a lot of propulsive force. In a sense, "Christine" is a nice even ground between the zaniness of "Escape from New York" and the FX extremes of "The Thing," and exemplifies Carpenter's range as a director. A very underrated effort that is very much worth your time.
John Carpenter adapts Stephen King's novel with skillful precision. A high school kid becomes obsessive in his feelings for a very strange car he has bought. The car is given the name Christine and repays her owner's adoration by "taking care of" his enemies.
It is fun watching Keith Gordon, owner of Christine, go from wimp to self proclaimed stud. Also in the cast are: John Stockwell, Alexandra Paul, Harry Dean Stanton and David Spielberg.
It is super cool watching Christine repair her damaged parts. This is an underrated movie that deserves a repeat viewing.
It is fun watching Keith Gordon, owner of Christine, go from wimp to self proclaimed stud. Also in the cast are: John Stockwell, Alexandra Paul, Harry Dean Stanton and David Spielberg.
It is super cool watching Christine repair her damaged parts. This is an underrated movie that deserves a repeat viewing.
John Carpenter's CHRISTINE is a tragic love story of sorts. Nerdy high school student, Arnie Cunningham (Keith Gordon) has a hard time at school. He spends most of his days being bullied by the odious Buddy Repperton (William Ostrander) and his gang of shop class hooligans. Arnie's only friend, Dennis Guilder (John Stockwell) tries to protect him, but bullies have a way of winning through numbers.
Then, one day, Arnie finds the love of his life, a 1958 Plymouth Fury named CHRISTINE. He is transfixed, even though the car is in terrible shape. Embarking on a mission to restore her, Arnie will never be the same again. He knows nothing of the car's bizarre, deadly history. A history that's about to repeat itself. Everyone else, including Buddy and his pals, had better watch out!
Carpenter has done a masterful job with the original Stephen King novel. As with CARRIE, King is great at portraying those who don't fit in. Gordon plays Arnie with just the right amount of quirky, dorky-ness. The mechanical monster "herself" is beautiful, and Carpenter makes "her" live, kill, die, and resurrect in a very convincing manner. Though it differs in some ways from the book, the movie is memorable in its own right. Arguably, one of Carpenter's truly great horror films.
For lovers of hefty, rolling mountains of steel and chrome.
Co-stars Alexandra Paul as Leigh Cabot...
Then, one day, Arnie finds the love of his life, a 1958 Plymouth Fury named CHRISTINE. He is transfixed, even though the car is in terrible shape. Embarking on a mission to restore her, Arnie will never be the same again. He knows nothing of the car's bizarre, deadly history. A history that's about to repeat itself. Everyone else, including Buddy and his pals, had better watch out!
Carpenter has done a masterful job with the original Stephen King novel. As with CARRIE, King is great at portraying those who don't fit in. Gordon plays Arnie with just the right amount of quirky, dorky-ness. The mechanical monster "herself" is beautiful, and Carpenter makes "her" live, kill, die, and resurrect in a very convincing manner. Though it differs in some ways from the book, the movie is memorable in its own right. Arguably, one of Carpenter's truly great horror films.
For lovers of hefty, rolling mountains of steel and chrome.
Co-stars Alexandra Paul as Leigh Cabot...
Tense, thrilling, reeking of terror & delivering the goods in a gripping fashion, John Carpenter's Christine is far more engaging & nail-biting than it looks, and appears just as polished today as it did at its time of release. Another impressive yet under-appreciated gem from The Horror Master that's well worthy of its cult following.
Storyline
Did you know
- Trivia15% of the budget was just on the cars. By the end of filming, all but 2 were destroyed.
- GoofsWhen Christine smashes into the silver Camaro at the gas station, the hood of the Camaro gets knocked off the hinges and twisted sideways. As Christine reverses and drags the Camaro backward, you can see down through the hood that the engine compartment is empty. Minus a transmission, as well.
- Quotes
Arnie Cunningham: Okay... show me.
- Crazy creditsIn the opening credits when the titles are appearing, Christine's engine can be heard.
- Alternate versionsThere was a home video release during the 1980s that was an extended cut which included many of the deleted scenes found on the Special Edition DVD.
- ConnectionsFeatured in At the Movies: Christine/Silkwood/Sudden Impact/Thriller (1983)
- SoundtracksBad To The Bone
Written by George Thorogood
Performed by George Thorogood & The Destroyers (as George Thorogood and The Destroyers)
Courtesy of EMI America Records
Delsound Music
Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- John Carpenter's Christine
- Filming locations
- Calabasas High School - 22855 Mulholland Highway, Calabasas, California, USA(Football game scenes.)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $9,700,000 (estimated)
- Gross US & Canada
- $21,017,849
- Opening weekend US & Canada
- $3,408,904
- Dec 11, 1983
- Gross worldwide
- $21,045,763
- Runtime1 hour 50 minutes
- Sound mix
- Aspect ratio
- 2.35 : 1
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