Jesse has to get out of Las Vegas quickly, and steals a car to drive to L.A. On the way he shoots a police man. When he makes it to L.A. he stays with Monica, a girl he has only known for a few days. As the film progresses, the police get closer to him, and the crimes escalate.Written by
Colin Tinto <cst@imdb.com>
At the start, when Jesse is driving the stolen Porsche to L.A, he is seen taking off his jacket. the next shot is a shot from behind, which shows him with his jacket still on. In the shot after that, he is seen continuing to take off his jacket. See more »
Quotes
Jesse Lujack:
I say Monica, you ever been to Mexico, honey?
Jesse Lujack:
I say Monica, darlin', you coming to Mexico with me?
Jesse Lujack:
Monica, you coming to Mexico with me!
Jesse Lujack:
Me and Monica!
Jesse Lujack:
Cos I'm gonna tell you how it's gonna be!
Jesse Lujack:
Mon-Monica and me!
Jesse Lujack:
Me and Monica! Yeah, me and Monica go to Méjico!
See more »
Alternate Versions
Although the UK cinema version was uncut, the 1986 video release suffered 24 seconds of detailed edits to the scenes where Richard Gere breaks into and hot-wires a car, plus his breaking into 'Valerie Kaprisky''s flat using the lock pick. The cuts were fully restored in 2001 and the certificate downgraded to a "15". See more »
A Bout De Soufflé is closely related to the portrait of a generation shaped by Beatnik and Existencialist philosophies. Kerouak and Salinger in USA, Sartres and Camus in France, were among the intellectuals who inspired this generation.
A generation whose "malaise" is embedded in Paris atmosphere. Paris which was the very center of occidental culture by that time.
The American version of this story, Breathless, directed by Jim McBride, missed the point because the portrait of a generation of the sixties in Paris, cannot be transplanted to a context of the eighties in California.
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A Bout De Soufflé is closely related to the portrait of a generation shaped by Beatnik and Existencialist philosophies. Kerouak and Salinger in USA, Sartres and Camus in France, were among the intellectuals who inspired this generation.
A generation whose "malaise" is embedded in Paris atmosphere. Paris which was the very center of occidental culture by that time.
The American version of this story, Breathless, directed by Jim McBride, missed the point because the portrait of a generation of the sixties in Paris, cannot be transplanted to a context of the eighties in California.