A middle-aged woman, traumatized from the death of her adulterous lover, moves into a room at a New Orleans boarding house where the blind landlord becomes suspicious to her activities of continuing her affair with her dead lover.
Traumatized by her mother's death, young Susan is becoming possessed by the same demon that possessed her mother before she died. More and more her husband and psychiatrist are noticing the... See full summary »
Convinced that her father's death was not accidental, a beautiful girl decides to investigate to find out the truth, aided by her boyfriend. Her sleuthing draws her to a local mortuary, where many secrets will be revealed.
Mary Beth McDonough,
A former hooker runs a successful men's magazine. An obsessed admirer systematically slaughters her models (occasionally increasing the magazine's output) and supplies the mistress with ... See full summary »
A composer, working in isolation on a score for a horror movie meets two women who used to know his house's former tenant. When the women disappear, he's forced to look into the film he's working on to determine what happened to them, and who's responsible.Written by
Brian J. Wright <firstname.lastname@example.org>
Director Lamberto Bava said in an interview that he liked the American title for the film (A Blade in the Dark) much better than the Italian title (House of Dark Stairs). Bava felt that particular title captured the film much better. See more »
Near the beginning of the movie the blade is seen cutting an adult magazine across the woman's right breast (from our point of view). Shortly afterwards when the composer examines the mysterious cuts in the magazine the slice marks appear across the left breast (from our point of view). See more »
Sadistic violence, a compelling score and not much of a plot. Welcome to Bava's textbook Giallo!
Lamberto Bava, son of the greatest director of all time Mario Bava, suffers from an unhealthy obsession to face his audiences with some of the most nauseating and gross images ever. He previously did so in `Demoni', while using a terrific gimmick and appealing black humor. Demoni still ranks as his most famous film. In this `A blade in the Dark', he tries to mix his typically sadistic violence with tension and mystery but fails shamefully.
The plot and style is textbook Giallo stuff. During the entire film minus the last five minutes, walls of mystery are built up around the killer's identity. The `whodunit' is overstressed and it all results in far-fetched nonsense. In this case: A woman (?) who brutally slaughters young girls inside a luxurious mansion. The new tenant of this mansion is Bruno, a music composer hired to provide a new horror film with a compelling and ominous score. Bruno discovers there are a lot of similarities between the script of this particular film and the real-life murders. Bava enthusiastically focuses on the mystery so much he doesn't realize the climax actually is real dull and déja-vu. Also, the film isn't entirely worth its controversial status. Sure, the murders are disgusting and explicit, but not different or more repulsive than the ones shown in any other Italian Giallo. The most positive aspect about `A blade in the Dark' is the excellent score. The loud music, warning you someone is about to die gruesomely, is far more exiting and `horrific' as the crime itself. Apart from a few top-creepy moments (tennis balls falling from the ceiling), this film isn't highly memorable.
Although not as notorious as `A blade in the Dark', I strongly advise to check out another Bava Giallo. `Foto di Gioia', a.k.a Delirium, which is a lot more imaginative and it doesn't take itself as serious. Not to mention it features Italy's most beautiful woman, Serena Grandi.
10 of 18 people found this review helpful.
Was this review helpful to you?
| Report this